Tag: Shatapatha Brahmana

  • Yajnavalkya Compiler Shukla Yajur Veda Satapatha Brahmanas

    Of the Four Vedas, Rig, Yajur, Sama and Atharva,Yajur veda has two aspects.

    Krishna Yajur and

    Shukla Yajur.

    Sage Yajnavalkya.jpg Sage Yajnavalkya.

    The Shukla Yajur Mantras are longer and more detailed.

    The reason attributed is that though these Mantras have been revealed by Lord Surya, The Sun God directly to Sage Yajnyavalkya, as these Mantras were not initiated by a Guru, as recommended by the Vedas, more Mantras are provided to compensate the issue of not being initiated bya Guru.

    Yajnyavalkya was a Disciple of Vaisampayana.

    The Sages used to meet often to exchange views on the Vedas, much like the Academics of today.

    On one such occasion, Vaisampayana asked one of his disciples(Not Yajnyavalkya) to represent him.

    Yajnavalkya informed the Guru that he would represent him and he argued with Vaisampayana on this issue.

    Annoyed Vaisampayana admonished Yajnavalkya for questioning the Guru, being argumentative and advised Yajnyavalkya to leave  after returning the Vedas he had learnt.

    Yajnavalkya is the first recorded Sage in History.

    As per the demands of his Guru, Yājñavalkya vomited all the knowledge that he acquired from his teacher in form of digested food. Other disciples of Vaisampayana took the form ofpartridge birds and consumed the digested knowledge (a metaphor for knowledge in its simplified form without the complexities of the whole but the simplicity of parts) because it was knowledge and they were very eager to receive the same.

    The Saṃskṛt name for partridge is “Tittiri”. As the Tittiri (partridge) birds ate this Veda, it is thenceforth called the Taittirīya Yajurveda. It is also known as Kṛṣṇa Yajurveda or Black-Yajurveda on account of it being a vomited substance. The Taittirīya Saṃhitā thus belongs to this Yajurveda.

    Then Yājñavalkya determined not to have any human guru thereafter. Thus he began to propitiate the Sun God, Surya. Yājñavalkya worshipped and extolled the Sun, the master of the Vedas, for the purpose of acquiring the fresh Vedic portions not known to his preceptor, Vaiśampāyana.

    The Sun God, pleased with Yājñavalkya penance, assumed the form of a horse and graced the sage with such fresh portions of the Yajurveda as were not known to any other. This portion of the Yajurveda goes by the name of Śukla Yajurveda or White-Yajurveda on account of it being revealed by Sun. It is also known as Vajasaneya Yajurveda, because it was evolved in great rapidity by Sun who was in the form of a horse through his manes.The rhythm of recital of these vedas is therefore to the rhythm of the horse canter and distinguishes itself from the other forms of veda recitals. In Sanskrit, term “Vaji” means horse. Yājñavalkya divided this Vajasaneya Yajurveda again into fifteen branches, each branch comprising hundreds of Yajus Mantras. Sages like Kanva, Madhyandina and others learnt those and Śukla Yajurveda branched into popular recensions named after them.

    It is important to note that within the hierarchy of Brāhmaṇas, certain sects believe in the Kṛṣṇa Yajurveda while others practice from the Śukla Yajurveda.

    Yājñavalkya married two wives. One was Maitreyi and the other Katyaayanee. Of the two, Maitreyi was a Brahmavadini (one who is interested in the knowledge of Brahman).The descendant sects of Brahmans are the progeny of the first wife Katyaayanee. When Yājñavalkya wished to divide his property between the two wives, Maitreyi asked whether she could become immortal through wealth. Yājñavalkya replied that there was no hope of immortality through wealth and that she would only become one among the many who were well-to-do on. When she heard this, Maitreyi asked Yājñavalkya to teach her what he considered as the best. Then Yājñavalkya described to her the greatness of the Absolute Self, the nature of its existence, the way of attaining infinite knowledge and immortality, etc. This immortal conversation between Yājñavalkya and Maitreyi is recorded in the Brihadaranyaka Upanishad.

    Wisdom of Yājñavalkya is shown in Brhadaranyaka Upanishad where he gives his teachings to his wife Maitreyi and King Janaka.[6] He also participates in a competition arranged by King Janaka about the selecting great Brhama Jnani (knower of Brahman). His intellectual dialogues with Gargi (a learned scholar of the times) form a beautiful chapter filled with lot of philosophical and mystical question-answers in Brhadaranyaka Upanishad. He was then praised as the greatest Brahmajnyani by all the sages at the function organised by king Janaka. In the end, Yājñavalkya took Vidvat Sanyasa (renunciation after the attainment of the knowledge of Brahman) and retired to the forest..

    Satahapatha Brahmanas.

    This deals more with the Karma Kanda, performance of Rituals.

    The Shatapatha Brahmana (शतपथ ब्राह्मण śatapatha brāhmaṇa, “Brahmana of one hundred paths”, abbreviated ŚB) is one of the prose texts describing the Vedic ritual, associated with the Shukla Yajurveda.[1] It survives in two recensions, Madhyandina (ŚBM, of the vājasaneyi madhyandina śākhā) and Kanva (ŚBK, of the kāṇva śākhā), with the former having the eponymous 100 chapters (adhyayas), 7,624 kandikas (parts) in 14 books, and the latter 104 chapters, 6,806 kandikas in 17 books.

    Linguistically, the Shatapatha Brahmana belongs to the later part of the Brahmana period of Vedic Sanskrit (i.e. roughly the 8th to 6th centuries BCE, Iron Age India).[2]

    Jan N. Bremmer dates it to around 700 BCE.[3] According to Julius Eggeling, the final version of the text was committed in 300 BCE, although some of its portions are “far older, transmitted orally from unknown antiquity”.

    Among the points of interest in the text are its mythological sections, including the myths of creation and the Deluge of Manu.The creation myth has several similarities to other creation myths, including the use of primordial water (similar to the Bible), the explanation of light and darkness, the separation of good and evil, and the explanation of time. The text describes in great detail the preparation of altars, ceremonial objects, ritual recitations, and the Soma libation, along with the symbolic attributes of every aspect of the rituals.

    The 14 books of the Madhyandina recension can be divided into two major parts. The first 9 books have close textual commentaries, often line by line, of the first 18 books of the corresponding samhita of the Yajurveda. The following 5 books cover supplementary and ritualistically newer material, besides including the celebrated Brhadaranyaka Upanishad as most of the 14th and last book.

    The Shatapatha Brahmana of Madhyandina School was translated into English by Julius Eggeling, in the late 19th century, in 5 volumes published as part of the Sacred Books of the East series. The English translation of Kanva School was done by W.E. Caland in 3 parts.

    Citations.

    https://en.wikipedia.org/wiki/Shatapatha_Brahmana

    https://en.wikipedia.org/wiki/Yajnavalkya

  • Aswamedha A Sexual Orgy Rama’s Mother In Animal Sex ?

    Aswamedha A Sexual Orgy Rama’s Mother In Animal Sex ?

    Subsequent to my articles  on the so-called western scholars on misinterpreting Hinduism, I had a thought it was not right on my part to condemn them singularly without really checking up whether their vilification of Hinduism, under the garb of promoting it was intentional.

     

     

    When I started searching to find out where Max Mueller learnt Sanskrit, I landed with an atrocious piece of disinformation, which deeply hurt me.

     

    (I will be posting on Ma Mueller’s Sanskrit learning later.)

     

    Lord Rama’s Mother  had indulged in animal Sex during a Yaga!

     

    This was found, quoting the Satapatha Brahmana,Ramayana.

     

    I am quoting the rebuttal.

     

    Those who know Sanskrit and the Sathapatha Brahmana may contribute on this issue.

     

    This is the price Hindus have to pay for not studying their Scriptures, allowing others to insult them.

     

    The solution lies in studying our scriptures in Sanskrit, our Father tongue. our mother tongues may vary, but Father is One.

     

    The information.

     

    I. The sexual ritual of the asvamedha yajna quoted from the Vedas (Satapatha Brahmana). II. Lord Rama’s mom & co-moms participate in the queen-horse sexual ritual of the asvamedha in the Valmiki Ramayana. I. The sexual ritual of the asvamedha yajna quoted from the Vedas. 

    The priests supervising the asvamedha: the officiant (adhvaryu), overseer (brahman), cantor (udgatri) and the invoker (hotri).

    The king’s wives which participate in the queen-horse copulation ceremony of the asvamedha: the chief wife (mahishi), favourite wife, rejected wife and the fourth wife.

    The Satapatha Brahmana, quoted below, offers clear instructions on how the queen-horse copulation ritual of the asvamedha is to be conducted; the king’s chief wife (the mahishi) is to copulate with the carcass of the horse while the priests and all the participants curse each other in degenerate language:

    “A cloth, an upper cloth, and gold is what they spread out for the horse, and on that they ‘quiet’ him.

    When the sacrificial animals have been ‘quieted’, the (king’s) wives come up with water for washing the feet — four wives, and a maiden as the fifth, and four hundred women attendants.

    When the water for washing the feet is ready, they make the chief queen (Mahishi) lie down next to the horse, and they cover the two of them up with the upper cloth as they say the verse, ‘Let the two of us cover ourselves in the world of heaven’, for the world of heaven is where they ‘quiet’ the sacrificial animal.

    Then they draw out the penis of the horse and place it in the vagina of the chief queen, while she says, ‘May the vigorous virile male, the layer of seed, lay the seed’; this she says for sexual intercourse.

    While they are lying there, the sacrificer insults the horse by saying, ‘Lift up her thighs and put it in her rectum.’ No one insults (the sacrificer) back, lest there should be someone to act as a rival against the sacrificer.

    The officiant (Adhvaryu) then insults the maiden: ‘Hey, maiden, hey, maiden, the little female bird …’ and she insults him back: ‘Hey, officiant, hey, officiant, that little bird….’

    And then the overseer (Brahman) insults the chief queen: ‘Hey, chief queen, hey, chief queen, your mother and father climb to the top of a tree….’ She has as her attendants a hundred daughters of kings; they insult the overseer in return: ‘Hey, overseer, hey, overseer, your mother and your father play in the top of a tree….’

    Then the cantor (Udgatri) insults the king’s favourite wife: ‘Hey, favourite, hey, favourite wife, raise her up erect….’ She has as her attendants a hundred royal women; they insult the cantor in return: ‘Hey, cantor, hey, cantor, raise him up erect….’

    Then the invoker (Hotri) insults the rejected wife: ‘Hey, rejected wife, hey, rejected wife, when inside her tight crack….’ She has as her attendants a hundred daughters of bards and village headmen; they insult the invoker in return: ‘Hey, invoker, hey, invoker, when the gods see that miserable penis….’ Then the carver (Kshatri) insults the fourth wife: ‘Hey, fourth wife, hey, fourth wife, when the deer eats the barley, (the farmer) does not hope to nourish the animal….

    ‘ She has as her attendants a hundred daughters of carvers and charioteers; they insult the carver in return

    : ‘Hey, carver, hey, carver, when the deer eats the barley, (the farmer) does not hope to nourish the animal….’

    These insulting speeches are for all kinds of attainment, for through the horse sacrifice all desires are achieved. Thinking, ‘With all kinds of speech we will achieve all kinds of desires’, they make the chief queen get up.

    Then the women walk back the way they came, and the others utter at the end a sweet-smelling verse, the verse that begins, ‘I praise Dadhikravan.

    ‘ For the life-span and the gods go out of those who speak impure speech in the sacrifice. Thus they purify their speech to keep the gods from going out of the sacrifice.” – Satapatha Brahmana 13:5:2:1-10. [O’Flaherty, Wendy D. Textual Sources for the Study of Hinduism. Pub.: University of Chicago Press. ISBN 0-226-61847-1. pp.16-17]. II.

    Lord Rama’s mom & co-moms participate in the queen-horse sexual ritual of the asvamedha in the Valmiki Ramayana. King Dasaratha: Lord Rama’s father. Kausalya:

    Rama’s mom. Kaikeyi & Sumitra: Rama’s co-moms. To ensure the birth of sons, King Dasaratha conducted both the asvamedha and the putrakamesti yajnas. 

    The following quote from the Valmiki Ramayana details the first of the two sacrifices that King Dasaratha conducted — the asvamedha yajna, in particular the queen-horse sexual portion of the sacrifice.

    Although all three of King Dasaratha’s wives were united with the carcass of the horse, Rama’s mom Kausalya was the one who had the honor of spending a whole night with the dead animal’s genitals plugged in her vagina:

    “The prescribed victims — snakes, birds, the horse, and aquatic animals — were bound at the place of immolation; each was dedicated to a specific divinity as is set forth in the ritual texts.

    The priests then bound them all to the posts in the manner set forth in the ritual texts.

    Three hundred beasts in addition to Dasaratha’s jewel of a horse were bound there to the sacrificial posts.

    Kausalya walked reverently all around the horse and then with the greatest joy cut it with three knives.

    Her mind unwavering in her desire for righteousness,

    Kausalya passed one night with the horse. The priests — the hotr, theadhvaryu, and the udgatr — saw to it that the second and the juniormost of the king’s wives, as well as his chief queen, were united with the horse.

    Then the officiating priest, who was extremely adept and held his senses in check, removed the fat of the horse and cooked it in the manner prescribed in the ritual texts.

    At the proper time and in accordance with the ritual prescriptions, the lord of men then sniffed the fragrance of the smoking fat, thereby freeing himself from sin.

    Then, acting in unison, the sixteen brahman officiating priests threw the limbs of the horse into the fire, in accordance with the ritual injunctions. In other sacrifices, the oblation is offered upon branches of the plaksa tree, but in the Horse Sacrifice alone the apportionment of the victim is made on a bed of reeds.

    The Horse Sacrifice is known as the Three-Day Rite; for both the kalpasutra and thebrahmanas refer to the Horse Sacrifice as a rite lasting for three days.” – Ramayana 1:13:24-33. [Goldman, Robert P. The Ramayana of Valmiki: an Epic of Ancient India. Balakanda (vol. 1). Pub.: Princeton University Press. ISBN 0-691-06561-6. pp.151-152].
    The Rebuttal.

     

    There are 13 verses in Rig Veda 1/163 that deal with Aswamedha Yajna.
    Before I deep dive,atleast those Hindus that may not know what yajna means need to know that the word means sacrifice. Sacrifice downot mean slaughter of horse or man,as many ignorant people assume but it is symbolic. No hors gets killed or nobody has sex with animals,as Steve portrayed it.
    Rig Veda 10/130 establishes the base of what a sacrifice is & Atharvana Veda 7/5 explains how this universe is the result of God’s sacrifice (tying back to Purusha Sukta).
    Where Aswamedha yajna is concerned,horse is a mere external symbol.The horse of the ashvamedha is homologized in a grandiose fashion with the sun and with a primordial cosmic horse that represents the entire universe. The hymns will have both metaphorical and factual allusions, metaphorical with reference to the sun (this horse is a primordial horse) and factual with reference to the actual sacrifice.
    The same idea and the conception of horse as the universe, is explained in detail in chapter 1 of Brihadaranyak Upanishad. The horse,in the Vedas is force of conciousness and cow is the light of conciousness.
    To refute Steve,let me first post the Rig Vedic verses and then deal with Ramayan and his charge that queens had sex with the horse.
    Here are the Rige vedic hymns on Aswamedha Yajna. I am curious where these verses talk aboy someone having sex with the horse.
    Rig Veda 1/163
    1.How worthy of telling and how superb your birth,
    O Steed, when first you whinnied, on seeing the light,
    as you rose from the ocean of sea or of space
    with your eagle wings and limbs of swift gazelle.
    2. This Steed, the gift of Death, Trita has harnessed,
    while Indra was the first of all to mount him,
    the Gandharva first to grasp in his hands the reins.
    From the substance of the Sun, O Gods, you fashioned this Steed.
    3. You, O Steed, are Death, you the Sun;
    you by a secret decree are Trita;
    by only a little are you distinguished from Soma.
    You have, they say, three connections in heaven.
    4. In heaven, they say, you have three connections,
    three in the waters and three within the ocean.
    You resemble, O Steed, the Lord of the Waters,
    for there, they say, is your highest birthplace.
    5. Here, Racehorse, are your haunts for bathing;
    here are the traces of your champion hooves.
    Here I have seen the blessed reins that guide you,
    which those who guard Cosmic Order cherish.
    6. Your innermost self I have perceived in spirit,
    a Bird from heaven who directs his course on high.
    I have seen you rearing your winged head and advancing
    by dust-free paths, fair and easy to travel.
    7. There I have seen your exalted form seeking
    to obtain food in the track of the Cow.
    When mortal man approaches you for enjoyment,
    the great devourer of plants has awakened.
    8. Behind you, O Horse, come a chariot, the hero,
    an offering of cows, and a troupe of fair maidens.
    Desirous of your friendship, many follow.
    With splendid courage the Gods have endowed you.
    9. His horns are of gold, his feet of iron;
    he is fleet as thought and swifter than Indra.
    The Gods are gathered for this sacred meal, offered
    to the one who first of all mounted this Stallion.
    10. Like swans, the celestial coursers form a line
    when they, the steeds, reach the heavenly arena,
    the end of their lengthened row being motionless,
    while those in the center still proceed.
    11. Your body, O Steed, flies as with wings;
    your spirit moves quickly like the wind.
    Your horns are found in sundry places,
    advancing in the forests with a jumping motion.
    12. The fleet-footed Steed, his mind recollected
    and thoughts directed godward, advances
    to the place of sacrifice. A ram of his kindred
    is led before; next come sages and minstrels.”

    I shall be posting in detail on Aswamedha and Puthramaeshti Yagas.

     

    Citation.

    http://hindurevolution.blogspot.in/2011/03/rebuttul-to-article-queen-horse-sex.html

     

     

     

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