Tag: Temples of Odisha

  • Moon Dial Konark Calculate To A Minute Sun Dial

    Many of us are aware of Sun Dials.

    Sun Dial, Konark,India.png Sun Dial, Konark,India.

    Many would have visited the one at New Delhi.

    But how does one calculate Time with the help of a Sun Dial?

    Take the famous Sun Dial at Konark, Odisha, India.

    There are eight spokes in the Wheel.

    ‘The sundial has 8 major spokes that divide 24 hours into 8 equal parts, which means that the time between two major spokes is 3 hours. There are 8 minor spokes as well. Each minor spoke runs exactly in the middle of 2 major spokes. This means that the minor spoke divides the 3 hours in half, so the time between a major spoke and a minor spoke is an hour and half or 90 minutes.

    Now, at the edge of the wheel, you can see a lot of beads. If you observe carefully, you can see that there are 30 beads between a minor and a major spoke. So, the 90 minutes are further divided by 30 beads. This means that each bead carries a value of 3 minutes. The beads are large enough, so you can also see if the shadow falls in the center of the bead or on one of the ends of the bead. This way we can further calculate time accurately to the minute.

    The sundial shows time in an anti-clockwise fashion. At the top, the major spoke stands for midnight and this spoke stands for 3 A.M and this one for 6 A.M and so on. When I place a finger or a pen at the tail of the animal in the axle, the shadow will fall on the edge of the wheel. Now, I simply note the bead where the shadow falls. Using the math we did before, I can easily tell the current time precisely down to the minute. Imagine how much time and coordination would have happened between the astronomers, engineers and sculptors to create something like this 750 years ago.

    Now if you are observing closely, you would have 2 questions in your mind right now. The first question would be, what happens when the sun moves from east to west. Since the wheel is carved on a wall, the sun would not shine on this wheel at all. How can we tell time in the afternoons? Now, the Konark temple has another wheel or sundial, located on the west side of the temple as well. You can just use the other sundial that will work perfectly from afternoon, until sunset.

    This is the second and the most interesting question. How do you tell time after sunset? There would be no sun, and hence no shadows from sunset till the next morning’s sunrise. After all, we have 2 sundials in the temple which work only when the sun shines. To this question, I want to point out that the Konark temple does not have just 2 wheels like this. The temple has a total of 24 wheels, all accurately carved just like the sundials. Have you heard of the Moondial? Do you know that the moondials can work just like sun dials during night time? What if the other wheels in the temple could be used as moondials?

    Many people think that the other 22 wheels were carved for decorative or religious purposes and do not have an actual use. This is what people thought about the 2 sundials as well. Believe it or not, people thought that all the 24 wheels were just carved for beauty and as Hindu symbols. About 100 years ago, it became known that this was a sundial when an old yogi was seen calculating time secretly. Apparently selected people were using these wheels for generations and for 650 years no one else knew about it. They say that when they asked him about the purpose of the other 22 wheels, the yogi refused to talk and simply walked away.

    And our knowledge of just these 2 sundials themselves is actually very limited. You can see how there are multiple circles of beads. You can see carvings and markings all over these sundials, and we don’t the meaning of most of them. For example, this carving on a major spoke has exactly 60 beads. Notice how in some carving you can see leaves and flowers which may mean Spring or Summer. Notice how in some carvings you can see lemurs mating, which only happens during winter. So, these sundials could have even been used as an almanac for a variety of different things. Now you can understand how limited our knowledge is about the rest of the 22 wheels.

    Notice that there are clues on these wheels that people have overlooked for centuries. Notice how a woman wakes up and looks at a mirror in the morning. Notice how she is stretching, being tired and ready to go to sleep. And you can also see that she is engaging in sexual activity during night. For centuries, people have ignored these hints and thought that these were carvings of Hindu Goddesses.
    This is also a perfect example of how people think ancient unexplainable carvings are just for beauty or religious purposes. If ancient people spent a lot of time creating something, there is a very good chance that it was done for a valuable, scientific purpose.

    Moondials are time pieces similar to a sundial. The most basic moondial, which is identical to a sundial, is only accurate on the night of the full moon. Every night after it becomes an additional (on average)[note 1] 48 minutes slow, while every night preceding the full moon it is (again on average) 49 minutes fast, assuming there is even enough light to take a reading by. Thus, one week to either side of the full moon the moondial will read 5 hours and 36 minutes before or after the proper time.

    More advanced moondials can include charts showing the exact calculations to get the correct time, as well as dials designed with latitude and longitude in mind.

    Citations.

    https://en.wikipedia.org/wiki/Moondial

    https://www.youtube.com/watch?v=K9RF9lLBIMs

  • High Heels Portable Mirror See through Skirt Ancient India

    History would like us o believe that Fashion is something the west introduced in India.

    They were supposed t have been introduced after the landing of Vasco da Gama in 1498.

    Woman In tight fitting see through Skirt Sculptue. Image.jpg Woman In tight fitting see through Skirt.

    The sculptures in the Konark Temple, dedicated to Sun God(750AD has sculptures of women wearing High heeled shoes, carrying portable mirrors and wearing even see through skirts!

    Classics belonging to Tamil Sangam period detail the procedure for make up of women, even to the extent of the process of preparing eyeliner.

    Sanskrit Literature too talks about the make up used by women of ancient India and the Kama Sutra of Vatsyayana talks in detail the make up used by prostitutes !

    Tamil women did not wear upper garment in the ancient days.

    But they wore a strip of cloth, tied by a string to cover their upper torso, which resembles a Bra!

    Transcript.

    Have you ever seen a 750 year old sculpture in an Indian temple carved wearing high heels? One of the most surprising sculptures I’ve ever seen is from Konark Sun Temple in Odisha which was built at least 750 years ago. You can see here that this beautiful woman is carved with high heels on both her legs.

    This is absolutely incredible, because European women started to wear high heels or platform shoes for beauty only after 1600 A.D. And this temple was built around 1250 A.D which is 350 years before that time. People from around the world have worn platform shoes for different purposes like horse riding etc., but you can see that this woman is just wearing this to look beautiful while posing for the sculptor.

    If you watch carefully, you can even see a strap on the ankle that secures the shoe. Now, compare this with modern day high heels and it is almost an exact match. This is not the only carving in this temple and you can see a few others where the women are proudly showing off their high-heeled footwear.

    I have tried to search online if anyone knew about this, but it seems to be an unknown fact that ancient Indian women wore fancy shoes like these. This information is not mentioned anywhere including Wikipedia, so I think this has remained a secret for many centuries.

    Does this mean that ancient Indian women were very advanced in terms of fashion? I would say yes, because you can also see quite a few sculptures where the women are shown looking at their personal hand-held mirrors. Again, remember that we are looking at a temple that was built 750 years ago and women must had had personal mirrors in every household at that time. Compare this with a modern day woman who carries a small mirror in her purse. These gadgets are perceived as European inventions but from these carvings, it is quite possible that Indian women also carried portable mirrors many centuries ago. There are many such sculptures of Indian women getting dolled up all over India, so it is fair to say that they focused on their beauty a lot.

    But what about their clothes? How fashionable were their clothes in 13th century? Here is a fantastic carving that shows a woman wearing a see-through skirt. This is a skirt because you can see the outline, but we are also able to see the entire shape of her legs. This must have been sculpted by a genius, because it is very hard to carve something like this on a stone to show both the skirt and her legs. You can see other sculptures which show various degrees of transparency in their clothes. For example, this sculpture only partially shows through her legs which implies that a variety of clothes were designed at that time.  I think ancient Indian women probably spent a lot of time primping and thinking about fashion just like modern day women. What do you think?

  • Konarak Sun Temple Built By Kulothunga Chola I Descendant

    The inmate  relationship between Sanatana Dharma and Tamils is striking.

    One has been misled into believing that The Tamils had ancestry that was inimical to Hinduism, Sanatana Dharma.

    How wrong could this be!,

    I have written through  many articles including the one that Lord Rama’s ancestor was a Dravidian and he migrated to Ayodhya due a Tsunami in the South of India.

    The ancestry of the two Tamil Dynasties goes back to Solar and Lunar Dynasties, That of Rama and Kauravas.

    Please read my articles on this.

    Sun Temple,Konarak.Image.jpg
    Sun Temple,Konarak,Odisha,India. Image credit.http://en.wikipedia.org/wiki/Konark_Sun_Temple#/media/File:Konark_Temple_Panorama2.jpg
    Konarak Su Dial.Image.jpg
    Koanarak SunDial. The wheels of the chariot are also symbolic and have been interpreted as the ‘Wheel of Life’. They portray the cycle of creation, preservation and achievement of realisation. The diameter of each of the wheels is about nine(2.73 metres) feet and each of them has a set eight equal parts. They are elaborately carved all over. The thicker ones are all carved with circular medallions at their centres on the widest part of the face. The axels of the wheels project by about one foot from the surface, having similar decorations at their ends. The rims are carved with designs of foliages with various birds and animals, whereas the medallions in the spokes are carved with the figures of women in various luxurious poses, mostly of erotic nature. These wheels may also possibly represent the twelve Zodiacs. (src: shreekhetra) – See more at: http://eodisha.org/amazing-odisha-accuracy-sundial-konark-sun-temple-built-1250-d-people-still-use-today-time-konark-sundial-suntemple-india/#sthash.YVHmT0Wb.dpuf

    I am researching on the third Tamil King Dynasty, the Cheras and shall write shortly.

    The Tamil Kings, Cholas and Pandyas were great Devotees of Shiva, Vishnu and Karthikeya, called as Murugan in Tamil Nadu.

    A Chola King had built 101 Shiva Temples along the banks of River Kaveri.

    The Big Temple at Thanjavur ,an architectural marvel was built by Rajaraja Chozhan

    The special type of Vimanas of the temples in India is the contribution og the Tamils to Sanatana Dharma.

    One of the great Temples of India, The Sun Temple at Konarak was built by a descendant of Kulothunga Chola I.

    “Kulothunga Chola I was the grandson of Emperor Rajendra Chola I .As a Chola prince he conquered the Sri Vijaya provinceKedah on behalf of his maternal uncle Emperor Virarajendra Chola in the 11th century. As a Chola Prince he also conqueredBastar in modern Chhattisgarh

    Scroll down for Konarak Video

    Konark Sun Temple was built in Orissa by Chola prince who was daughter of Rajaraja and wife of Vimaladitya.

    The Melakkadambur Shiva temple, built in the form of a chariot during the age of Kulottunga Chola I (1075-1120), is the earliest of this kind, and is still in a well preserved state. It is believed that this temple set the pace for the ratha (chariot) vimana temples in India, as a distant descendant of Kulottunga I on the female line, and thefamous Eastern Ganga ruler Narasimha Deva, built the Sun Temple at Konark in the form of a chariot in the 13th century. Kulottunga Chola is also credited with having built the Suryanaar temple near Kumbhakonam. Temples dedicated to the Sun are not a common feature in the Tamil speaking region of the Indian subcontinent..

    Legend has it that Samba, the king of Krishna and Jambavati entered the bathing chamber of Krishna’s wifes, and was cursed by Krishna with leprosy. It was decreed that he would be relieved of the curse by worshipping the sun God on the sea coast north east of Puri. Accordingly Samba reached Konaditya Kshetra and discovered an image of Surya seated on the lotus, worshipped him and was relieved of his curse.

    It is said that the temple was not completed as conceived because the foundation was not strong enough to bear the weight of the heavy dome. Local beleif has it that it was constructed in entirety, however its magnetic dome caused ships to crash near the seashore, and that the dome was removed and destroyed and that the image of the Sun God was taken to Puri.

    The Temple: The Konark temple is widely known not only for its architectural grandeur but also for the intricacy and profusion of sculptural work. The entire temple has been conceived as a chariot of the sun god with 24 wheels, each about 10 feet in diameter, with a set of spokes and elaborate carvings. Seven horses drag the temple. Two lions guard the entrance, crushing elephants. A flight of steps lead to the main entrance.

    The nata mandir in front of the Jagamohana is also intricately carved.  Around the base of the temple, and up the walls and roof, are carvings in the erotic style.  There are images of animals, foliage, men, warriors on horses and other interesting patterns. There are three images of the Sun God, positioned to catch the rays of the sun at dawn, noon and sunset.

    The Melakkadambur Shiva temple, built in the form of a chariot during  the age of Kulottunga Chola I (1075-1120),  is the earliest of this kind, and is still in a well preserved state.  It is believed that this temple set the pace for the ratha (chariot) vimana temples in India, as a distant descendant of Kulottunga I on the female line, and thefamous Eastern Ganga ruler Narasimha Deva, built the Sun Temple at Konark in the form of a chariot in the 13th century. Kulottunga Chola is also credited with having built the Suryanaar temple near Kumbhakonam. Temples dedicated to the Sun are not a common feature in the Tamil speaking region of the Indian

    The Konarak temple.

    Konark is also known as Konaditya. The name Konark is derived form the words Kona – Corner and Arka – Sun; it is situated on the north eastern corner of Puri or the Chakrakshetra. Konark is also known as Arkakshetra.

    The entire temple is made in the form of a chariot, which symbolizes the carrier of the Sun God. This chariot comprises of 12 magnificent wheels and is drawn by seven fine horses.

    At the entrance of the temple, there are two huge sculptures that show two lions, which are crushing a huge elephant. The Konark Sun Temple, India, also includes a temple known as the Nata Mandir. There are exemplary floral and geometric carvings that adorn the precincts of the Konark Sun Temple, India. The temple continues to amaze the tourists who visit the temple each year. This temple, which worships the Sun God, has been appropriately designed to match the power and aura of the Sun.

    The ruins of this temple were excavated in late 19th century. The tower over the Garbagriha is missing, however the Jagmohana is intact.

    Citation.

    http://veda.wikidot.com/info:konarak-sun-temple

    http://eodisha.org/amazing-odisha-accuracy-sundial-konark-sun-temple-built-1250-d-people-still-use-today-time-konark-sundial-suntemple-india/

  • 51 Feet Rock Cut Largest Sleeping Vishnu Anantasayana, Saranga

    I posted an article,Photo Essay  on the nine sleeping  poses of Vishnu.

    Lord Vishnu does not sleep.

    His sleep is called Yoga Nidra (Sleeping posture i Yoga) or Ari Thuyil(Tamil–sleeping while aware of everything)

    The Snake Adisehsa is the coiled Cosmic energy in the Solar Plexus(Mooladhaara).

    The Ksheera Saagara is a representation of the Milky way Galaxy.

    Please read my Post Vishnu’s’ Conch and Discus in galaxies, filed under Hinduism/Astrophysics.

    This Yoga Nidra of Lord Vishnu is of Nine types.

    1.Vadabadra Sayanam, Srivilliputtur.Moolavar Image not available.

    I had written on the sleeping, floating Visnu in Budhanikantha Nepal.

    I have been under the impression that the Anathasyana form of Vishnu found in Srivilliputhur, Sri Rangam and Thiruvanathapuram are the largest, in that order

    I am wrong.

    There is a Rock Cut Anantha Sayana Vishnu in the Village Sarangi in Odisha.

    Anantashayi Vishnu, also known as Anantashayana Vishnu (both literally “sleeping on the serpent Shesha”), is a large open air rock-cut image of the Hindu god Vishnu, carved during the early 9th Century in the Saranga village, under the Parjang police station, in Dhenkanal district of Orissa, India. It is located on the left bank of the Brahmani River. It is the largest such exposed rock cut structure in the horizontal position measuring 15.4 metres (51 ft) in length, in the whole of India, while the largest standing image is of Gomateshwara in Southern India. It is a protected monument maintained by the Archaeological Survey of India, BhubaneswarCircle. Worship is still offered to the four armed reclining Vishnu.

    Ananthasayana Vishnu.image.jpg
    Ananthasayana Vishnu,Sarangi, Orissa. “Bishnu AnantaShayan, Saraang” by Nirmal Chandra Barik – Nirmal Chandra Barik. Licensed under CC BY-SA 3.0 via Wikimedia Commons – http://commons.wikimedia.org/wiki/File:Bishnu_AnantaShayan,_Saraang.jpg#/media/File:Bishnu_AnantaShayan,_Saraang.jpg

    The Vishnu image, under the open sky, occupies an area measuring 15.4 metres (51 ft) in length and 7 metres (23 ft) in width with a thickness of 0.7 metres (2 ft 4 in). The image is of the Hindu god Vishnu in a reclining position (Anantashayana in Sanskrit, literally sleeping on the serpent Ananta). The image is carved out of natural rock of sandstone formation. He has four arms, holding a Chakra in the upper right hand, a Shankha in his upper left hand, a Gada and a symbolic lotus on its lower left hand. The hoods of the serpent Shesha (Ananta) covering the head of Vishnu.The Vishnu image has a sharp chin, distinctive nose and wears a crown on its head, called kiritamukuta (a tall conical crown, typically worn by Vishnu). A lotus design shown sprouting from his navel has the creator god Brahma, sitting in meditation. Another image in the same district also carved in sandstone in a reclining posture is in Khamkanaga Subdivision, in Angul district of 41.5 feet (12.6 m) length (as against the length of 15.4 metres (51 ft) image in Saranga village.The sculptor has imagined the river bank conceptually to represent the Kshirasagara (cosmic ocean) from which Brahma created the world. The shrine is regularly worshipped by local people. The Archaeological Survey of India is renovating this sculpture regularly and has kept it in a good condition. Floods in Brahmani River are the only threat to the image as this is built by sandstone in the river bed, which could erode.

    Location.

    The Vishnu image, located on the left bank of the river bed of the Brahmani River, is at an elevation of 200 feet (61 m). It is accessible by road over a distance of 1.5 kilometres (0.93 mi) from Saranga Village in Parajanga Tehsil of Dhenkanal district, 67 kilometres (42 mi) from Dhenkanal, 23 km from Angul and 3 kilometres (1.9 mi) from Talcher.[1][4] It is also approached from theNational Highway 42 from Cuttack to Sambalpur, on branch road over distance of 3 km. The second natural rock-cut image in parent rock is at Bhimakand in Talcher subdivision of the Dhankal district.

    Citation.

    http://en.wikipedia.org/wiki/Anantashayana_Vishnu

  • Lingam Discovery By Rama Gupteshwar Mahadev Odisha

    Lord Rama, while He was in Dandkaranya discovered a Swayambhu(self-made) Shiva Linga in a Cave in Odisha.

    This is the Gupeshwar Mahadev Temple, in a Cave.

    The shrine is called “Gupteswar” which means the “Hidden God”. It is so named because it was lying hidden in the cave for a very long period. One can reach it by climbing the 200 steps flanked with rows of champak trees. The entrance of the cave is about 3 m wide and 2 m in height. There are also several other caves nearby. Inside the second cave there is a large stalactite. People worship it as the udder of God Kamadhenu (the divine cow) and wait under it with outstretched palms to collect drops of water which fall only at long intervals.

    However, with the passing of time, the temple was abandoned. Later, in the last part of the 19th century, a hunter of the Ramgiri area found the lingam. Since then the lingam has been worshipped by the tribes of Koraput region. In Shivaratri (a Hindu festival) Gupteswar Temple draws over 200,000 devotees from Odisha, Andhra Pradesh and Chhattisgarh. People suffering from incurable diseases come here to worship the God and remain here for months in the hope of getting cured.

    How to reach

    Gupteshwar is  55 Km fromJeypore, Koraput District in the state of Odisha, India.

    Gupeshwar Mahadev,Odisha.image.jpg
    Gupeshwar Mahadev,Odisha

    There is no direct public transport available to reach Gupteshwar, you have to hair a vehicle from Jeypore or from nearby places. Usually rugged vehicle or MUV are better choice for this hill road. Even though it is tar road but in several places ditches are there and in some places high slops are there.

    Ater travelling 12 KM from Jeypore you will cross Patraput bridge, this is one of the picnic spot of Jeypore residents. After crossing the bridge within 1 KM distance you will reach a Y junction. Straight road will go to Boipariguda ( 9 KM ) and then Gupteshwar, left side road will take you to Lamtaput ( 22 KM ), Machakund ( 45 KM ), Jalaput ( 59 KM ), Vizag (198 KM).

    &nbs