Ramanisblog

Tag: #longreads

  • Tripura Rotating Cities Destroyed By Shiva Atlantis

    “Om Namasthesthu Bhagavan
    Visveswaraya Mahadevaya
    Trayambakayah Tripuranthakaya Trikalagni-kalaya
    Kalagni-Rudraya Nilakantaya Mrityumjayaya Sarveshwaraya
    Sadasivaya Sriman Mahadevaya Namah!!

    This Mantra of the Sri Rudram we are aware of.

    Atlantis the Lost Continent.jpg
    Atlantis
    Tripura as described in Hinduism.jpg
    Tripura as described in Hinduism

    Lord Shiva is described as Tripurantaka,’one who destroyed Tripurantaka, an Asura and the Tripura, the Triple city.

    This is how Shiva destroyed Tripura.

    ‘

    Vishnu immediately rushed to Shiva , knowing he had to make him angry said “ Tripura should be destroyed. The kings have become evil and they have destroyed the Shiva lingas”

    Shiva flew into a great rage and agreed to destroy Tripura.

    The whole of Tripura could be airborne , by Vedic gyroscopic mercury vortex technology, which could direct imploding and exploding vortices to propel or to stand still, while in air

    Vishnu gave a single arrow the Pashupatastra ( a scalar interferometry cruise missile ) , with could be triggered only by resonance from the pineal gland of Shiva .
    Shiva send this cruise missile which ripped through all three airborne forts one after the other in a devious search and destroy track. Tripura was reduced to ashes in a split second.’ Siva Purana.

    Now as to the question where is /was Tripura located ?

    Considering the fact that Vaivaswataha Manu migrated from the Dravida territory to Sarasvathi Valley,while Shiva, Ganesha and Muruga left through the Arabian Sea towards the west, middle-east to settle further east,

    The descendants of the group , which left Dravida for the Sarasvathi Valley,traveled  through Iran, Kazhakasthan through Russia to finally settle down at the Arctic,

    The Rig Veda was composed in the Arctic,

    my search was on to locate the places the descendants of Shiva visited.

    The term Asura means powerful.

    While Ravana from the southern part of Bharatavarsha is called a Rakashsa, the people of Atala, Atlantis were called Asuras.

    This term set me to search for a landmass which had a culture similar to Sanatana Dharma.

    One finds references to this in the Ramayana where Sugriva directs hs army to search for Sita in Peru, identifying it with the Nazca Lines, which he called

    as  Shiva’s Trishul Mark, the Nazca Lines resemble the Trishul Mark.

    The description of Tripura confirmed suspicion that Atlantis is Tripura mentioned in the Purana and destroyed by Lord Shiva.

    “However, secondary tradition founded by people and limited in time, and the original tradition has superhuman origin and timeless nature. Because of this myth, and even the Bible texts “Egyptian Book of the Dead” is only secondary to the polar revelation contained in the text of “Avesta”, “Rig” and “Popol Vuh.”There is direct textual overlap between the myth of Tripura and dredaniem of Atlantis. First of all, ‘of course, we are talking about uniformity describe the appearance of Tripura and Atlantis. “Matsya Purana” and “Mahabharata” reported three round town, merged into one, and the first one was made of gold, the other – from the silver, and the third – of iron [29]. In turn, Plato in the dialogue “Critias” said a central island surrounded by the “alternate water and earth rings (earth was two, and water – three) all larger diameter, conducted as if the compass of the middle of the island, at equal distance from each other” [ 30]. Central island and two earthen ring – this is a description of a triple-like Tripura. The walls of each of these cities were covered with metal. The outer city wall was covered with copper, middle – tin, and the inner city – precious orichalcum. [31] The walls of the temple of Poseidon were lined with silver and gold. [32] Such detailed description of the matches in the Indian holy city of ancient myth and prove not only the relationship of the two stories, but the stories of historical authenticity.In other Indo-European sacred myths we find the same pattern. In “Avesta” description Vary, a town built on the orders of Yima Ahuramazda, fits the description of Atlantis and polar Tripura. ”

    There were two Tripuras.

    One at the North Pole and another at the Atlantis, the Atlantis.

    “ “Mahabharata” states that Tripura was “lap” and rotates on its axis, it can only be understood in the light of the theory Tilak. Such a circular rotation of possible only if it is located in the Center of the World – the North Pole. It is worth noting that the Indian Aryans used to refer to the sacred center of the world the term «nabhif», which means “navel”, “hub (wheel),” “the central point (space) ‘,’ hole recess.” Linked with it the idea of ​​a continuous circular motion. In the Upanishads, for example, the Brahman – the one who “move in circles – brightness, incorporeal, do not carry the scars, bezmuskulnaya, pure, untouched by sin … “It is He who came around.” In other words, the cycle of movement that triggered the manifestation of the eternal, created the worlds … “[7]. In “Isha Upanishad” of Brahman said: “It moves, and it does not move” (v. 5). Being in the center, being in itself, Brahman is stationary, but moves the whole world. Aurobindo says: “The Brahman himself at peace, quiet and motionless, in which he moves and nourishes the energy”. [8] Movement of the world is due to the stationary engine – center. The concept of the center as the wheel is rotating around a fixed axis, could be formed only where such a center was seen as the true reality – the North Pole. As Atlanta, after whom was named Atlantis, holds on his shoulders the vault of heaven, serving as the World Pillar and Indra performs a similar feat. In the “Rig Veda” a lot of places devoted to the description of the action: “Indra supported heaven” (RV. III. 44, 3)”

    Asura completely ceased to distinguish good from bad, day and night, and their fierce and bloody raids on neighbors terrified her senseless cruelty. All it means taking power in the military caste leaders.“Lost in greed and blinded mind, they started without shame or conscience ravage around all populated places. Always and everywhere to escape paying the gods with attendant hosts of the proud new found nothing, they walked, where they would not want to. So dear to the hearts of the gods groves of the gods, the holy abode of the sages, sacrificial pillars village people – all destroyed, defying boundaries insidious Danavas “[53]. On the spiritual fall of the asuras (children are given) report and the “Upanishads.” “Maitri Upanishad” speaks of them as blinded, full of affection, false praise, but “Chandogya Upanishad,” they were referred to as materialists to the worship of “a body”. [54] This is a very interesting concept historiosofic. The loss of the original sacred center leads to the fact that although the sacred tradition and reviving the secondary center, but it will soon deteriorate, without communication with the Divine Source.Considering the problem of the death of civilization, J. Evola writes: “Traditional – organic and articulated – the concept of the state always reflects that natural hierarchy of abilities inherent in man, taken as a whole, in which the purely physical and bodily elements control the vital forces, subordinates in turn spiritual life and character, and at the head of the body is spiritual and intellectual principle which the Stoics called the supreme ruler of the soul, gegemonikonom “[55]. This means that when the asuras put in the center of his life wealth, wealth and physical strength, they have violated the true hierarchy of being and rejected important tradition, which was the cause of their decline and demonic involution.The same ideas are contained in the dialogues of Plato. In the “Timaeus” refers to “the audacity of countless military forces going on a conquest of the whole of Europe and Asia”. [56] “Amazing for the size and power of the kingdom” Atlantis threw all power “to ensure that a single blow enslave both your and our lands, and in general all of the country on this side of the Strait”. [57] The kings of Atlantis, as well as masters of Tripura, are unjust war. Plato explains that in Atlanta “depleted relic of nature’s God” and goodness in them waned. [58] The kings of Atlantis were descendants of the god Poseidon and a mortal woman. Divine and the human were equally represented in them, but the situation gradually worsened.The philosopher says, “But when inherited from God weakened share, repeatedly dissolving in death impurity, and human nature prevailed, then they were not able to bear any longer his wealth and lost decency. For someone who is able to see, they were a shameful spectacle, because squandered the most beautiful of its values, but unable to see what is truly happy life, they looked beautiful and happy just like the time when they boiled unbridled greed and power “[

    Citation

    by Swardata. Translated from the Russian using Google Translate)

    Reference and citation.

    http://frontiers-of-anthropology.blogspot.in/2012/12/atlantis-vedic-tripura.html

    Related.

    https://ramanisblog.in/tag/arkaim/

    Related articles

    https://ramanisblog.in/2014/08/19/sthree-varsha-women-kingdom-rishi-varsha-russia-hindu-texts/

  • Atlantis People Descendants Of Shiva Ganesha Muruga

    One can not wish away the concept of legends of Lemuria ,Atlantis.

    They are found in many a civilization’s legends,the civilizations set apart by distance and cultural practices.

    Descriptions and references are found in Greek,Latin,Spanish, Nordic, Sanskrit and Tamil.

    1.From the Hindu texts it may be inferred that it was inhabited by the descendants of Shiva, Ganesha and Subrahmanya.

    .Shiva with Trident.jpg
    Shiva in Atlantis .Shiva with Trident.

    Tamil literature speaks of  the great Tsunamis, repeatedly emphasized in Sangam Literature , about 5000 old and this is backed by the Puranas.

    Or the Tamil literature might be backing up the Purana.

    Lord Rama’s ancestor, Vaivasvatha Manu left from the Dravidian South for the Saraswathi valley and his successor’s founded the Ayodhya Kingdom.

    Manu left by the Arabian sea route and traveled to the Sarasvathi river initially.

    Shiva with his offspring Ganesha and Subrahmanya, referred to as Murugan in Tamil, left by the Arabian sea through the Arabian peninsula to settle down in the Europe, Africa and Latin American countries.

    Manu’s descendants also spread towards the north and north-east through Iran, Russia and went as far as the Arctic.

    The Rig Veda is reported to have been complied in the Arctic.

    2.References found in the Hindu Texts indicate that the people who left by the Arabian sea through the middle east mingled with the local people in those area and so were treated as Milechas by the Sarasvati Valley people.

    There seems to have been a constant war going on between these two Groups and those in the region of the Atlantis were referred to as Asuras, the powerful.

    3.Asuras are different from the Rakshasas who lived in the southern part of  thepresent India from SriLanka down wards, eastwards.

    Ravana is one such Rakshasa.

    This is mentioned in Tamil Literature  while speaking about Lemuria Continent.

    The Vedic and Purana texts  refer them as Southerners, Dravida.

    4.There have also been a clashes between the Lemurians and the Atlantis people.

    This again is mentioned n the Puranas as the clash between the Asuras and Rakshasas.

    5.In the Ramayana Sugreeva was asked to search for Sita in Peru and the Nazca lines are the Trishula Marks of Shiva.

    Plato’s description of Atlantis.

    ”

    But when the divine portion began to fade away in them, being diluted too often and too much by admixture with mortal blood, and the human nature began to preponderate, they became unable to control their behavior and became unseemly… and grew visibly debased…

    Then, Zeus, the god of gods, who rules by law… seeing that an honorable race was in a most wretched state, and intending to punish them, that they might be purified and improve… gathered all gods together and spake as follows:…”…

    There is a story which even you have preserved, that once upon a time Phaethon, the son of Helios, having yoked the steeds in his father’s chariot, because he was not able to drive them in the path of his father, burnt up all that was upon the earth, and was himself destroyed by a thunderbolt. Now, this has the form of a myth, but really signifies a declination of the bodies moving around the earth and in the heavens, and a great conflagration of things upon the earth recurring at long intervals of time: when this happens, those who live upon the mountains and in dry and lofty places are more liable to destruction than those who dwell by rivers or on the sea-shore; and from this calamity the Nile, who is our never-failing savior, saves and delivers us.

    When, on the other hand, the gods purge the earth with a deluge of water, among you herdsmen and shepherds on the mountains are the survivors, whereas those of you who live in cities are carried by the rivers into the sea; but in this country neither at that time nor at any other does the water come from above on the fields, having always a tendency to come up from below, for which reason the things preserved here are said to be the oldest.

    The fact is, that wherever the extremity of winter frost or of summer sun does not prevent, the human race is always increasing at times, and at other times diminishing in numbers. And whatever happened either in your country or in ours, or in any other region of which we are informed–if any action which is noble or great, or in any other way remarkable has taken place, all that has been written down of old, and is preserved in our temples; whereas you and other nations are just being provided with letters and the other things which States require; and then, at the usual period, the stream from heaven descends like a pestilence, and leaves only those of you who are destitute of letters and education; and thus you have to begin all over again as children, and know nothing of what happened in ancient times, either among us or among yourselves.

    As for those genealogies of yours which you have recounted to us, Solon, they are no better than the tales of children; for, in the first place, you remember one deluge only, whereas there were many of them; and, in the next place, you do not know that there dwelt in your land the fairest and noblest race of men which ever lived, of whom you and your whole city are but a seed or remnant. And this was unknown to you, because for many generations the survivors of that destruction died and made no sign.

    For there was a time, Solon, before that great deluge of all, when the city which now is Athens was first in war, and was preeminent for the excellence of her laws, and is said to have performed the noblest deeds, and to have had the fairest constitution of any of which tradition tells, under the face of heaven.’

    Solon marveled at this, and earnestly requested the priest to inform him exactly and in order about these former citizens.

    ‘You are welcome to hear about them, Solon,’ said the priest, ‘both for your own sake and for that of the city; and, above all, for the sake of the goddess who is the common patron and protector and educator of both our cities. She founded your city a thousand years before ours, receiving from the Earth and Hephaestus the seed of your race, and then she founded ours, the constitution of which is set down in our sacred registers as 8000 years old.

    As touching the citizens of 9000 years ago, I will briefly inform you of their laws and of the noblest of their actions; and the exact particulars of the whole we will hereafter go through at our leisure in the sacred registers themselves. If you compare these very laws with your own, you will find that many of ours are the counterpart of yours, as they were in the olden time.

    In the first place, there is the caste of priests, which is separated from all the others; next there are the artificers, who exercise their several crafts by themselves, and without admixture of any other; and also there is the class of shepherds and that of hunters, as well as that of husbandmen; and you will observe, too, that the warriors in Egypt are separated from all the other classes, and are commanded by the law only to engage in war; moreover, the weapons with which they are equipped are shields and spears, and this the goddess taught first among you, and then in Asiatic countries, and we among the Asiatics first adopted.’

    Citation:

    http://ascendingpassage.com/plato-atlantis-critias.htm

    http://www.lost-civilizations.net/horse-sacrifice-atlantis-indies-4.html#long

    Related.

    http://ramanisblog.in/2014/07/31/search-sita-in-peru-nazca-lines-sugreeva-ramayana/

    http://ramanisblog.in/2014/08/09/ramas-ancestor-manu-dravida-bhagavatha-purana/

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  • Word Reveals World Deeparadhana Mantra Gauri Mimaaya

    Mantras grasped by the Sages point the Reality through Sound.

    There are many sounds grasped thus, starting from Gayatri to various Sukthas.

    There is a Mantra in the Vedas which serves as a key to all these Sounds.

    Tat Tvam Asi.jpg
    Tat Tvam Asi, You Are THAT, Veda Mantra

    It explains the various sounds that denote Reality.

    It explains the universe of Names and Forms that has evolved or appears to have evolved.

    This Mantra can be interpreted from Advaita,Visishatdwaita, Dwaita and the various Gods being worshiped as Saguna Brahman.

    this Mantra is known to all the Hindus who perform Pooja.

    This is recited during Deeparadhana for Deities.

    Especially for the Devi though it has to be recited for all the Deities.

    This Mantra appears in

    Taittiriya Brahmana     2.4.6.11
Taittiriya Aranyaka     1.9.4 (as part of the aruNaketuka mantras)
Aitereya Aranyaka       1.5.38
Atharva Veda            9.10.21, where gaurI is rendered gaur
Rig Veda                1.164.41, its original source

This is also a part of Navagraha Namaskara Mantra for Soma,

'Aapyaayasvaaya Samedhuthe Viswathassoma Visniyam' Navagraha Namaskara Mantra-4.

    This is the Mantra.

    "Gauri mimaaya salilaani takshatyeka padi   dwipadi sa chatushpadi
ashtapadinavapadi bhabhuvushi sahsraaraparame vyoman"


    "The cow, having bellowed, produces waters, becoming 1 footed, 2 footed, 4
footed, 8 footed, 9 footed, is of 1000 syllables in the highest heaven"

Tradition uniformley ascribes the cow as the Divine Word vAk, for example,
 we have the mantra "dhenur vAgasmAn, upasuSTutaitu" from the Rig Veda.
    Bhattabhaskara, in his commentary on this mantra in the Taittiriya Brahmana,
gives the following for the symbolism behind the "words"

ekapadI         The sound Om, the breath of the Supreme
dwipadI         Together with the vyAhrti's (1), the sacred sAvitrI mantra,
the
                gAyatrI (+1=2)
chatuSpadI      The four Vedas
aSTApadI        The 6 vedAnga's,plus purANa's (1), plus dharmashAstra's (1)
                , giving 8
navapadI        mImAmsA, nyAya, etc, plus Ayurveda, dhanurveda,
                gandharva veda, giving 9

The mantra's original setting, in the Rig Veda 1.164 , is wholly
appropriate. This is the famous suktam, beginng with "asya vAmasya...".  
It is a hymn well worth serious study by students of advaita, 
as it directly communicates the nature of the Supreme, 
as revealed through the Divine Word, the setting of which is the Yajna. 
We see in the hymn that Yajna's purpose is to declare the identity 
of the yajamAna with the Supreme.
 Very much like Shakespeare's Hamlet, it has famous verses throughout
 the hymn that are often quoted and appear in other places time and again.  
Here are a just afew by way of example:

Verse 20        "dwA suparNA sayujA sakhAyA..."

This verse is quoted in the the Mundaka (3.1.1)and Swetaswatara 
Upanishads (iv.6), describing the empirical nature of distinctions 
which give rise to an indivual agent that seems to be acting, experiencing, 
enjoying,as opposed to the witnessing principle sAkhI that remains.
 when all distinctions disappear:

"Two birds, united, intimate friends,perch on the same tree. 
 One of them
(the jIvAtman) tastes the fruits, the other, shines, looks on (sAkshI)"

Verse 31        "apashyam gopAm..."

This verse appears in the pravargya mantras which identify the self 
with the sun, and in turn with brahman, and describes the experience of
brahmAnubhava:

"I have seen the universal protector, travelling upwards and downwards.
Invested with radiance, he moves in all dimensions"

Verses 33, 34   "PrichhAmi twA...."

Verse 33 has a series of questions, which are answered in 34:

"I ask thee:

i)      The ultimate limit of the Earth
ii)     The navel of the world
iii)    The seed of the horse
iv)     The ultimate apode of  Speech"

The answers are:

i)      This vedI
ii)     this yajna, in the famous lines "ayam yajno bhuvanasya nAbhihi"
iii)    soma is the seed
iv)     The Supreme Brahman

Verse 39        "rcho akshare parame vyoman..."

"The rik's are established in the highest abode, where the shining ones are
seated.  He who does not know, what will he do with the rik? Those who know
it, come close to Him"

One is reminded of the mantra quoted in the Brihadaranyaka and the
Taittiriya Brahmana "nAvedavinmanute tam brhantam" 

"He who does not know the Veda does not know the Supreme"

Verse 41        "gaurIhi mimAya..."

The subject of this posting

Verse 45        "chatvAri vAK parimitA padAni.."

The 4 levels of speech. I have already translated this mantra in my posting
on gaNapati sUktam.

Verse 46        "Indram mitram varuNam..."

This contains of my dIpa mantras "ekam sad viprA bahudhA vadanti" , 

meaning
"That one truth the wise men call by many different names"

Other References to vAk

As I write the above, another famous sUktam comes to mind, 
namely Rig Veda X 71, which has as its devatA "jnAna" or brahmavidyA.
 Again, it talks to the nature of Divine Revelation through the Word, 
and its opening lines have been virtually repeated at the beginning of
 English translations of the bible ("In the beginning was the Word...):

"In the beginning, oh Brihaspati, the sages sent The Word, giving names 
(and forms to their vision). 
This Speech that was their best was stainless-
it revealed with love the Divine Mystery within them.  
And when they created the Word, sifting it with the Spirit as they 
sift the flour with a sieve(for somayajna), therein have friends 
discovered their friendships, of which
the beauties lie hidden in the Word"

In verse 4 we have some beautiful imagery:

"One looks but does not see vAk, one listens but does not hear her.
But to another, she has revealed her noble form as a loving wife,
 finely robed, reveals herself to her husband"

Questions for clarification on this are welcome

Citation.

http://www.advaita-vedanta.org/archives/advaita-l/1998-October/009628.html

    

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    Front Vishnu Back Mohini Ryali Mohini Avatar Temple
    
			
    

    Some count the Mohini Avatar of Lord Vishnu among the popular Avatars of  Lord Vishnu.
    

    There are no temples for the Mohini Avatar, excepting the ones at Mhalasa in Ponda,Goa and at Ryali East Godavari District,Andhra Pradesh.
    

    Jagan Mohini Keshavaswamy Temple Gopura,Ryali
    Jagan Mohini Keshavaswamy Temple
    

    The Mhalasa Temple is also reported to be temple of an Amsa of Kaali , with Uma and Lakshmi combined.
    

    So the Mohini Avatar Temple ,Ryali seems to be the only temple for Mohini Avatar of Lord Vishnu.
    

    Lord Vishnu took this Avatar to distribute the Amrutha,Nectar to the Devas at the cost of the Asuras who had also contributed in the churning of the Ksheera Sagara, Milky Ocean, Samudramanathan.
    

    Lord Shiva fell in love Mohini,  married Her and Ayyappa,Sastha was born.
    

    How To reach Ryali.
    

    Ryali is 24 Km from Rajamundry.
    

    Jaganmohini Keshava Temple Ryali.jpg
    Jaganmohini Keshava Temple Ryali,Mohini Avatar temple.
    

    Airport.Rajamundry.
    

    Railway Station.Rajamundry.
    

    Bus Station.Rajamundry.
    

    The Temple has a single stone Idol of Lord Vishnu(5 feet).
    

    The Idol looks s Vishnu from the front and as Mohini from the rear view.
    

    The flow of Akasha Ganga at the feet of Sri Maha Vishnu can be seen here. The image of the Lord is an exquisite piece of sculpture, which is considered to be the only one of its kind in India. The figure in front is ‘Kesava’ or ‘Keshava’, and on the reverse is the female attire with a hair-do representing ‘Jaganmohini’.
    

    Carved in black stone, the image of the deity excites admiration.
    

    The image stands at a height of 5ft and the front portion, besides the face of Kesava, contains sculptural representations of ‘Dasavatara’ (ten incarnations of Lord Vishnu).
    

    At the feet of the image is the figure of Goddess Ganga, from which drops of water trickle down throughout the day. This is considered a rare phenomenon. Though small, the shrine presents a grand appearance artistically.
    

    The priests at the temple show the idol in the light of burning camphor and explain the idol of the god in detail.
    

    There is a temple of Lord Shiva in front of Lord Jagan Mohini Kesava Swamy temple.
    

    Lord Shiva is known as Sri Uma Kamandalesara Swamy here.
    

    The Legend of these two temples relates to Samudra Mathanam.
    

    The Idol is Swayambhu it means, it has formed on its own where visitors can see the Ganga i.e. water coming out between the two legs of the deity.
    

    The shrine of Sri Jagan Mohini Keshava Swamy is made up of single stone (Salagrama Ekashila – 5 feet height and 3ft width).
    

    This place was  a wild forest during 11th century and was ruled by Cholas.
    

    Raja Vikrama Deva originally constructed a small temple during 11th century and later renovated.
    

    Shiva Marries Mohini.
    

    while Devathas (divine angels) and Rakshasas (devils) were quarrelling over sharing of holy divine NECTAR (Amrutham) Lord Vishnu came to the rescue of Devathas in the guise of Mohini and convinced both rival groups promising to distribute holy divine nectar in equal share. But in the interest of universal peace and welfare of sages, holy and divine nectar was distributed among the Devathas alone and then Mohini disappeared. Lord Eshwara (Shiva) sees Mohini and falls in love with her. He chased her for getting for a while the presence of his consort Parvathi Devi. It is general belief that this a holy incident was the result of birth of Lord Ayyappa Swamy. One flower from the plait of Mohini fell down and it was smelt by Lord Siva then he surprisingly found Sri Maha Vishnu in the form of Mohini and felt shy for his behavior. The place where the flower from the plait of Mohini fell is named as RYALI (the Telugu meaning of Fall)
    

    This place known as Ryali for the above reason became abode of Lord Siva and Sri Mahavishnu with the form of Mohini on backside. Lord Brahma consecrated the Sivalingam with his Kamandalam and hence Lord Siva at Ryali is worshipped as Uma Kamandaleswra Swamy. Sri Maha Vishnu in the form of Mohini in the back side is worshipped as Sri Jagan Mohini Kesava Swamy. Both Siva and Vishnu temples are located facing each other. This is very rare feature at Ryali where Lord Vishnu and Lord Siva facing each other in East and West Direction.
    
There is also general belief that water will not flow out of Siva temple after the deity will absorb performing pooja to the deity and all the water.
    

    Festivals and Travel information.
    

    Festivals :
    
Sri Jaganmohini kesava Swamy kalyanam will be conducted from Chaitra sudha Navami to Pournami (March/April).
    
Sri Rama Satyanarayana Swamy kalyanam will be conducted from Visakha Sudha Ekadasi to Pournami.
    
Sri Venugopala Swamy kalyanam will be conducted from Jyesta Sudha Ekadasi to pournami (June).
    
Sravana Bahula Astami Sri Krishnastami (August).
    
Karthiaka sudha Dwadasi (Ksheerabdi Dwadasi) (November).
    
Devi Navaratrams (October).
    
Mukkoti Ekadasi.
    
Bheeshma Ekadasi.
    

    Accommodation
    
Guest Houses available are :
    
One choultry building with 8 rooms. Contact: 08855-250231
    
Guest House-2 suits without furniture. Contact: 08855-250231
    

    Temple Authorities
    
Executive Officer,
    
SSri Jaganmohini Kesava & Gopala Swamy Temple,
    
Ryali,
    
East Godavari District,
    
pin-533236.
    

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    Murugan A Vedic God Harappan Tamil Script Proves
    
			
    

    I have posted earlier that Murugan is Not a Tamil God.
    

     
    

    I have also posted with references that the Sanatana Dharma originated in the South.
    

     
    

    Vaivastha Manu migrated from the South,to North, Saraswathi Valley, because of Tsunami.
    

     
    

    Lord Murugan Tiruchendur.jpg
    Shanmugan,Tiruchendur
    

     
    

    Lord Shiva, Ganesha and Murugan migrated through the Arabian Peninsula to the West.
    

     
    

    In their mission of dividing Indians , the British rewrote History through self-styled researchers like Caldwell and other covert,:German Missionaries like Max Mueller,
    

     
    

    The same thing happened in Tamil, an ancient Indian language.
    

     
    

    Tamil along with Sanskrit was in use in Bharat.
    

     
    

    To divide the people by Aryan Dravidian Theory,Murugan, a Vedic God Skanda was turned into an independent Tamil God by misinterpreting and in some case by out right lies.
    

     
    

    The finding of Tamil Script in Harappa and Sarswathi Valley, the Vedic seals in Arikkamedu and Adicha nallur in Pondicherry,Tamil Nadu nail the mischief.
    

     
    

    In addition the ideograms of the Indus Script confirms that Murugan is a Vedic God.
    

    Harappan Script for Murugan.gif.
    Parpola has proposed reading a pair of signs as ‘bangles + squirrel’ (Fig.III b), interpreting it as a divine title. The second sign appears to depict a small animal perched on a tree branch. Parpola has, in my opinion, convincingly shown that this animal is the striped palm squirrel shown in its characteristic posture of hanging upside down. Two faience figurines of the palm squirrel have been found at Mohenjodaro. The Tamil word for squirrel is anil (*canil). This loveable creature is often endearingly referred to as anil pillai (pillai being the general term for ‘young one’). Parpola suggests that pillai by itself can mean ‘squirrel’ and the usage may go back to Proto-Dravidian as indicated by the words warce, verce (Gondi) and pirca (Parji) which mean ‘squirrel’ and are, according to him, cognates of pillay, Thus he reads the pair of signs as muruku pillay taken as referring to the god Murukan with the title pillay. Pillai is attested in Tamil as an appellation of Murukan, as the son of Siva.
    Parpola departs in this case from his own rules of rebus, which require the finding of another meaning for the same word ( * canil), and not for an associated term ( * pillay). Further as far as I know, there seems to be no attested usage in Dravidian for pillay by itself to mean ‘squirrel’. The suffix pillai is added in Tamil to a wide variety of words to indicate the ‘young of the species” and not specifically or even mainly to the squirrel. As regards the Gondi and Parji words for ‘squirrel’ cited by Parpola, the suggested derivation from * pillay is not supported by regular phonetic correspondences.
    

    ”
    

    3.2 As seen earlier, the two defining characteristics of the pictorial depictions of the Harappan deity are (a) a skeletal body, and (b) bent and contracted posture. The Dr. etyma with the nearest meanings are as follows.34
    

    (a) ‘To be shrivelled‘ (DEDR 4972):
    

    Ma. muratuka: to shrivel; muraluka: id., decay.
    

    Ka. muratu, murutu, muruntu: shrink, shrivel.
    

    Tu. muruntu: shrunk, shrivelled.
    

    Nk. mural: to wither.
    

    Kur. murdna: to be dried to excess.
    

    (b)  ‘To be contracted’ (DEDR 4977):
    

    Ta.  muri: to bend; murivu: contracting, fold; muri (nimir): (to stretch by) winding limbs.
    

    Ka.  murige: bending, twisting; muruhu: a bend, curve, a crooked object;
    

    Ka. muratu, murutu, muruntu: to be bent or drawn together, state of being contracted.(DEDR 4972).
    

    Tu.  muri: curve, twist; murige: twist.
    

    Pa.  murg: to be bent; murgal: hunchback.
    

    Ga.  murg: to bend; murgen: bent; murug: to bend down.
    

    Go. moorga: humpbacked.
    

    (cf: Pkt. muria: twisted; old Mar. mured: to twist.)
    

    We may infer from the linguistic data summarised in (a) and (b) that PDr. * mur/mur-V is the primitive root from which words with the meanings ‘shrivelled’ and ‘contracted’ have been derived.
    

    3.3 We may now proceed to apply the technique of rebus to try and discover the Dr. homonyms with the intended meanings.
    

    (c) ‘Strong, fierce, wild, fighting‘ (DEDR 4971) :
    

    Ta. muratu: ill-temper, wildness, rudeness; muran: fight, battle, fierceness, strength.
    

    Ma. muran: fight, strength.
    

    Ko. mort: violence (of action); mordn: violent man.
    

    Tu. murle: quarrelsome man.
    

    Te. moratu: rude man.
    

    (d) ‘To destroy, kill‘ (DEDR.4975) :
    

    Ta. murukku: to destroy, kill; murunku : to be destroyed.
    

    Ma. muruka: to cut.
    

    Kol., Nk. murk: to split, break.
    

    Kui. mrupka: to kill, murder.
    

    Kur. murukna: to mangle, mutilate.
    

    Malt. murke: to cut into bits.
    

    (e) ‘Ancient‘ (DEDR. 4969) :
    

    Ta. murancu: to be old, ancient; muri: antiquity.
    

    Kol., Pa. murtal: old woman.
    

    Nk: murtal : old woman.
    

    Go. mur-: to mature.
    

    The two sets of etyma in (c) and (d) taken together indicate that the original name of the deity was something like * mur/mur-V and that his essential traits were those of a fierce god, destroyer or hunter.
    

    3.4 The legends and myths surrounding the deity have become inextricably mixed up and both sets of etyma in groups (a) to (d) apply to him. In short, the deity was both ‘a departed soul or demon’ as indicated by his skeletal body and contracted posture, and also ‘a fierce killer or hunter’ as indicated by the Dr. etyma. Furthermore, the linguistic data in (e) can be interpreted to mean that the deity was considered to be ‘ancient’ even in Harappan times.
    

    3.5 In the concluding part of the Paper, we shall compare the traits of the Harappan Skeletal Deity as revealed by the pictorial depictions and linguistic data summarised above, with those of muruku (Murukan), the primitive god of the Tamils as recorded in the earliest layers of the Cankam poetry.35
    

    3.6 The most striking aspect of muruku is that he had no form; he was a disembodied spirit or demon who manifested himself only by possessing his priest or a young maiden. When muruku possessed him, the priest (velan) went into a trance and performed the shamanic dance in a frenzy (veri atal). When muruku possessed the maiden (anankutal), her mother called in the priest (velan) to perform the veri dance to pacify the spirit and restore the girl to her senses.36
    

    


    


    
    

    

    3.7 The second prominent trait of muruku was of a ‘wrathful killer’ indicating his prowess as a war-god and hunter.37
    

    3.8 The only physical traits which may be attributed to the primitive muruku are his red colour (cey) associated with blood and bloody sacrifices, and his spear (vel) associated with killing enemies and hunting animals. As muruku had no material body, these two physical traits are shown to belong to his priest, velan the ‘spear-bearer’ who wore red clothes and offered red flowers in ritual worship involving the sacrifice of goats and fowls. There were no temples in the earliest times, and the worship was carried out in the open field (kalam) before a wooden altar.
    

    3.9 Another very ancient aspect of the worship of Murukan, not alluded to in the Cankam poems, but strongly supported by Tamil tradition, is the ritual carrying of offerings on the kavati (yoke with the offerings tied to the ends by ropes). The Paharpur plaques noticed above may also be compared with the Tamil legends of muruku (the demon) and Itumpan, his kavati-bearing worshipper.38
    

    3.10 Much of the later Tamil literature, and virtually all the Tamil inscriptions and iconographic motifs have been heavily influenced by the Sanskritic traditions of Skanda-Karttikeya-Kumara and have very little in common with the primitive muruku except the name Murukan.39 Even the meaning of his name has undergone a radical transformation from muruku ‘the demon or destroyer’ to Murukan ‘the beautiful one’, consistent with the later notion that gods must be ‘beautiful’ and demons ‘ugly’. As P.L. Samy points out in his incisive study of Murukan in the Cankam works, there is no support for the later meaning in the earliest poems. He derives muruku (Murukan) and murukku ‘to destroy’ from Dr. muru-, and endorses the identification of Murukan with muradeva (a class of demons) mentioned in the Rgveda, as proposed by Karmarkar.40
    

    3.1 1 The muruku of the early Tamil society before the Age of Sanskritization was a primitive tribal god conceived as a ‘demon’ who possessed people and as a ‘wrathful killer or hunter’. This characterisation of the earliest Tamil muruku is in complete accord with his descent from the Harappan Skeletal Deity with similar traits revealed through pictorial depictions, early myths and Dravidian linguistic data.
    

    * I differ with the point 3.1.1 , as the Harappan civilization is from the South.
    

    Citation.
    

    http://murugan.org/research/mahadevan.htm