Tag: Temples of Tamil Nadu

  • Mysterious Cave Atop Palani Bhogar Worshiped Devi

    Mysterious Cave Atop Palani Bhogar Worshiped Devi

    Palani Dhandayuthapani is our Family Deity.

    Some years back, when I went to Palani, I was asked by a stranger in the Temple the directions to visit Bhogar Shrine in the complex.

    Though I have been visiting the Palani Temple ,I never knew that there was a Shrine for Bhogar.

    I asked the Priests for directions and went to the Shrine.

    I was reciting,if I recall correctly the Durga Suktha,when the the priest at the Bhogar Shrine asked me to have a look at an Idol of  Bhuvanewari worshiped by Bhogar.

    Maragatha(Emerald) Shiva Linga, Bhuvaneswari and Dhandayuthapani.jpg
    Maragatha(Emerald) Shiva Linga, Bhuvaneswari and Dhandayuthapani worshiped by Bhogar,Palani

    He gave me the Idol in a Velvet cloth and it was very beautiful.

    I had darshan and left with no further thought on the subject.

    This was about 30 years ago.

    Though I know anything  about the Siddhas, I did not know much till recently.

    I have been, for the past few days, trying to find information on the Devi and Bhogar worship.

    Only today I have been able to get some information on this.

    It seems that there is an opening at the top of the Sivagiri(Palani), with a cavern underneath it and Bhogar is reported to have worshiped Devi there, with Pulipani as his Guard.

    Read on.

    At the top of Palani Hill, near the holy Murugan which Bhogar had crafted from nine poisonous substances, there is an opening in the Earth; it is a hole in the ground; the mouth of a cave which lies below. Bhogar often lowered himself into the Earth, sat in the cave, accessing Life’s hidden secrets. He performed great austerities there, the magnitude of which very few in this modern age can fathom.

    There at the opening Bhogar erected a humble shrine to the Great Mother: a few yantras, a couple of five-metal icons baring the form of the Mother and her son Murugan. He worshipped a small emerald lingam there, about ten inches in height. His one and only disciple, Pulipani (perhaps the only one who truly understood the sage), kept him company at the entrance to the underground cavern on the top of Palani Hill.

    When Bhogar felt that his outer work was done, he entered the gateway of earth and stone and sat down in the darkness of the cave. Faithful Pulipani heaved a stone slab over the entrance, sealing Bhogar forever in the blackness of his earthen womb.

    For thirteen generations Pulipani’s descendants have watched over that stone slab that marks the gateway to the underground chamber. Long ago, Bhogar’s little shrine was set atop that hallowed spot, and even today, is still worshipped by the vigilant sons of the faithful Pulipani. They say that Bhogar is seated quietly in meditation even now; alone in the darkness; watching the slow passage of time.

    His breath is still. His mind is quiet, his heart unwavering; but through the dense dark matter of his earthly form stabs the vibrant & relentless flame of the Kundalini Shakti. There he waits…

    ‘At the top of Palani Hill, near the holy Murugan which Bhogar had crafted from nine poisonous substances, there is an opening in the Earth; it is a hole in the ground; the mouth of a cave which lies below. Bhogar often lowered himself into the Earth, sat in the cave, accessing Life’s hidden secrets. He performed great austerities there, the magnitude of which very few in this modern age can fathom.

    There at the opening Bhogar erected a humble shrine to the Great Mother: a few yantras, a couple of five-metal icons baring the form of the Mother and her son Murugan. He worshipped a small emerald lingam there, about ten inches in height. His one and only disciple, Pulipani (perhaps the only one who truly understood the sage), kept him company at the entrance to the underground cavern on the top of Palani Hill.

    When Bhogar felt that his outer work was done, he entered the gateway of earth and stone and sat down in the darkness of the cave. Faithful Pulipani heaved a stone slab over the entrance, sealing Bhogar forever in the blackness of his earthen womb.

    For thirteen generations Pulipani’s descendants have watched over that stone slab that marks the gateway to the underground chamber. Long ago, Bhogar’s little shrine was set atop that hallowed spot, and even today, is still worshipped by the vigilant sons of the faithful Pulipani. They say that Bhogar is seated quietly in meditation even now; alone in the darkness; watching the slow passage of time.

    His breath is still. His mind is quiet, his heart unwavering; but through the dense dark matter of his earthly form stabs the vibrant & relentless flame of the Kundalini Shakti. There he waits…

    Courtesy: Forward to Shaking the Tree: Kundalini Yoga, Spiritual Alchemy, & the Mysteries of the Breath in Bhogar’s 7000 English rendering by Layne Little

    http://www.alchemywebsite.com/bhogar1.html

  • Atomic Analysis Report Of Palani Dhandayuthapani Subrahmanya

    When the self-styled rationalists call every thing Hinduism stands for and Hindu sages as non sense and irrational , it is befitting to recall the words of Sir Isaac Newton, considered to be one of the Giants of Physics.

    Palani Dhandayuthapani.gif Palani Dhandayuthapani , Moolavar,Palani.

    ‘ Sir Isaac Newton modestly remarked. “All that I have done to the human community is to make a common man understand His observable laws”. He added further by saying. “God created the forces of gravity. I connect this by a mathematical equation in an understandable way”.

    How true these words are!

    Palani Subrahmanaya, called as Palani Andavar, Palani Dhandayuthapani, Idol is believed to have been made and installed by Bhogar a senior Siddha.

    He prepared the Idol, according to some traditions with a strange mixture called Nava Paashana.(Nine Poisonous Minerals)

    This , the traditions say,was prepared by mixing minerals in a specific  proportion/combination.

    Bhogar was also an Alchemist.

    Paashaana also means Poison.

    This mixture could have been prepared by mixing Nine rare herbs of poisonous nature .

    The resultant mixture was used by Bhogar to make the Idol.

    ( It is believed that Bhogar made three idols, one is now at Palani, the other two have been hidden by Bhogar somewhere in the Eastern Ghats in South India: they are expected to surface at an appropriate time).

    The other option for the Idol’s raw material is granite.

    It has been observed that the Dhandayudhapani Idol at Palani became weak below the neck and the lower portions looked as if they would fall at any time.

    A suggestion was mooted to repair or change the Idol.

    This was not agreeable to the devotees as it would be against the Shastras.

    So the Government of Tamil Nadu appointed a committee to study the issue and submit its recommendations.

    I am providing the report afer a few sentences about the findings of the committee.

    1.The Idol’s face was fresh as though it was installed recently.

    2.The lower portions were damaged.

    3.On testing with an Atomic Analyser, it was found that the Idol was made of neither Granite, nor minerals.

    4.The Scienists were unable to determine what it is made of.

    Now an abstract of the report; the web site Link is provided towards the close of the Post.

    Dhandayuthapani Temple.jpg Dhandayuthapani Temple,Palani.

    Though the preliminary visual examination of the idol revealed the possibility of the material being of granitic origin. It could not be confirmed, as neither a microscopic examination nor a chemical analysis could be done in the absence of loose material from the idol being available for such detailed investigation. But we were aware that the abhishekam materials flowing over the idol could possibly absorb some of the ingredients from the idol to acquire the medicinal property, curative qualities and offer relief to many devotees from their ailments.

    Guided by this knowledge and taking a clue from this, we applied sandalwood paste to the idol and let it remain overnight. The next day the sandalwood paste was collected and a solution was prepared for further chemical examination, using
    As the next step, the sandal wood paste solution from the paste left on the idol overnight was subjected to the experiment. The instrument showed no apparent reading. The experiment was repeated several times and the instrument showed a zero absorption. When other samples were tested, the instrument showed positive results but for the sandal wood paste left overnight on the idol of the lord, the result was zero absorption. It was revealed to us as a stupendous moral – that even modern scientific analysis cannot penetrate the Divine Structure.a sophisticated instrument, the Perkin-Elmer 707 atomic absorption spectrophotometer to identify the trace elements. A standard solution required for the experiment was made to calibrate the instrument.’

    The Study was by Dr. Prof. M.S. Saravanan, M.Sc., Ph.D., F.M.S., F.G.S. is an an earth scientist and mineralogist and former Director of the Tamil Nadu Department of Geology & Mines and Chairman of Tamilnadu Minerals Limited and a one-time close associate of Kripananda Variar.

    He was also a sub-committe member constituted by the Government of Tamil Nadu to Study and Test the Idol.

    Citation.

    http://palani.org/saravanan.htm

  • Agastya Fingerprints Change Vishnu To Linga Kutralanathar

    Agastya is one Sage who was worshiped by Lord Rama.

    He was the one who revealed the Adhityahrudaya Stotra to Rama, when Rama was depressed in the Battle field, fighting against Ravana.

    He was also present during the Mahabharata.

    He is a Siddha.

    A detailed Post on Agastya follows.

    Kutralanathar Temple.Tamil Nadu
    Kutralanathar Temple,Kutralam

    He transformed the Idol of Vishnu to Shiva Linga to signify the unity of Shaivism and Vaishnavism.

    1. At a Saivite temple named Kutralam, formerly a Vishnu temple, in Tamil Nadu, Agastya, in one legend, was refused entry. He then appeared as a Vaishnavite devotee and is said to have miraculously converted the image to a Shiva linga. A symbolic meaning of this conversion is to show that Vishnu and Shiva are different aspects of the one and same God.

    The temple has five entrances representing four Vedas and the one being the way of Pilavendhan who came to enjoy the dance of Lord Shiva.  The design of the Dwarapalakas is different as if they are in a conversation.  This was a Vaishnava temple earlier.  One Dwarapalaka is asking the other whether Saga Agasthya came there and the other replying in the negative.  The devotee can worship all the Panchaboodha Lingas representing water, earth, fire, vayu and the space here.  Of the five stages of Lord Nataraja dance – Golden, silver or Rajatha, copper, Ratna and Chitra- the Chitra Sabha is near the Kuttralanathar temple.  Lord Nataraja graces in the form of a painting.
    The finger prints of Sage Agasthya on the Linga are still visible.  When Agasthya pressed his hands on the head of Lord Perumal, it caused headache to Lord Shiva.  As a remedy, a Thaila-oil is applied on the head – Shivalinga Bana – during the 9.30 a.m. puja.  This oil is prepared with cow milk, green coconut, sandal and 42 herbals boiled together for 90 days and mixed with pure gingely oil produced by grinding the Ellu in a traditional manner.  This abishek Thaila-oil is offered as Prasad to devotees.  Also the nivedhana offered to Lord during the Arthajama puja is a medicinal preparation made of a nut called Kadukkai in Tamil along with dry ginger, pepper etc.  As Lord is always under the falls water, these are offered to protect Him from cold and fever attacks, it is explained.
    Of the Shakti Peetas of Ambika, this is Parasakthi Peeta.  Ambika in the temple is praised as Kuzhalvai Mozhi Nayaki.  The Wedding festival is celebrated on the Aipasi Pooram star day in October-November.  Lord and Mother visit the Agasthya shrine that day to grant their wedding darshan to the sage. The story further goes that while sage Agasthya converted this Perumal temple as a Shiva temple, he changed Sridevi as Kuzhalvai Mozhi Nayaki and Bhoodevi as Parasakthi.  Mother Parasakthi is on a peeta of Sri Chakra design.  As Bhoomadevi was changed as Parasakthi, this peeta is also praised as Dharani Peeta – Dharani means Earth or Bhoomi.
    Nava Sakthi Puja is performed on full-moon night here as the peeta is said to represent the collective grace and power of nine Ambikas.  The main nivedhanas are milk and Vada the popular dish of Tamilnadu.  As Sakthi is furious in nature, A Shivalinga called Kamakoteeswara is installed before the peeta to soften Her.  Devotees worship Parasakthi in the Dharani Peeta on Fridays and Navarathri days with kumkum mixed with rosewater to realize their wishes.
    Manakola Nathar Shiv Shrine – Lord Shiva in His wedding posture – is in the prakara.  Lord Vishnu with Mother Mahalakshmi offering His sister Ambika to Lord Shiva in wedding, Lord Brahmma as priest conducting the wedding rituals, Sages Agasthya and Brungi are also in this shrine.  Those facing delays in their wedding proposals worship here with turmeric, rosewater abisheks offering fragrant garlands and Payasam –porridge nivedhana seeking a suitable match.
    There is a shrine for Perumal in the temple praised Nannagara Perumal blessing devotees with boons of their needs.   Lord Krishna also is nearby.  Special pujas are performed here on Rohini Star days and Purattasi Saturdays in September-October.  This Perumal was in the Shiva shrine earlier.
    A small shrine is constructed around the jack tree, the sacred tree of the temple with Adhi Kurumbala Easar in the form of a Peeta.  The tree yields fruits throughout the year but no one picks them.  It is strange that the fruits are of Shivalinga form.  Kuttrala Kuravanji, an ancient Tamil literature portraying the life of the Kurava community devoted to Lord Shiva, describes that all the fruits are but Shivalingas.  During important festival days, this fruit is offered to Lord Shiva as nivedhana.   There is also a jack tree in the prakara dating back to centuries.  This tree is revered as Lord Shiva by devotees offering Him all pujas.
    Arjuna lost in Kasi – now Varanasi – his small box containing the Shivalinga he was worshipping.  Surprisingly, he got it back in this place.  He left this Linga here itself after his usual worship.  This Linga is in the Prakara in a separate shrine.  Those who had lost anything worship in this shrine for recovery of the object they missed.  Arjuna got back this Linga on the Panguni Uthiram day in March-April.  Special pujas are performed in the shrine on this day.
    From this shrine, the devotee can have a view of the Linga, Vinayaka facing west, the vimana Tirikooda hills and the Kuttralam falls.
    The Chitra Sabha-hall of paintings is a separate shrine near Kuttralanathar temple.  This Sabha or hall is made of copper.  Lord Nataraja in the form of paintings appears as Tirupura Thandava Murthi.  It is in this hall, sage Agasthya pressed the head of Lord Vishnu changing Him as a Shivalinga.  The miracles (Tiruvilayadal) played by Lord Shiva and various forms of Lord Dakshinamurthi are beautifully painted here with colours made of herbals.
    A 10 day festival-Margazhi Tiruvadhirai in December-January dedicated to Lord Nataraja is grandly celebrated with car festival.  The Arati shown to Lord Nataraja is offered in His dancing style, known as Thandava Deepa Aradhana.  Lord Nataraja is dressed in white and green using fragrant Marikozhundu.  This puja is followed during the Chithirai Brahmmotsavam in April-May also.
    Ku means the cycle of births and deaths.  Thalam means the remedy for this pain. Worshipping Lord in Kuttralam offers the solution.

    How to reach.

    Airport.Tiruchi,Madurai.

    Bus Services:

    Road Route from Chennai – Bus Route Chennai to Chengkottai(Route: Trichy, Madurai Rajapalayam,Thenkasi).
    Stopping – Courtrallam,
    Nearby town – Thenkasi

    Trains from Chennai available.

    Citation.

    http://temple.dinamalar.com/en/new_en.php?id=601

    http://www.courtrallanathar.tnhrce.in/index.html

  • Siddha Bhogar China’s Lao Tsu Founder Taosim

    Siddha Bhogar China’s Lao Tsu Founder Taosim

    I am, as I have written earlier, researching into the worship of Shiva, whether He was a Pre Sanatana Dharma God a Human,,the Sanatan Dharma of the South of India predates the Sanatana Dharma, the Devi worship in the south.

    In the process I have come across some information which will be of interest to Readers.

    Bhogar, A Siddha worshiping Dandayuthapani Bhogar, A Siddha worshiping Dandayuthapani at Palani.

    One who reads Tamil Classics and bhakti movement, will notice that Shiva is approached with trepidation and awe, Murugan, Subrahmanya is called Muruga In Tamil, with Love, affection and worshiped as one would a child who is a Favourite, at the same time as Gnana Guru who taught Pranava to Lord Shiva.

    And there are Nava Siddhas, which may correspond to the Saptha Rishis of the Sanatana Dharma.

    Now to the point of Bhogar in China.

    Bhoga, along with Agastya is considered to be seniors among the Siddhas.

    Palani Subrahmanya Swamy Idol was installed by him with a special mixture of herbs, called Nava  Pashaana.

    This Idol is expected to last through the Kali Yuga, the present aeon described by Sanatana Dharma.

    Kālangi Nāthar was born in Kaśi (Benares). He attained the immortal state of swarūpa samādhi at the ago of 315, and then made China the center of his teaching activities. He belonged to the ancient tradition of Nava (‘nine’) Nāth (‘lords’) sadhus (ascetics), tracing their tradition to Lord Shiva.

    There are nine important shrines associated with this tradition, five of which are in the Himālaya Mountains: Amarnāth (where Shiva first taught Kriya Yoga to his Shakti partner, Parvati Devi), Kedarnāth, Badrināth (India), Kailāsanāth, (Tibet) and Paśupatināth (Nepal).

    Meanwhile, Bhoganāthar practiced Kundalini Yoga in four stages. The first three stages arc described in a later chapter on “The Psychophysiology of Kriya Kundalini Pranayama”. Bhoganāthar chose the Palani Malai (mountain) in what is now southwestern Tamil Nadu as the site for intensive yogic practice (tapas) for the final stage. He attained swarūpa samādhi at Palani, through the grace of Lord Muruga, or the eternal youth, “Kumāra Swāmi”.

    The Kumāraswāmi temple at Palani became the epicenter of his activities. He visited many countries astrally, and physically and through transmigration. In one of his songs Bhoganāthar claims to have flown to China at one point in a sort of airplane which he built: he held discussions with Chinese Siddhas before returning to India (Kailasapathy, 1969, p. 197-211). His visit to South America has been confirmed by accounts left by the Muycas of Chile:

    “Bocha, who gave laws to Muycas, was a white, bearded man, wearing long robes, who regulated the calendar, established festivals, and vanished in time like others (other remarkable teachers who had come across the Pacific according to numerous legends of Incas, Aztecs and Mayans).” (Lal 1965, p. 20).[2]

    He convened a meeting of many siddhas just before the beginning of the present Kali Yuga, in 3102 BC, to determine the best way for humanity to progress along the spiritual path during the coming period of darkness. The Yoga of love and devotion, Bhakti Yoga, was chosen as being the best means. Bhoganāthar was entrusted by the siddhas with the task of defining the rituals for the worship of their favorite deity “Palani Āndavar”, the Lord (Muruga) of Palani.

    Many rituals that center around the bathing (abhishekam) of an idol of Palani Āndavar with many substances, including panchaamirtam consisting of five fruits and honey, were developed by him and continue to be followed to this day. The idol had to be created from a substance that would last throughout Kali Yuga.

    The most resilient of known substances, granite, was known to wear and crack after thousands of such rituals. So Bhoganāthar fashioned it out of nine secret herbal and chemical ingredients, nava pashanam, which made it harder than granite. Eight of the ingredients were combined in a mold of the idol. The ninth, was added as a catalyst, to solidify it.

    In recent times the scientists who attempted to determine the composition of a small sample of the material of the idol, were startled to find that it immediately sublimated when heated. Thus its composition remains a mystery to date. The traces of the substance are contained in the ritual offerings in which it is bathed. When these are returned and consumed by the devotee, their spiritual progress is enhanced.

    A mission to China and transmigration

    Kālangi Nāthar decided to enter into samādhi in seclusion for 3,000 years. He summoned Bhoganāthar telepathically from Tamil Nadu to China to take over his mission. Bhoganāthar traveled by sea, following the trade route. In China, he was instructed by Kālangi Nāthar in all aspects of the Siddha sciences. These included the preparation and use of the kaya kalpa herbal formulae to promote longevity.

    After Kālangi Nāthar entered into trance, Bhoganāthar assumed his teaching mission to the Chinese. To facilitate this, he transmigrated his vital body into the physical body of a deceased Chinese man, and thereafter went by the name “Bo-Yang”. “Bo” is a derivation of the word “Bhogam” which means bliss, material and spiritual.

    This bliss, for which he was named “Bo-Yang” is experienced when the Kundalini shakti, the feminine primordial yin energy awakens, passes up to the crown of the head, the seat of Shiva, the masculine yang pole, in the Sahasra cakra at the summit of the head and unites with it. The result of this integration of feminine and masculine parts of the being, or union (“Yoga”) of Shakti and Shiva, Yin and Yang,is Satchidananda: Absolute Existence-Consciousness-Bliss.

    Transformation of his physical body

    Bhoganāthar decided to overcome the limitations of the Chinese body, with its degenerative tendencies, and prolong its life through the use of the kaya kalpa herbs long enough for the effect of Kriya Kundalini Pranayama and related yogic techniques to bring swarūpa samādhi. In his poem Bhogar Jñāna Sutra 8, verse number 4, he describes vividly what happened after carefully preparing a tablet using thirty five different herbs:

    With great care and patience I made the (kaya kalpa) tablet
    and then swallowed it:
    Not waiting for fools and skeptics
    who would not appreciate its hidden meaning and importance.
    Steadily I lived in the land of the parangis (foreigners)
    For twelve thousand years, my fellow!
    I lived for a long time
    and fed on the vital ojas (sublimated spiritual energy)
    With the ojas vindhu I received the name, Bhogar:
    The body developed the golden color of the pill:
    Now I am living in a world of gold

    (based upon translation by Yogi S.A.A. Ramaiah, 1979, p. 40-42).

    He chose three of his best disciples and his faithful dog, and took thorn to the top of a mountain. After first offering a tablet to the dog, the dog immediately fell over dead. He next offered it to his leading disciple, Yu, who also immediately fell over dead.

    After offering it to the two remaining disciples, who by this time were extremely nervous, and who promptly hid their tablets rather than swallow them, Bhoganāthar swallowed the remaining tablets and also fell over unconscious. Crying with grief, the two remaining disciples went down the mountain to get material to bury the bodies. When the disciples returned to the spot where the bodies had been left lying, all that was found was a note, in Bhoganāthar’s handwriting, which said:
    This kaya kalpa enabled Bhoganāthar to transform the Chinese body over a period of 12,000 years, during which time it developed a lustrous golden color. (The physiological transformation to the state of swarūpa samādhi was, however, completed only later, at Palani in the final phases of Kriya Kundalini Yoga and related practices. These phases will be described in chapter 11. Bhoganāthar’s own graphic description is recorded in the poem at the end of this chapter Initiation into Samādhi.)The kaya kalpa tablets are working.
    After awakening from their trance
    I restored faithful Yu and the dog.
    You have missed your chance for immortality. (Ibid.)

    In this poem Sutras of Wisdom — 8. he sings prophetically of the taking up of the practice of pranayama in modern times by millions of persons who would otherwise have succumbed to drug abuse:

    Will chant the unifying verse of the Vedanta.
    Glory to the holy feet of Uma (the Divine Mother of the Universe. Shakti),
    Will instruct you in the knowledge of the sciences, ranging from hypnotism to alchemy (kaya kalpa).
    Without the need for pills or tablets, the great scientific art of pranayama breathing, will be taught and recognized
    By millions of common people and chaste young women.
    Verse no. I (based upon translation by Yogi S.A.A. Ramaiah, 1982, p. 40).

    Becomes known as Lao-Tzu, founder of Taoism

    After this incident with the Chinese disciples, Bo-Yang became also known as Lao-Tzu, and was accessible for nearly 200 years, and trained hundreds of Chinese disciples in Tantric Yoga practices, wherein semen and sexual energies are conserved and sublimated into spiritual energies. The advanced techniques which he taught involve raising the energies from the mūladhāra cakra corresponding to the perineum up to the sahasraracakra during sexual intercourse with a spiritually minded partner, resulting in sublimated energy, tejas. manifesting throughout all the cells of the body. In the fifth century B.C., Confucius met Lao-Tzu Bo-Yang and afterwards said of him:

    I know a bird can fly, a fish can swim, and an animal can run. For that which runs, a net can be fashioned; for that which swims, a line can be strung. But the ascent of a Dragon on the wind into heaven is something which is beyond my knowledge. Today I have met Lao-Tzu, who is perhaps like a Dragon. Among the Chinese, particularly, the Taoists, the Dragon is the symbol of Kundalini Shakti, the primordial force.

    Citation.

    http://palani.org/bhogar-biography.htm

     

  • Monkey Crying Non Stop Before Kali Two Days Vaitheeswaran Koil

    A Monkey has been crying continuously in front Goddess Kali In Vaitheeswaran Koil, Tamil Nadu.

    The Monkey entered the Kali Sannidhi (Sanctum), sat in font of the Goddess’s Idol and been crying non stop, without food, with tears straming from its eyes,though food is kept near it.

    It has been there for the past two days.

    Goddess Kali, Chidambaram.jpg
    Goddess Kali, Chidambaram.

    ‘I park myself at Mayiladuthurai and cover these temples.

    I find this arrangement convenient,though it is ideal to be at Kumbakonam.

    Temple Tank, Vaitheswaran Koil
    Temple Tank, Vaitheswaran Koil, Tamil Nadu

    But Myladuthurai is better in terms of better accessibility and better accommodation budget wise).Kumbakonam is 35 minutes  away-Rs 11 by bus ,about half a Dollar to and Fro.

    You have buses every 10 -15 minutes from Mayiladuthurai  and it takes about 25 minutes one way.

    The Temple is closed between 1 and 4 pm.

    This Temple is worshipped for relief from Disease,s of the Skin especially.

    And for relief from Angaraka Dosha,-Mars’s Malevolence.

    It is believed one’s Marriage is delayed if Mars is in 4, 7, 8 11 and 12.(there are some divided opinions on this).

    Angaraka has a Sannidhi or special enclosure in this temple.

    The procedure of worship in the Temple is to wash one’s feet and hands in the Temple tank.
    Every temple has its own its Tank, Tree,(Place of The Temple _Stlaam,Therrththam and Vruksham)-Vembu or Neem tree.

    “Chevvai or Angarakan is present in two forms – Utsavar (the idol that is taken out in procession during festivals) is near the Vaithyanathaswamy sannidhi (shrine) and the moolavar (the idol that is  placed permanently in a place) is in the Eastern side of the outer praharam (circumambulatory path). The Utsava Murthy, mounted on a goat, is taken out in a procession inside the temple premises every Tuesday.  There is a small shrine to Lord Dhanvantari in the praharam (circumambulatory path) around Vaitheeswaran’s Sannidhi (Sanctum sanctorum).

    How To Reach Vaitheeswaran Koil.

    By Train: From Chennai side, take Cholan Express(train no:16853/16854) and Uzhavan Express(Train no: 16183/16184) and get down at Vaitheeswaran koil itself. From Coimbatore or Madurai side, take any train that goes to Mayiladuthurai. There is a direct train from Mysore/Bangalore and Coimbatore that goes up to Mayiladuturai, 14 km from Vaitheeswaran Koil.

    By Bus: There are frequent buses to this place from Chidambaram, Mayiladuthurai, Kumbakonam.

    Nearest Airpot, Tiruchi

    Citation.

    https://ramanisblog.in/2012/08/09/vaitheeswaran-koilabout/