Day: March 21, 2014

  • Essentials Of Devi Srividya Upasana

    Essentials Of Devi Srividya Upasana

    What is Upasna?

    Srichakra of Devi
    The Srichakra

    Upasana’ in Sanskrit literally means “Sitting near” but normally the term is used in Hinduism to denote a prescribed method for approaching a Deity or God or getting close to a deity/deities. In the Vedas, some Upasanas are prescribed whereby one meditates on the all-pervading Brahman as some aspect of creation, such as fire, water, directions, food, mind, joy, etc. Thus, Upasana can be described as a systematic practice of a prescribed method of worship for pleasing and winning the attention of the deity or it can be a deity-less practice of austerities involving meditating upon some aspect of nature as told in specific texts.

    “The seeker of knowledge does not achieve his end merely by a study of scriptures. Without upasana there cannot be attainment for him, this is definite.”—Sri Ramana Leela, Ramana Gita I.22, quoted in Sri Krishna Bihkshu, Sri Ramana Leela (Pingali Surya Sundaram tr. 2004), p. 80.

    Pooja and external disciplines are essential in the path of attaining Godhead or Realizing Brahman.

    All are not Ramana Maharishi, to say I have known Reality.

    We are at the lowest level and have to evolve by practice by way of the practices mentioned in the Sruthi and Smritis.

    I have mentioned in my earlier Post ‘Lalitha Sahasranama, An Introduction’, I listed the different ways of worshipping The Divine Mother, Sri Lalitha Devi.

    I am planning to post articles on the Varivasya Rahasyam of Bhaskararaya.

    To understand the Varivasya Form of worship, familiarity with the worship of Devi in this Form will be helpful.

    The Sri Vidya is to be practised by any of the following Four ways,traditions

    1.Samayacharam. Worshiping in The Mind.

    Worship is done mentally, internally and no object is used in this tradition

    2.Dakshinacharam,Worshiping through an Object, Sri Chakra or an Idol.

    3.Vamacharam is worshiping through the terrible aspects of The Divine, Laya Pradhana

    4.Kaulacharam is worshiping through the Human Body/parts.

    This includes Rituals some which are erotic in nature.

    This Mode of worship is considered by some the Ultimate practice of Bhakti Yoga, while the Advaitins consider this to be best form of Advaita in full flow.

    I am making this as a passing remark as my purpose is to familiarize the Practice of Tantra;so let us not get nto the philosophical discussions on this subject.

    “Shakti is the power of Shiva.

    Her activity at will towards manifestation becomes evident while Shiva, the source of all power remains in volute.

    As such, the Eternal Shakti emanates as form and assumes different phases while the Eternal Shiva remains in the subtle state of Chaitanya.

    This is depicted in the Shakta lore as Shiva lying as if dead and Shakti stands on him in full vigor of awareness.

    The sleeping Sadashiva forms the berth of the palanquin in which Sri Mahatripurasundari is borne by the four powerful deities:

    Brahma, Vishnu, Rudra and Ishwara.

    ‘Panchapredha Manchaathsaayini” Lalitha Sahasranama.

    Brahma,Vishnu,Rudra, Shiva and Sadashiva.

    Her four arms represent the powers of four prominent parts (Kalaa) of the creative divinity.”

    Her three eyes connote the three luminary powers i.e. the sun, the moon and the fire, which correspond to knowledge (Pramaana), object of knowledge (Prameya) and empirical experiencer (Pramaata).

    The Third Eye also connotes Wisdom.

    Her breasts connote the meaning of alert awareness of light and sound or Prakasha and Vimarsha.

    Her bending waist is the sign of inclination towards manifestation.

    Decoding this symbolism, we obtain the nine enclosures of the Srichakra.

    1. valiitrayaa~Nkitatanum – Moolaadhaara Chakra – Bhoopura Trailokyamohana Chakra.

    2. madhye nimna – Swadhishthana Chakra – Sodasha dala Padma – Sarvashaparipooraka Chakra.

    3. aapiinottu~Ngastaniim – Manipooraka Chakra – Ashtadala Padma Sarvasamkshobhana Chakra.

    4. trinayanaam – Anahata Chakra – Chaturdashara Sarvasaubhagyadayaka Chakra.

    5. chaturbhujaam – Visuddhi Chakra – Bahirdasara Sarvarthasadhaka Chakra.

    6. pretaasanaadhyaasiniim – Ajna Chakra – Antardashara Sarvarakshakara Chakra.

    7. bandhuukaprasavaaruNaambaradharaam – Manasa Chakra – Ashtara Sarvarogahara Chakra.

    8. nR^imuNDasrajam – Soma Chakra – Trikona sarvasiddhiprada Chakra.

    9. shashikhaNDamaNDitajaTaajuuTaam – Sahasrara – Bindu Sarvanandamaya Chakra.

    Note: This is the Samhara Krama accepted by Dakshinamurthy sampradaaya.

    Hayagriva tradition and Anandabhairava traditions omit triple girdle from Sri Chakra.

    The three worlds (of which she is the supreme queen) refer in the microcosm to BhuH, BhuvaH and SvaH (earth, space and heaven) or to Vishwa, Praajna and Taijasa or Virat, Hiranyagarbha and Ishwara in terms of Vedanta.

    Sridevi is the supreme ruler of these and hence she is Turiya, the incomprehensible fourth.

    There are basically only three castes, as there are the three Vedas, the three Gunas etc.

    The three castes represent the three qualities viz. Satva, rajas and Tamas, as suggested by the pet offerings made by devotees who are quite established in their respective modes of worship.

    A Brahmana should offer Tarpana only with milk and sugar during Navavarana Pooja.

    Using other articles is banned by the Agamas. Ghee and honey are prescribed for the other two castes.

    These may not necessarily mean castes, but instead may refer to different stages of spiritual advancement.

    More information on this may be obtained in a work called `Srividya Sudhodaya’, a classic by Deepakanatha Siddha.

    This also finds sanction in the Shubhagama Panchaka.

    As mentioned earlier, milk, ghee and honey represent Satva, rajas and Tamas in the devotees belonging to different levels of consciousness.

    In offering oblations or doing any kind of worship to the Divine Mother, one must not involve oneself in the desire of a return or fruit thereof.

    If one does, the earnestness and one-pointed ness required for its success lose their intensity.

    puujaa naama na puShpaadyairyaa matiH kriyate dR^iDhaa |
    nirvikalpe mahaavyomni saa puujaa hyaadaraallayaH ||

    `Worship does not mean merely offering of flowers etc. It rather consists in setting one’s heart on that highest ether of consciousness, which is above all thoughtconstructs. It is dissolution of individuality with perfect ardor’.

    Before performing the Pooja, Sandhyavandana must be performed by all the Three varnas.

    Ladies are allowed to perform Pujas and they also must perform Sandhyavandana,

    On this.please read my post on Can Women Learn Vedas?;Upakarma for

    Women”.

    http://www.kamakotimandali.com/srividya/urahasya.html

    Image:http://www.bloguez.com

     

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  • Time Recoils Earth Is 4.32 Billion Years Hindusim

    Kalpas, Manvantaras, Samvatsaras

    Kalpa.

    Calculation of Time by Hinduism
    Time The Hindu Way.

    A Kalpa is 12 hours of Brahma. 2 kalpas make a day and a night of Brahma.

     

    He lives for 100 years on this time scale.
    How many Mahayugas or Chaturyugas( Four) are there in a Kalpa?
    There are 1000 or 1008, Mahayugas in a Kalpa Mahayugas in a Kalpa.

     

    84 Chaturyugas is an hour of Brahma.

     

    There are 14 Manvantaras in a Kalpa.

     

    Check my post on this.( Link provided at the end of this post)

     

    A Manu or an Indra lives for 1 Manvantara.

     

    A Manvanatara is a 100 years of Indra.

     
    There are 72 Chaturyugas to a Manvantara.

    The cycle of Kalpas, beginning with Brähma-kalpa and ending with Pädma-kalpa, is repeated a thousand times, Cyclic,non- Linear

     

    The present kalpa is called Sveta-varäha-kalpa.
    The Bhagavatam speaks of 30 kalpa names, one for each day of his month.

     

    This list does not match the list in the Vayu Purana.

    The Thirty kalpas of Brahma ,

    (1) Sveta-kalpa

    , (2) Nilalohita,

    (3) Vamadeva,

    (4) Gathantara,

    (5) Raurava,

    (6) Prana,

    (7) Brhat-kalpa,

    (8) Kandarpa,

    (9) Sadyotha,

    (10) Isana, (

    11) Dhyana,

    (12) Sarasvata,

    (13) Udana,

    (14) Garuda,

    (15) Kaurma,

    (16) Narasimha,

    (17) Samadhi,

    (18) Agneya,

    (19) Visnuja,

    (20) Saura,

    (21) Soma-kalpa,

    (22) Bhavana,

    (23) Supuma,

    (24) Vaikuntha,

    (25) Arcisa,

    (26) Vali-kalpa,

    (27) Vairaja,

    (28) Gauri-kalpa,

    (29) Mahesvara,  and

    (30) Paitr-kalpa.
    List from the Vayu Purana.
    “(1) Bhava.

    (2) Bhuva.

    (3) Tapah.

    (4) Bhava.

    (5) Rambha.

    (6) Ritu.

    (7) Kratu.

    (8) Vahni.

    (9) Havyavahana.

    (10) Savitra.

    (11) Bhuvah.

    (12) Oushika.

    (13) Kushika.

    (14) Gandharva.

    (15) Rishabha.

    (16) Shadaja.

    (17) Marjaliya.

    (18) Madhyama.

    (19) Vairaja.

    The great Vairaja Manu was born in this kalpa and his son was the great sage Dadhichi.

    (20) Nishada. The race of nishadas (hunters) were created during this period

    . (21) Panchama.

    (22) Meghavahana.

    The word megha means cloud and vahana means to bear. In this kalpa, Vishnu adopted the form of a cloud and bore Shiva on his back.

    It is thus that the Kalpa received its name.

    (23) Chintaka.

    (24) Akuti.

    (25) Vijnati.

    (26) Mana.

    (27) Bhava.

    (28) Vrihat

    . (29) Shvetalohita.

    (30) Rakta.

    (31)Pitavasa.

    (32) Sita.

    (33) Krishna

    (34) Vishvarupa.”
    Note: There are 864,00 seconds in our day.

    Thus Kalpa is a simple multiple of this figure.

    By this reckoning the earth is about 4.32 Billion Years old.

    Citation .

    Hinduism.

    https://www.facebook.com/krishnamoorthi.balasubaramanian

    Time non Linear Hindusim

     

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  • Devi’s Vulva Kamakhya Devi Earth’s Menstrual Cycle

    The place where the Devi‘s Vulva fell  is at Kamakya, Assam.

     

    Kamakhya Devi,Assam
    Devi’s Vulva, Kamakhya Devi

    Main Bilding Kamakhya Devi
    Kamkhya Devi Main Building

    Kamakhya Devi
    Kamakhya Devi

     

     

    Hari kshetre Kama rupi, Prayage Madhaveshwari /
    Jwalayam Vishnavi devi, Gaya Mangalya gourika //-Ashtadasa Stotra Adi Shankaracharya.

     

    Kamarup is a very important Shakti Peeta and this palce is one of the primary temples of worship for the Tantrics.

     

    As I have stated in my earlier posts on the Forms of Shakti Worship and Introduction to Lalitha Sahasranama, the system of Tantric Worship is esoteric and needs a very strong mind divested of Sexual desire.

     

    Entering into this field of Shakti worship without controlling of transcending Sexual urges might, would leave one mentally imbalanced.

     

    Caution is to be exercised here.

     

     

    Female Genital Organs are indicative of the primordial force and the Sound waves are also a part of this form of worship.

     

    The Ultimate Reality is the conjunction of Male Semen ,Female Genital and they express themselves in Sound  waves.

     

    ‘Nada Bindu Kalaadhi Namo Nama’ Tiruppugazh of Arunagirinathar,’You are the embodiment of Male Energy and sound waves’

     

    I shall be posting, DV, a series of articles on the Tantric worship, as there are only a few articles available in a difficult form, where I Intend explaining from the Rathna traya of Bhaskararaya-Sowbhagaya Bhaskaram,Sethu Bandham and Varivasya Rahasyam.

     

    Kamakhya devi shrine hosts the yoni of Sati that fell here following the destruction of Daksha’s sacrifice. This Shakti Peetha symbolizes the union of Shiva with Shakti, as described in the Kali Purana. They are depicted in constant union where Kamakhya is the Goddess of desire, who grants salvation. She is the young bride of Lord Shiva and together they symbolize the sublime reality of the miracle of life, the everlasting bliss of male/female union. This temple is situated atop a hill that overlooks the Brahmaputra river. The inner sanctum is a deep dark underground rocky chamber into which one descends by a flight of steep steps. The “Matra Yoni” which is inscribed on a rock is covered with silk sarees and is constantly moist by underground spring water.

     

    There are 64 Yogini temples in Assam,Odisha.

     

    I had posted on the temple where the 64 Yoginis Dance around Lord Shiva’.

     

    On the Yoni or Vulva in Hinduism.

     

    he Shakti, represented here as Kamakhya Devi has close associations with the 64 Yoginis found elsewhere in Orissa. The yantra associated with Kamakhya devi empowers the 64 yoginis(Hirapur Chaunsat Yogini Temple, Khajuraho) as part of Shakti. The Tripura mantra “Aim Klim Sauh” represents the triple Kundalini. It is also believed that female sadhvikas who are well versed in Yoga dwell at Kamakhya peetha. If one joins them, they obtain yogini siddhi.

    2. The Matrikas who dominated both Buddhist sculpture as well as Brahmanical, are the depiction of the importance of alphabet or sound in the worship of Shiva and Shakti. There are seven representations called the Sapta Matrikas, describing the importance of the alphabet in the Beeja mantra and associated hymns sung in the praise of Shiva and shakti.’

     

    With reference to Yoni tattva, Kaula tantras deal with the subject of menstrual blood as given in the following translation.

    Matrikabheda Tantra (English translation Ideological Book House 1990) describes the different types:

    “Shri Shankara said:
    The first menses appearing in a woman who has lost her virginity is Svayambhu blood.
    In a maiden born of a married woman and begotten by another man, that which arises is Kunda menses, the substance causing the granting of any desire.


    Deveshi, a maiden begotten by a widow gives rise to Gola menses, which subdues gods.
    The menses arising in the first period after a virgin becomes a married woman is the all bewildering Svapushpa.”

    Last but not the least is the dialog between the supreme creative power Brahma and Shakti. Brahma can create but only through the yoni which shall be the sole creative principle, and will bless the soul with life. After severe penance Brahma brought down a luminous body of light to earth and placed it within the yoni circle of Goddess Kamakhya at Kamarupa.”

     

    The temple is near Gwahati and one can visit this temple from here.

     

    The temple was built in the first Millennium  in Kamarupa,Assam and Samudra Gupta’s rock carvings mention this.

     

    The Moola Vigraha is in a subterranean Cave with a spring, where the Devi is draped in a Saree ;She is in the Form of Matrika Rupa.

     

    Matrikas are a process of worshiping through Sound waves of the Alphabets.

     

    How To reach:

     

    Nearest Airport.Guwahati,

    Railway Station: Guwahati.

    Bus Station: Guwahati.

    Earth’s menstrual Cycle.

     

    Ambubachi Mela, also known as Ambubasi festival, is held annually during monsoon in the Kamakhya Devi Temple at Guwahati, Assam. In 2013, the beginning date of Ambubachi Mela is June 22nd and the festival ends on June 26. The Ambubachi festival is closely related to the Tantric cult and is also known as Kamkhya Devi Puja. It is believed that Goddess Kamakhya goes through her menstrual cycle during these days and therefore the temple remains closed for three days. Ambubachi Mela is also known as Ameti or Tantric fertility festival and is a four-day mela (fair).

    It is widely believed that Goddess Kamakhya goes through her yearly menstrual cycle during the Ambubachi days. The temple remains closed for three days of the menstruation period.

     

    Daily Events

    5:30 AM Snana of the Pithasthana.
    6:00 AM Nitya puja.
    8:00 AM Temple door open for devotees.
    1:00 PM Temple door closed for cooked offerings to the goddess followed by distribution among the devotees.
    2:30 PM Temple door reopens for the devotees.
    5:30 PM Aarati of Goddess followed by closing of the temple door for the night.

     

    Legend:

    Once Naraka, motivated by his carnal desire, wanted to marry Devi Kamakhya. When proposed, the goddess playfully put a condition before him. If Naraka would be able to build a staircase from the bottom of the Nilachal hill to the temple within one night, then she would surely marry him.

    Naraka took it as a challenge and tried all with his might to do this marathon task. He was almost about to accomplish the job when the Devi, panic-stricken as she was to see this, played a trick on him. She strangled a cock and made it crow untimely to give the impression of dawn to Naraka. Duped by the trick even Naraka thought that it was a futile job and left it half way through. Later he chased the cock and killed it in a place which is now known as Kukurakata, situated in the district of Darrang. The incomplete staircase is known as Mekhelauja path.

     

    Citations:

    The Tantra behind Kamakya.

     

    Kamakya Temple site.

     

     

     

     

     

     

     

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