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Category: Slokas.

  • Soundaryalahari chanting Slokas 91 to 100, Text

    Soundaryalahari chanting Slokas 91 to 100, Text

    Soundaryalahari chanting 91- 100

    padanyāsakrīḍāparichayamivārabdhumanasaḥ
    skhalantastē khēlaṃ bhavanakalahaṃsā na jahati ।
    atastēṣāṃ śikṣāṃ subhagamaṇimañjīraraṇita-
    chChalādāchakṣāṇaṃ charaṇakamalaṃ chārucharitē ॥ 91 ॥

    gatāstē mañchatvaṃ druhiṇaharirudrēśvarabhṛtaḥ
    śivaḥ svachChachChāyāghaṭitakapaṭaprachChadapaṭaḥ ।
    tvadīyānāṃ bhāsāṃ pratiphalanarāgāruṇatayā
    śarīrī śa‍ṛṅgārō rasa iva dṛśāṃ dōgdhi kutukam ॥ 92 ॥

    arālā kēśēṣu prakṛtisaralā mandahasitē
    śirīṣābhā chittē dṛṣadupalaśōbhā kuchataṭē ।
    bhṛśaṃ tanvī madhyē pṛthururasijārōhaviṣayē
    jagattrātuṃ śambhōrjayati karuṇā kāchidaruṇā ॥ 93 ॥

    kalaṅkaḥ kastūrī rajanikarabimbaṃ jalamayaṃ
    kalābhiḥ karpūrairmarakatakaraṇḍaṃ nibiḍitam ।
    atastvadbhōgēna pratidinamidaṃ riktakuharaṃ
    vidhirbhūyō bhūyō nibiḍayati nūnaṃ tava kṛtē ॥ 94 ॥

    purārātērantaḥpuramasi tatastvachcharaṇayōḥ
    saparyāmaryādā taralakaraṇānāmasulabhā ।
    tathā hyētē nītāḥ śatamakhamukhāḥ siddhimatulāṃ
    tava dvārōpāntasthitibhiraṇimādyābhiramarāḥ ॥ 95 ॥

    kalatraṃ vaidhātraṃ katikati bhajantē na kavayaḥ
    śriyō dēvyāḥ kō vā na bhavati patiḥ kairapi dhanaiḥ ।
    mahādēvaṃ hitvā tava sati satīnāmacharamē
    kuchābhyāmāsaṅgaḥ kuravakatarōrapyasulabhaḥ ॥ 96 ॥

    girāmāhurdēvīṃ druhiṇagṛhiṇīmāgamavidō
    harēḥ patnīṃ padmāṃ harasahacharīmadritanayām ।
    turīyā kāpi tvaṃ duradhigamaniḥsīmamahimā
    mahāmāyā viśvaṃ bhramayasi parabrahmamahiṣi ॥ 97 ॥

    kadā kālē mātaḥ kathaya kalitālaktakarasaṃ
    pibēyaṃ vidyārthī tava charaṇanirṇējanajalam ।
    prakṛtyā mūkānāmapi cha kavitākāraṇatayā
    kadā dhattē vāṇīmukhakamalatāmbūlarasatām ॥ 98 ॥

    sarasvatyā lakṣmyā vidhiharisapatnō viharatē
    ratēḥ pātivratyaṃ śithilayati ramyēṇa vapuṣā ।
    chiraṃ jīvannēva kṣapitapaśupāśavyatikaraḥ
    parānandābhikhyaṃ rasayati rasaṃ tvadbhajanavān ॥ 99 ॥

    pradīpajvālābhirdivasakaranīrājanavidhiḥ
    sudhāsūtēśchandrōpalajalalavairarghyarachanā ।
    svakīyairambhōbhiḥ salilanidhisauhityakaraṇaṃ
    tvadīyābhirvāgbhistava janani vāchāṃ stutiriyam ॥ 100 ॥

    saundaryalahari mukhyastōtraṃ saṃvārtadāyakam ।
    bhagavadpāda sankluptaṃ paṭhēn muktau bhavēnnaraḥ ॥

    ॥ iti śrīmatparamahaṃsaparivrājakāchāryasya
    śrīgōvindabhagavatpūjyapādaśiṣyasya
    śrīmachChaṅkarabhagavataḥ kṛtau saundaryalaharī sampūrṇā ॥
    — Soundarya Lahari

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    Soundaryalahari is a collection of verses composed by Adi Shankaracharya, praising the divine beauty of Goddess Parvati. It consists of two parts – Ananda Lahari and Soundarya Lahari. The verses express deep devotion and admiration for the goddess, highlighting her beauty, grace, and divine qualities.

    The Soundarya Lahari section contains 100 verses, each describing a specific aspect of the goddess’ beauty. These verses are often recited or chanted as a form of worship and meditation. The chanting of Soundaryalahari is believed to invoke the blessings of Goddess Parvati and bring about spiritual upliftment.

    If you are interested in exploring the full text of Soundaryalahari, you can find it in the Vignanam App by visiting the following link: Soundaryalahari – Vignanam App

    May the divine beauty and grace of Goddess Parvati shower upon you.

    If you’re looking for content related to Shankaracharya and Ramanisblog, it seems like you’re interested in exploring the teachings and writings of Shankaracharya as discussed on Ramanisblog. Ramanisblog is a platform where you can find insightful articles and discussions on various spiritual topics, including the philosophy and teachings of Shankaracharya.

    On Ramanisblog, you’ll find a wealth of information that delves into Shankaracharya’s life, his works, and his profound impact on Hindu philosophy. The blog offers detailed analysis, interpretations, and commentaries on his texts like the Bhagavad Gita, Upanishads, and other Vedantic scriptures.

    By exploring Ramanisblog, you can gain a deeper understanding of Shankaracharya’s philosophy, his Advaita Vedanta teachings, and how they relate to our lives and spiritual journey. It offers a platform for spiritual seekers to engage, discuss, and share their thoughts on these profound teachings.

    You can visit Ramanisblog by clicking on the following link: Ramanisblog

    I hope you find the content on Ramanisblog insightful and enriching as you explore the teachings of Shankaracharya.

  • Lakshmi Astothra Sathanama Chanting Text

    Lakshmi Astothra Sathanama Chanting Text

    Lakshmi Astothra

    dēvyuvācha
    dēvadēva! mahādēva! trikālajña! mahēśvara!
    karuṇākara dēvēśa! bhaktānugrahakāraka! ॥
    aṣṭōttara śataṃ lakṣmyāḥ śrōtumichChāmi tattvataḥ ॥

    īśvara uvācha
    dēvi! sādhu mahābhāgē mahābhāgya pradāyakam ।
    sarvaiśvaryakaraṃ puṇyaṃ sarvapāpa praṇāśanam ॥
    sarvadāridrya śamanaṃ śravaṇādbhukti muktidam ।
    rājavaśyakaraṃ divyaṃ guhyād-guhyataraṃ param ॥
    durlabhaṃ sarvadēvānāṃ chatuṣṣaṣṭi kaḻāspadam ।
    padmādīnāṃ varāntānāṃ nidhīnāṃ nityadāyakam ॥
    samasta dēva saṃsēvyaṃ aṇimādyaṣṭa siddhidam ।
    kimatra bahunōktēna dēvī pratyakṣadāyakam ॥
    tava prītyādya vakṣyāmi samāhitamanāśśṛṇu ।
    aṣṭōttara śatasyāsya mahālakṣmistu dēvatā ॥
    klīṃ bīja padamityuktaṃ śaktistu bhuvanēśvarī ।
    aṅganyāsaḥ karanyāsaḥ sa ityādi prakīrtitaḥ ॥

    dhyānaṃ
    vandē padmakarāṃ prasannavadanāṃ saubhāgyadāṃ bhāgyadāṃ
    hastābhyāmabhayapradāṃ maṇigaṇaiḥ nānāvidhaiḥ bhūṣitām ।
    bhaktābhīṣṭa phalapradāṃ harihara brahmādhibhissēvitāṃ
    pārśvē paṅkaja śaṅkhapadma nidhibhiḥ yuktāṃ sadā śaktibhiḥ ॥

    sarasija nayanē sarōjahastē dhavaḻa tarāṃśuka gandhamālya śōbhē ।
    bhagavati harivallabhē manōjñē tribhuvana bhūtikari prasīdamahyam ॥

    ōṃ
    prakṛtiṃ vikṛtiṃ vidyāṃ sarvabhūta-hitapradām ।
    śraddhāṃ vibhūtiṃ surabhiṃ namāmi paramātmikām ॥ 1 ॥

    vāchaṃ padmālayāṃ padmāṃ śuchiṃ svāhāṃ svadhāṃ sudhām ।
    dhanyāṃ hiraṇyayīṃ lakṣmīṃ nityapuṣṭāṃ vibhāvarīm ॥ 2 ॥

    aditiṃ cha ditiṃ dīptāṃ vasudhāṃ vasudhāriṇīm ।
    namāmi kamalāṃ kāntāṃ kāmyāṃ kṣīrōdasambhavām ॥ 3 ॥

    anugrahapradāṃ buddhi-managhāṃ harivallabhām ।
    aśōkā-mamṛtāṃ dīptāṃ lōkaśōkavināśinīm ॥ 4 ॥

    namāmi dharmanilayāṃ karuṇāṃ lōkamātaram ।
    padmapriyāṃ padmahastāṃ padmākṣīṃ padmasundarīm ॥ 5 ॥

    padmōdbhavāṃ padmamukhīṃ padmanābhapriyāṃ ramām ।
    padmamālādharāṃ dēvīṃ padminīṃ padmagandhinīm ॥ 6 ॥

    puṇyagandhāṃ suprasannāṃ prasādābhimukhīṃ prabhām ।
    namāmi chandravadanāṃ chandrāṃ chandrasahōdarīm ॥ 7 ॥

    chaturbhujāṃ chandrarūpā-mindirā-minduśītalām ।
    āhlāda jananīṃ puṣṭiṃ śivāṃ śivakarīṃ satīm ॥ 8 ॥

    vimalāṃ viśvajananīṃ tuṣṭiṃ dāridryanāśinīm ।
    prītipuṣkariṇīṃ śāntāṃ śuklamālyāmbarāṃ śriyam ॥ 9 ॥

    bhāskarīṃ bilvanilayāṃ varārōhāṃ yaśasvinīm ।
    vasundharā mudārāṅgāṃ hariṇīṃ hēmamālinīm ॥ 10 ॥

    dhanadhānyakarīṃ siddhiṃ sadāsaumyāṃ śubhapradām ।
    nṛpavēśmagatāṃ nandāṃ varalakṣmīṃ vasupradām ॥ 11 ॥

    śubhāṃ hiraṇyaprākārāṃ samudratanayāṃ jayām ।
    namāmi maṅgaḻāṃ dēvīṃ viṣṇuvakṣaḥsthalasthitām ॥ 12 ॥

    viṣṇupatnīṃ, prasannākṣīṃ nārāyaṇasamāśritām ।
    dāridryadhvaṃsinīṃ dēvīṃ sarvōpadravavāriṇīm ॥ 13 ॥

    navadurgāṃ mahākāḻīṃ brahmaviṣṇuśivātmikām ।
    trikālajñānasampannāṃ namāmi bhuvanēśvarīm ॥ 14 ॥

    lakṣmīṃ kṣīrasamudrarāja tanayāṃ śrīraṅgadhāmēśvarīm ।
    dāsībhūta samastadēva vanitāṃ lōkaika dīpāṅkurām ॥
    śrīmanmanda kaṭākṣa labdha vibhavad-brahmēndra gaṅgādharām ।
    tvāṃ trailōkya kuṭumbinīṃ sarasijāṃ vandē mukundapriyām ॥ 15 ॥

    mātarnamāmi! kamalē! kamalāyatākṣi!
    śrī viṣṇu hṛt-kamalavāsini! viśvamātaḥ!
    kṣīrōdajē kamala kōmala garbhagauri!
    lakṣmī! prasīda satataṃ samatāṃ śaraṇyē ॥ 16 ॥

    trikālaṃ yō japēt vidvān ṣaṇmāsaṃ vijitēndriyaḥ ।
    dāridrya dhvaṃsanaṃ kṛtvā sarvamāpnōt-yayatnataḥ ।
    dēvīnāma sahasrēṣu puṇyamaṣṭōttaraṃ śatam ।
    yēna śriya mavāpnōti kōṭijanma daridrataḥ ॥ 17 ॥

    bhṛguvārē śataṃ dhīmān paṭhēt vatsaramātrakam ।
    aṣṭaiśvarya mavāpnōti kubēra iva bhūtalē ॥
    dāridrya mōchanaṃ nāma stōtramambāparaṃ śatam ।
    yēna śriya mavāpnōti kōṭijanma daridrataḥ ॥ 18 ॥

    bhuktvātu vipulān bhōgān antē sāyujyamāpnuyāt ।
    prātaḥkālē paṭhēnnityaṃ sarva duḥkhōpa śāntayē ।
    paṭhantu chintayēddēvīṃ sarvābharaṇa bhūṣitām ॥ 19 ॥

    iti śrī lakṣmyaṣṭōttaraśatanāmastōtraṃ sampūrṇaṃ
    — Sree Lakshmi Ashtottara Satanaama Stotram

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  • Sri Lalitha Sahasranama Chanting Poorva Bhaga

    Sri Lalitha Sahasranama Chanting Poorva Bhaga

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    Lalitha Sahasranama

    The Lalitha Sahasranama is a sacred Hindu text that consists of 1,000 names of the goddess Lalitha or Tripurasundari. It is considered one of the most powerful chants in Hinduism and is widely recited by devotees seeking the blessings and grace of the goddess.

    The Lalitha Sahasranama is found in the Brahmanda Purana, and it is believed to have been revealed by Lord Hayagriva, the avatar of Lord Vishnu. Each name in the Lalitha Sahasranama signifies a specific attribute or aspect of the goddess Lalitha Devi.

    Reciting or listening to the Lalitha Sahasranama is believed to bestow numerous benefits, such as spiritual upliftment, protection from negative influences, and fulfillment of desires. It is also believed to cleanse the mind and remove obstacles on the spiritual path.

    The Lalitha Sahasranama is often performed as a sacred chant, and it is considered auspicious to chant it during Navaratri, a nine-night festival dedicated to the divine feminine energy. Many devotees also recite the Lalitha Sahasranama as a form of daily prayer or meditation.

    If you are interested in chanting or learning more about the Lalitha Sahasranama, there are many resources available online and in books that provide the complete text and explanations of the various names and their meanings.

    Sri Vidya Mantra Tantra Vidyas Sources Details

    Sri Vidya is that which grants Knowledge and Prosperity or Knowledge of Prosperity.

    As Knowledge that liberates the Soul it has no equal.

    The special feature is that it grants both prosperity and Liberation n the after Life, nay, Liberates one from the cycle of births and deaths.

    In two short phrases Lalitha Sahasranama describes…

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    Sri Vidya Tripura Sundari Upasna Maha Shoda Nyasa

    Nyasa is a ritual where the individual touches various parts of the body with specific Mantras to purify these parts.

    In Tripurasundari Upasana, Sri Vidya as well, the performing of the ritual is mandatory.

    I have been hunting down for information on these texts and I mentally vowed six months ago. to start writing on…

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