Tag: Aswamedha

  • Karikal Chola Performed Aswamedha Kumhabhisheka

    Contrary to the Pseudo Tamil protagonists who thrive by spreading the lie that Tamil was independent of Sanatana Dharma and it was imposed by the Aryans from the North,the early Tamil King Karikal Valavan,the great Chola King built temples,introduced the worship of Indra,calling it the Indra Vizha of which the Silappathikaram speaks highly and performed the Aswamedha Yaga!

    240px-aiyarappar_koyil_in_thiruvaiyaru
    Aiyarappar temple built by Karikala Chola.Image credit.wiki.

     

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    Karikala Chola Sculpture in Ekambaranathar Temple.

    Karikala was a great city & temple builder :
    There is evidence in Purananuru for Karikala Cholas faith in the Vedic Hinduism in the Tamil country. During Karikala’s reign, the capital city was moved to Kaveripattanam from Uraiyur. He made Kanchi a city of palaces. According to historical sources, Karikala Chola a great ruler before proceeding to the Himalayas first set his foot on the divine land of Kanchi. Some say that his conquests and building of Kanchi palaces are as debatable.

    Poompuhar (Kaveripattanam) – a port city of cholas : It was the capital city of Cholas. The ancient Kings like Sembiyan, Musugundhan, Manuneethicholan and Karikala cholan, who carried myths with them, added to the glory of Poompuhar town. Poompuhar grew into a great city during the region of Karikala cholan. The excavation has also been taken up near Champapthi Amman and Pallavaneswaram temples. Remains of a brick building and a boat jetty were discovered at Keezhaiyur area at Poompuhar. Copper coins were also found. These coins are both of rectangular and circular shapes. The chola emblems of the tiger with upright tail and the sun were engraved on them. These coins are considered to be those of KarikalaCholan. Among the Chola kings, King Karikalan renovated and built the renowned port of Poompuhar (located in Nagapattinam district).

    Lord Villiswara Temple : Thiruttani and Velanjeri Copper Plates are perhaps the earliest Chola record to refer to the exploits of Karikala. One more inscription throws a different light about uruthirang kannanar A mandapa was donated to kannanar by Karikala. 16 km north of Coimbatore, houses shrines for Lord Villiswara and His consort Vedanayaki. It is of historical and religious significance. This is an ancient shrine, one of a sacred cluster built in the Kovai region by Emperor Karikala Chola.

    Perur Patteeswaraswamy Temple : This temple was built by KarikalaCholan. It is situated near the river Noyyal and is about 7 kms west of Coimbatore on the Siruvani main road. temple is at its decorative best in march, when the Panguni Uthiram festival is celebrated. This ancient shiva temple built by Karikala Chola early Christian era is having a Swayambumoorthy and is dedicated to Lord Shiva by Karikala. This temple is also known as Mel Chidambaram, the exquisite sculptures in Kanagasabai are the main tourist attraction. There are some priceless sculptures in the Kanagasabai Hall in the temple, which also has a large number of statues. The King Vishnuvardhana of Hoyasala dynasty converted many shiva temples to vishnu temples and became an enemy to Karikala Chola who was a staunt Shivaite and who ruled the country around Srirangam.

    Arulmigu Shree Velayudhaswamy Thirukoil – Senjerimalai is located at 46 KMS from Coimbatore. As Lord Muruga set out with his battalion to subdue the demon Surapadma, Lord Shiva summoned Muruga to the Thenserigiri hills and, initiated him to certain mantras, endowed him with invincible powers to route and destroy the demon and his retinue -this is the legendary origin of this temple. Since then Lord Muruga came to be worshipped as Manthragiri and Sri Velayudhaswami.This temple was originally built by Karikala Chola and renovated by veeraballalai III dates back to 13th Century. A holy spring called ‘Gnanatheertha Sunai’ and a sacred tree known as ‘Karunochi’ can be seen.

    Thirupasur Shiva Temple : It is one such rich shrine that has come to us from a very distant past. Built by Karikal Cholan, it is on the Thiruthani National Highway, about 60 km. away from the city of Chennai, to the east of Thiruvalankadu and west of Thiruvallore Veeraraghava Swamy temple. We have the Sathiamurthy Saagaram on the north and the grand old shrine of Thiruvooral or Thakkolam on the Southeast.

    According to the legend, there was a thick growth of bamboo in this place. The presiding deity of the temple of Thiruppaasur, a Swayambu Lingam, was covered by the wild growth. They were startled when their ‘vaasi’ accidentally hit upon the deity. Their instrument had already caused deep cut-marks on the idol. They rushed to king Karikalan and he constructed a temple for the Lord and consecrated the deity. ‘paasu’ is another name for bamboo and the shrine is therefore known as Thiru-paasu-oor. The holy shrine of bamboo. ‘vEy’ is another name for bamboo. Since the deity was a Swayambu that appeared amidst bamboos, the Lord is known as vey-eendra-naadhar. The Lord born of bamboos.

    Another legend has it that Karikalan, who ruled a vast territory and had a large army, could not withstand the attack of a very minor chieftain. Going into the reason, Karikalan understood that the chieftain was under divine protection of Kali. A devotee of Lord Shiva, Karikalan worshipped the Lord, who sent Veerabadhra along with him. Veerabadhra shackled Kali, thus enabling Karikalan to win the war. There is a deity of the shackled Kali in Thiruppaasur, known as Swarna Kali, in the outer corridor. The statue of Swarna Kali Amman was damaged by the passage of time and another idol was consecrated in June 1986.

    Tiruchattamangai : The Chola King Karikalan is said to have built this temple. This is a shrine closely associated with Tiruneelakka Nayanar. Sambandar is said to have arrived here after visiting Tirunallar, along with Tiruneelakanda Yaazhpaanar. This is a Shivastalam in the vicinity of Tiruppugalur, Tiruchenkattankudi and Tirumarugal and is located in a hamlet surrounded by lush coconut groves. It is located 11 km to the east of Nannilam. It is considered to be the 81st in the series of Tevara Stalams in the Chola kingdom located south of the river Kaveri.

    ‘The Silappatikaram (c. sixth century C.E.) which attributes northern campaigns and conquests to all the three monarchs of the Tamil country, gives a glorious account of the northern expeditions of Karikala, which took him as far north as the Himalayas and gained for him the alliance and subjugation of the kings of the Vajji, Magadha and Avanti countries.

    The Sthalapuranam of Tiruvaiyaru near Tanjore relates that as the king returned after conquering northern India, near Tiruvaiyaru his chariot wheel sank into the mud; when it was being dug out seven idols belonging to Dakshinamurthy, Vishnu, and Saptamātṝkās were discovered. A voice from the sky instructed the king to install them in the Panchanadeswara Temple in Thiruvaiyaru and performed Kumbhabhishekham, which the king personally participated in and completed. There are also epigraphs that relate to this incident. They say that the king commenced his ashvamedha sacrifice and subdued a total of 66 kingdoms all over the world and extended and empire up to the mythological Lokaloka.

    Citations and references.

    https://en.wikipedia.org/wiki/Karikala_Chola

    http://mudiraja.weebly.com/28-king-karikala-cholan.html

  • Aswamedha A Sexual Orgy Rama’s Mother In Animal Sex ?

    Aswamedha A Sexual Orgy Rama’s Mother In Animal Sex ?

    Subsequent to my articles  on the so-called western scholars on misinterpreting Hinduism, I had a thought it was not right on my part to condemn them singularly without really checking up whether their vilification of Hinduism, under the garb of promoting it was intentional.

     

     

    When I started searching to find out where Max Mueller learnt Sanskrit, I landed with an atrocious piece of disinformation, which deeply hurt me.

     

    (I will be posting on Ma Mueller’s Sanskrit learning later.)

     

    Lord Rama’s Mother  had indulged in animal Sex during a Yaga!

     

    This was found, quoting the Satapatha Brahmana,Ramayana.

     

    I am quoting the rebuttal.

     

    Those who know Sanskrit and the Sathapatha Brahmana may contribute on this issue.

     

    This is the price Hindus have to pay for not studying their Scriptures, allowing others to insult them.

     

    The solution lies in studying our scriptures in Sanskrit, our Father tongue. our mother tongues may vary, but Father is One.

     

    The information.

     

    I. The sexual ritual of the asvamedha yajna quoted from the Vedas (Satapatha Brahmana). II. Lord Rama’s mom & co-moms participate in the queen-horse sexual ritual of the asvamedha in the Valmiki Ramayana. I. The sexual ritual of the asvamedha yajna quoted from the Vedas. 

    The priests supervising the asvamedha: the officiant (adhvaryu), overseer (brahman), cantor (udgatri) and the invoker (hotri).

    The king’s wives which participate in the queen-horse copulation ceremony of the asvamedha: the chief wife (mahishi), favourite wife, rejected wife and the fourth wife.

    The Satapatha Brahmana, quoted below, offers clear instructions on how the queen-horse copulation ritual of the asvamedha is to be conducted; the king’s chief wife (the mahishi) is to copulate with the carcass of the horse while the priests and all the participants curse each other in degenerate language:

    “A cloth, an upper cloth, and gold is what they spread out for the horse, and on that they ‘quiet’ him.

    When the sacrificial animals have been ‘quieted’, the (king’s) wives come up with water for washing the feet — four wives, and a maiden as the fifth, and four hundred women attendants.

    When the water for washing the feet is ready, they make the chief queen (Mahishi) lie down next to the horse, and they cover the two of them up with the upper cloth as they say the verse, ‘Let the two of us cover ourselves in the world of heaven’, for the world of heaven is where they ‘quiet’ the sacrificial animal.

    Then they draw out the penis of the horse and place it in the vagina of the chief queen, while she says, ‘May the vigorous virile male, the layer of seed, lay the seed’; this she says for sexual intercourse.

    While they are lying there, the sacrificer insults the horse by saying, ‘Lift up her thighs and put it in her rectum.’ No one insults (the sacrificer) back, lest there should be someone to act as a rival against the sacrificer.

    The officiant (Adhvaryu) then insults the maiden: ‘Hey, maiden, hey, maiden, the little female bird …’ and she insults him back: ‘Hey, officiant, hey, officiant, that little bird….’

    And then the overseer (Brahman) insults the chief queen: ‘Hey, chief queen, hey, chief queen, your mother and father climb to the top of a tree….’ She has as her attendants a hundred daughters of kings; they insult the overseer in return: ‘Hey, overseer, hey, overseer, your mother and your father play in the top of a tree….’

    Then the cantor (Udgatri) insults the king’s favourite wife: ‘Hey, favourite, hey, favourite wife, raise her up erect….’ She has as her attendants a hundred royal women; they insult the cantor in return: ‘Hey, cantor, hey, cantor, raise him up erect….’

    Then the invoker (Hotri) insults the rejected wife: ‘Hey, rejected wife, hey, rejected wife, when inside her tight crack….’ She has as her attendants a hundred daughters of bards and village headmen; they insult the invoker in return: ‘Hey, invoker, hey, invoker, when the gods see that miserable penis….’ Then the carver (Kshatri) insults the fourth wife: ‘Hey, fourth wife, hey, fourth wife, when the deer eats the barley, (the farmer) does not hope to nourish the animal….

    ‘ She has as her attendants a hundred daughters of carvers and charioteers; they insult the carver in return

    : ‘Hey, carver, hey, carver, when the deer eats the barley, (the farmer) does not hope to nourish the animal….’

    These insulting speeches are for all kinds of attainment, for through the horse sacrifice all desires are achieved. Thinking, ‘With all kinds of speech we will achieve all kinds of desires’, they make the chief queen get up.

    Then the women walk back the way they came, and the others utter at the end a sweet-smelling verse, the verse that begins, ‘I praise Dadhikravan.

    ‘ For the life-span and the gods go out of those who speak impure speech in the sacrifice. Thus they purify their speech to keep the gods from going out of the sacrifice.” – Satapatha Brahmana 13:5:2:1-10. [O’Flaherty, Wendy D. Textual Sources for the Study of Hinduism. Pub.: University of Chicago Press. ISBN 0-226-61847-1. pp.16-17]. II.

    Lord Rama’s mom & co-moms participate in the queen-horse sexual ritual of the asvamedha in the Valmiki Ramayana. King Dasaratha: Lord Rama’s father. Kausalya:

    Rama’s mom. Kaikeyi & Sumitra: Rama’s co-moms. To ensure the birth of sons, King Dasaratha conducted both the asvamedha and the putrakamesti yajnas. 

    The following quote from the Valmiki Ramayana details the first of the two sacrifices that King Dasaratha conducted — the asvamedha yajna, in particular the queen-horse sexual portion of the sacrifice.

    Although all three of King Dasaratha’s wives were united with the carcass of the horse, Rama’s mom Kausalya was the one who had the honor of spending a whole night with the dead animal’s genitals plugged in her vagina:

    “The prescribed victims — snakes, birds, the horse, and aquatic animals — were bound at the place of immolation; each was dedicated to a specific divinity as is set forth in the ritual texts.

    The priests then bound them all to the posts in the manner set forth in the ritual texts.

    Three hundred beasts in addition to Dasaratha’s jewel of a horse were bound there to the sacrificial posts.

    Kausalya walked reverently all around the horse and then with the greatest joy cut it with three knives.

    Her mind unwavering in her desire for righteousness,

    Kausalya passed one night with the horse. The priests — the hotr, theadhvaryu, and the udgatr — saw to it that the second and the juniormost of the king’s wives, as well as his chief queen, were united with the horse.

    Then the officiating priest, who was extremely adept and held his senses in check, removed the fat of the horse and cooked it in the manner prescribed in the ritual texts.

    At the proper time and in accordance with the ritual prescriptions, the lord of men then sniffed the fragrance of the smoking fat, thereby freeing himself from sin.

    Then, acting in unison, the sixteen brahman officiating priests threw the limbs of the horse into the fire, in accordance with the ritual injunctions. In other sacrifices, the oblation is offered upon branches of the plaksa tree, but in the Horse Sacrifice alone the apportionment of the victim is made on a bed of reeds.

    The Horse Sacrifice is known as the Three-Day Rite; for both the kalpasutra and thebrahmanas refer to the Horse Sacrifice as a rite lasting for three days.” – Ramayana 1:13:24-33. [Goldman, Robert P. The Ramayana of Valmiki: an Epic of Ancient India. Balakanda (vol. 1). Pub.: Princeton University Press. ISBN 0-691-06561-6. pp.151-152].
    The Rebuttal.

     

    There are 13 verses in Rig Veda 1/163 that deal with Aswamedha Yajna.
    Before I deep dive,atleast those Hindus that may not know what yajna means need to know that the word means sacrifice. Sacrifice downot mean slaughter of horse or man,as many ignorant people assume but it is symbolic. No hors gets killed or nobody has sex with animals,as Steve portrayed it.
    Rig Veda 10/130 establishes the base of what a sacrifice is & Atharvana Veda 7/5 explains how this universe is the result of God’s sacrifice (tying back to Purusha Sukta).
    Where Aswamedha yajna is concerned,horse is a mere external symbol.The horse of the ashvamedha is homologized in a grandiose fashion with the sun and with a primordial cosmic horse that represents the entire universe. The hymns will have both metaphorical and factual allusions, metaphorical with reference to the sun (this horse is a primordial horse) and factual with reference to the actual sacrifice.
    The same idea and the conception of horse as the universe, is explained in detail in chapter 1 of Brihadaranyak Upanishad. The horse,in the Vedas is force of conciousness and cow is the light of conciousness.
    To refute Steve,let me first post the Rig Vedic verses and then deal with Ramayan and his charge that queens had sex with the horse.
    Here are the Rige vedic hymns on Aswamedha Yajna. I am curious where these verses talk aboy someone having sex with the horse.
    Rig Veda 1/163
    1.How worthy of telling and how superb your birth,
    O Steed, when first you whinnied, on seeing the light,
    as you rose from the ocean of sea or of space
    with your eagle wings and limbs of swift gazelle.
    2. This Steed, the gift of Death, Trita has harnessed,
    while Indra was the first of all to mount him,
    the Gandharva first to grasp in his hands the reins.
    From the substance of the Sun, O Gods, you fashioned this Steed.
    3. You, O Steed, are Death, you the Sun;
    you by a secret decree are Trita;
    by only a little are you distinguished from Soma.
    You have, they say, three connections in heaven.
    4. In heaven, they say, you have three connections,
    three in the waters and three within the ocean.
    You resemble, O Steed, the Lord of the Waters,
    for there, they say, is your highest birthplace.
    5. Here, Racehorse, are your haunts for bathing;
    here are the traces of your champion hooves.
    Here I have seen the blessed reins that guide you,
    which those who guard Cosmic Order cherish.
    6. Your innermost self I have perceived in spirit,
    a Bird from heaven who directs his course on high.
    I have seen you rearing your winged head and advancing
    by dust-free paths, fair and easy to travel.
    7. There I have seen your exalted form seeking
    to obtain food in the track of the Cow.
    When mortal man approaches you for enjoyment,
    the great devourer of plants has awakened.
    8. Behind you, O Horse, come a chariot, the hero,
    an offering of cows, and a troupe of fair maidens.
    Desirous of your friendship, many follow.
    With splendid courage the Gods have endowed you.
    9. His horns are of gold, his feet of iron;
    he is fleet as thought and swifter than Indra.
    The Gods are gathered for this sacred meal, offered
    to the one who first of all mounted this Stallion.
    10. Like swans, the celestial coursers form a line
    when they, the steeds, reach the heavenly arena,
    the end of their lengthened row being motionless,
    while those in the center still proceed.
    11. Your body, O Steed, flies as with wings;
    your spirit moves quickly like the wind.
    Your horns are found in sundry places,
    advancing in the forests with a jumping motion.
    12. The fleet-footed Steed, his mind recollected
    and thoughts directed godward, advances
    to the place of sacrifice. A ram of his kindred
    is led before; next come sages and minstrels.”

    I shall be posting in detail on Aswamedha and Puthramaeshti Yagas.

     

    Citation.

    http://hindurevolution.blogspot.in/2011/03/rebuttul-to-article-queen-horse-sex.html

     

     

     

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