Fire is the primary God in Vedas and the Agni is to be prepared manually using Banyan twigs/logs ,chanting Agni Suktham.


Preparing Homa, Yagnya fire with Camphor as is being practiced now is incorrect.
Fire is the primary God in Vedas and the Agni is to be prepared manually using Banyan twigs/logs ,chanting Agni Suktham.


Preparing Homa, Yagnya fire with Camphor as is being practiced now is incorrect.
‘Uchchhishta Ganapti Worship is shrouded in mystery.
Ganapati, meaning head of the Shiva Ganas which includes Nandi , Chandikeswara and Veerabhadra is traditionally worshiped as the embodiment of Pranava , OM.
He is venerated in such a way there is an Upnishad dedicated to Him.
Please read my article on this.
There are 32 forms of Ganapati.
One of them is Uchchishta Ganapati.
This form of worship is believed to be a form of Vamachara(left handed worship), meaning Black magic worship)
Description of the worship is provided in this article.
This practice is attributed to Tantra Sastra.

My views.
In Sanskrit Vama means ‘left’
Shakti occupies the left portion of Shiva.
The form of Shiva is Universe in Motion.
Look at Nataraja.
He represents Sruthi and Laya.
Movement with harmony Uniformity(sruthi) and Rhythm(laya)
Those who know music can tell you that sruthi and laya are described thus
Sruthi Maatha(mother)
Laya Pitha(Father)
When these combine Uniform Motion is set.
In Music , sound becomes Music.
Now Devi occupies the left portion of Shiva.
Shiva is Inert(Jata) Potential Energy.
Shakti is Kinetic Energy , the Soul.
One is ineffective without the other.
Each complements the other.
Kalidasa describes Shiva and Parvati as word and meaning.
So does Abhirami Bhattar in Abhirami Andadhi.
So the worship of Dynamic principle is Shakti Worship.
Any God worshiped in this manner is Vamachara.
That belongs to Left, Devi.
So the interpretation that the Uchchishta Ganapati is a Vamachara Worship is not sanctioned in the Sruthi.
So are the rituals mentioned.
The Mimamsa system of Hinduism gave undue and non sanctioned form of Rituals , so did the Vamacharins, that the Vedas declined because these wild practices and Buddhism came into being.
It took the efforts of Adi Shankaracharya to cleanse the system and he established the Six Systems of Worship, Shanmatha.
Please read my article on this.
In South Ganapati is worshiped as a Brahmachari, save in some temples), while He is worshiped along with His two consorts in north India.
The two consorts are Siddhi and Buddhi.
Siddhi is Attainment and Buddhi is Discrimination.
Ganesa is represented thus to convey that with the Grace of Ganesha one can direct Buddhi towards Self Realization and in the process attain Siddhi.
So the Uchchishta Ganapati worship is not Vamachara or Black Magic.
‘Uchchhishta Ganapati (Sanskrit: उच्छिष्ट-गणपति, Ucchiṣṭa Gaṇapati) is an Tantric aspect of the Hindu god Ganesha (Ganapati). He is the primary deity of the Uchchhishta Ganapatya sect, one of six major schools of the Ganapatyas. He is worshipped primarily by heterodoxvamachara rituals. He is depicted with a nude goddess, in an erotic iconography. He is one of the thirty-two forms of Ganesha, frequently mentioned in devotional literature. Herambasuta was one of the exponents of the Uchichhishta Ganapatya sect.
Uchchhishta (“leftovers”). The word refers to the food left over at the end of a ritual, but in this context refers to its Tantric connotation. Uchchhishta is the food kept in the mouth, which is contaminated with saliva, thus ritually impure and a taboo in Hinduism
he elephant-headed god is described to be reddish in colour in the Mantra-maharnava, while mentioned as dark in the Uttara-kamikagama.[2] Another description describes him to be blue in complexion.[3] The deity is described to have four or six arms. He is described to be seated, sometimes specifically noted in on padmasana (a lotus pedestal). TheUttara-kamikagama elaborates that he wears a ratna mukuta (jewelled crown) and has a third eye on his forehead.
The Kriyakramadyoti mentions that the god carries in his six hands: a lotus (in some descriptions, a blue lotus),a pomegranate, the veena, an akshamala (rosary) and a rice sprig. As per the Mantra-maharnava, he carries a bana (arrow), a dhanus (bow), a pasha (noose) and an ankusha (elephant goad).The Uttara-kamikagama says that the god has four arms and holds a pasha, an ankusha and a sugarcane in three hands.
Uchchhishta Ganapati,Nageswaraswamy Temple, Kumbakonam. The deities touch each other’s genitalia.
Rao classifies Uchchhishta Ganapati as one of the five Shakti-Ganesha icons, where Ganesha is depicted with a shakti, that is, a female consort. The large figure of Ganesha is accompanied with smaller figure of the consort. The nude devi (goddess) sits on his left lap. She has two arms and wears various ornaments. In the Uttara-kamikagama, she is called Vighneshvari and is prescribed to be sculpted as a beautiful, young maiden. The fourth hand of Uchchhishta Ganapati touches the genitalia of the naked goddess. The Mantra-maharnava prescribes that the god should be depicted as though he is trying to have intercourse.
The textual descriptions generally do not correspond to the sculptures of the deity. Uchchhishta Ganapati is always shown with a naked consort, who is seated on his left lap. The god is generally depicted with four arms and holds a pasha, an ankusha and a ladoo or amodak (a sweet), while the fourth arm hugs the nude goddess around her hip. She holds a lotus or another flower in the left hand.Instead of his hands, the tip of his elephant trunk touches the yoni (vagina) of the goddess. Occasionally, the goddess touches the lingam(phallus) of the god with her right hand. The god is depicted ithyphallic in the later icon. Such erotic imagery is restricted to his four-armed form..
Cohen notes that many Ganesha icons are depicted with a shakti, seated on his left hip. She holds a plate of modaks in her lap and the god’s trunk reaches into it, to fetch the sweet. The trunk is taken as a symbolic of an “erotic bond” between Ganesha and the goddess. The Uchchhishta Ganapati takes the idea a step further, by eliminating the bowl of sweets and allowing the trunk to reach the goddess’ yoni. This erotic iconography reflects the influence of the Tantric Ganapatya (the sect that considered Ganesha as the Supreme Being) sects. The pomegranate is also a symbol of fertility, often represented in the icons of the sects.
As per the Kriyakramadyoti, Uchchhishta Ganapati is worshipped as a giver of great boons. Rao notes that he is worshipped by “many” to gain the desired from the deity.[2] He is also regarded as the guardian of the country. Mediating over his form is said to impart control over the five sensory organs. A temple dedicated to Uchchhishta Ganapati exists in Tirunelveli, where he is worshipped as a giver of progeny.
Uchchhishta Ganapati is the patron of the Uchchhishta Ganapatya sect, one of the six major schools of the Ganapatya sect. They follow Tantric Vamachara (“left-handed”) practices. The sect may have been influenced by the Kaula worship of Shaktism (Goddess-oriented sect).The iconography of the deity bears Kaula Tantric character. The erotic iconography is interpreted to convey the oneness of Ganesha and Devi (“The Hindu Divine Mother”). The sect also worships a Ganesha, who is depicted drinking wine and also its use in worship, a taboo in classical Hinduism .. Adherents of this sect wear red marks on their foreheads.This sect does not believe in caste and varna distinctions, disregards the orthodox Hindu rules of sexual intercourse and marriage and leaves the adherence of traditional Hindu rituals to the follower’s own will.
As per Vamachara practices, the deity is worshipped when the devotee is in the Uchchhishta (“ritually impure”) state, that is, nude or with remnants of food (Uchchhishta) in his mouth.
Uchchhishta Ganapati is also associated with six rituals of abhichara (uses of spells for malevolent purposes) by which the adept can cause the target to suffer delusions, be overcome with irresistible attraction or envy, or to be enslaved, paralysed or killed.[12]
The Kanchi Ganesh shrine within the Jagannath Temple, Puri houses the icon of Uchchhishta Ganapati, also called Bhanda Ganapati and Kamada Ganapati, which was originally the patron icon of Kanchipuram (Kanchi), but was brought to Puri as war booty when the Gajapati king Purushottama Deva (1470–97) of Puri defeated Kanchi’
Citation and reference.
https://en.wikipedia.org/wiki/Uchchhishta_Ganapati
As I have observed in many of my articles, if one finds an article of great antiquity relating to India/Hinduism, attempt is made to post date it from the scientific date!
This has happened in the case of dating Krishna’s Dwaraka,Arikkamedu Tamil Nadu,Pallavaram , Tamil Nadu,Rig Veda……

And if the evidence is strong ,take the piece in question to some foreign Museum, as in the case of the inscription in an Egyptian Tomb which contained a verse from the Bhagavad Gita, and make it disappear from the museum!( in London)
The piece in question is reported to be in a British Museum.
Now comes another shocker.
The head of sage Vasishta, the Guru of Lord Rama’s Ikshvaku dynasty!
The piece recovered in 1958 from a scrap dealer by D.Anderson in Delhi is carbon dated to 3700 BC.
Now comes the twist.
Unable to come to terms with the date of the Piece, attempt is being made to declare that it
‘head was not found in an archaeological context, as it was rescued from being melted down in Delhi, and has also been seen of questionable veracity as it bears a legible inscription and could simply have be created by recycling material from older copper.’
If the recycling is done it will reflect in the results.
Now there are new technologies to check the date accurately.
I am providing the details towards the close of the article.
Shall we question the accuracy of the date of the artifacts found in the West suffer from the same ‘defect’ found in Vasishta’s idol ?
One point to be admitted is that while dating metals or rocks or inscriptions, the dating is restricted to the material like the rock or the metal.
If it can be solved, and it seems to have been solved, in the case of dating ancient scripts and many metal artfifacts, specially in the West,why deny the courtesy to Vasishta’s idol?
Or is it the usual practice of ‘suppresso veri, suggesto falsi’
-suppress the Truth, suggest the untruth/lie
‘A copper item representing a human head styled in the manner described for Vashistha has been dated to around 3700 BC in three western universities using among other tests carbon 14 tests, spectrographic analysis, X-ray dispersal analysis and metallography.
The head was not found in an archaeological context, as it was rescued from being melted down in Delhi, and has also been seen of questionable veracity as it bears a legible inscription and could simply have be created by recycling material from older copper.
A copper item representing a human head styled in the manner described for Vashistha has been dated to around 3700 BC in three western universities using among other tests carbon 14 tests, spectrographic analysis, X-ray dispersal analysis and metallography.
The head was not found in an archaeological context, as it was rescued from being melted down in Delhi, and has also been seen of questionable veracity as it bears a legible inscription and could simply have be created by recycling material from older copper.
New method of dating for metal objects.
‘How can the age of archeological objects be determined if the well-established carbon dating method does not apply, for example for metal objects? Spanish and Portuguese scientists have now introduced a technique for dating artifacts made of copper and bronze. Presented in the journal Angewandte Chemie, their electroanalytical method is based on the voltammetry of microparticles. It compares various corrosion products that form over long periods of time and works with only a few nanograms of material so it causes almost no damage.
Voltammetric experiments produce current–voltage curves that have characteristic shapes for many compounds. In order to date copper-containing, archaeological finds, a team led by Antonio Doménech-Carbó at the University of Valencia examined the ratios of two different copper oxides, tenorite and cuprite, that can be differentiated and quantified based on their voltammetric curves.
When they are exposed to air, copper surfaces become covered by a natural layer of cuprite (Cu2O). Over time, this layer is slowly converted to other products of corrosion. As copper-containing objects age in a slightly corrosive environment, without contact with soils or sea air, a layer of tenorite (CuO) continuously forms over the primary cuprite patina. This occurs because cuprite reacts with oxygen from the air to preferentially form tenorite in an atmosphere containing CO2 or in the presence of calcareous materials. Examination of copper coins by scanning electron microscopy coupled with X-ray spectroscopy confirmed the presence of cuprite and tenorite.
To carry out the electroanalytical experiments, the researchers impregnate a graphite bar electrode with paraffin and dab the surface of the artefact with it. A few nanograms of the sample surface stick to the electrode, which is then dipped into an aqueous electrolyte. This causes almost no damage to the object. Copper oxide microparticles result in very characteristic peaks in the resulting current–voltage curves.
Of particular interest to the researchers is the ratio of the current peaks for tenorite and cuprite. It shows a steady increase with increasing corrosion time, as demonstrated with a series of antique coins from various collections, including the Prehistory Museums of València and Xàtiva (Spain), as well as the artificial ageing of Euro cent coins made of copper. The researchers were able to use the coins to establish a calibration curve that can be used to date objects of unknown age.
The voltammetric dating of a water pitcher from the Caliphal period and a Montefortino helmet from the Roman age gave ages of 1050±80 and 2150±150 years, respectively, which agree well with dates previously established from the archaeological context.
Read more on new technology in dating metals at https://archaeologynewsnetwork.blogspot.com/2014/07/new-method-for-dating-copper-and-bronze.html#DIqDfWXmqRsOJXmI.99
Citation and reference.
.https://en.wikipedia.org/wiki/Vashistha
‘Mitrasya Sarshaneeth Dhridha’ Upasthana Mantra in morning Sandhyavandan daily,worship of Sun,Surya.
Mitra also means Friend,Contract.
Ancient Mittani ,Hittie Empiress refer to Mitra as a Witness in Treaties.
The worship of Mitra became a cult and spread throughout the world.
Ancient Indians considered Life to be ephemeral, transient and concentrated on realising the Reality and were concerned about the origin of the world and other philosophical questions.
As such,they did not consider it worthwhile recording history or personal achievements.
Religious texts were transmitted orally.
And then came the invaders.
The Yavanas are mentioned in detail in Sangam literature epics such as Paṭṭiṉappālai, describing their brisk trade with the Cholas in Tamilakam.
There was a Dravida Civilization in the South before or started with Manu in the south of Vindhyas,
The tribes of Dravidas were left behind by Manu when he left for Ayodhya,
Sage Vasista stayed in the South,
Later when Viswamitra banished his sons to the south, Dravida civilization was in existence during the Ramayana…
The process of Vaasi is difficult for people,except for those who are gifted. To solve this,Siva had advised Patanjali to simplify Vaasi and introduce a yoga practice that would elevate one to Vaasi consciousness from where Vassi Yoga will take over. Accordingly Patanjali composed Yoga Sutra ,laying emphasis on postures ,followed by Pranayama.
Whenever information is provided ,especially about tht vast stretches of Time and archaeological finds relating to Indian History ivam immediately asked whether it is is Carbon dated.
I wrote articles on Thiruvannamalai being 3. 94 Million years old and Thirupati as 2100 million years old.
I did not rely on Carbon dating , but on Infra red imaging study for Thiruvannamalai and Geological dating based on tectonic shifts and thermal imaging technology.
The reason is that Carbon Dating, C-14 method can not measure Time beyond 50, 000 years.
May be it can be extended to 100000 years by accelersted technics.
Indian History extends beyond 100,000 years.
Even this assumes the equillibrium between the environment and an assumption that Carbon days at a fixed level.
And if any Nuclear Blast had taken place between the time when the object has been found and the time when you measure it, the reading will nit be accurarate because the Nuclear Explosion would have changed the Isotope levels in the atmosphere.
So one has to assume there were no Nuclear explosions in the past.
And this I call the arrogance of Science.
When we study vast stretches mentioned in Hindu Texts , we have to depend on other tools.
‘
‘ Presuming the rate of production of carbon-14 to be constant, the activity of a sample can be directly compared to the equilibrium activity of living matter and the age calculated. Various tests of reliability have confirmed the value of carbon data, and many examples provide an interesting range of application.
Carbon-14 decays with a halflife of about 5730 years by the emission of an electron of energy 0.016 MeV. This changes the atomic number of the nucleus to 7, producing a nucleus of nitrogen-14. At equilibrium with the atmosphere, a gram of carbon shows an activity of about 15 decays per minute.
The low activity of the carbon-14 limits age determinations to the order of 50,000 years by counting techniques. That can be extended to perhaps 100,000 years by accelerator techniques for counting the carbon-14 concentration.’
BP. Before Present.
Before Present (BP) years is a time scale used mainly in geology and other scientific disciplines to specify when events in the past occurred. Because the “present” time changes, standard practice is to use 1 January 1950 as commencement date of the age scale, reflecting the fact that radiocarbon dating became practical in the 1950s. The abbreviation “BP”, with the same meaning, has also been interpreted as “Before Physics”; that is, before nuclear weapons testing artificially altered the proportion of the carbon isotopes in the atmosphere, making dating after that time likely to be unreliable
Citations and references.
http://hyperphysics.phy-astr.gsu.edu/hbase/nuclear/cardat.html
https://en.m.wikipedia.org/wiki/Before_Present
Father is an unrecognized and unacknowledged species.
None deems it fit to give credit to Father.
Father is perceived to be tough , uncompromising disciplinarian who takes a sadistic pleasure while bringing up children.
He is generally termed as irresponsible and but for the Mother , children would not be what they are.
Mother understands and accommodates but a Father ,
Never!?
Father is one who remains in the background, taking all the blame, his intention being the welfare of the children, not popularity.
He sacrifices without being aware of it.
He understands.
But never expresses.
Nor does he seek assurances from children that they love him.
When it is time for children to be independent he does not demur.
Nor does he interfere in his children’s relationship with their Spouses.
Nor does he expect any thing from his children’s Spouses.
He is not free with his children’ s money, he is more careful with it.
When the child is in the womb, he might not carry the child,
Carries in the Heart.
When the child is ill he does not panic, but attends to it sans hysterics.
When the child does not get himself established in Life , he does not express it, but remains more hurt than what he would have been, had he not established himself.
He is proud when his children turn out better than him.
‘ The benefit which a father should confer on his son is to give him precedence in the assembly of the learned.’
‘
தந்தை மகற்காற்று நன்றி அவையத்து
முந்தி இருப்பச் செயல்.
Thirukkural by Thiruvalluvar.
Happy Fathers Day.
Image Credit.
http://www.bustle.com/articles/27813-9-fathers-day-poems-thatll-make-you-and-your-dad-tear-up
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