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  • Varalakshmi Vrata Mantras Procedure Receipe By Shiva

    Varalakshmi Vrata Mantras Procedure Receipe By Shiva

    Varalakshmi Pooja , also called as Varamahalakshmi Vrata is an important Hindu Festival.

    This is celebrated in the Shravana Masa, July -August.

    Varalakshmi Vrata  2018.

    Vralakshmi.jpg Varalakshmi.

    24th August Friday.

    For Muhurtha for your city Click the Link below.

    http://www.drikpanchang.com/festivals/varalakshmi-vratam/varalakshmi-vratam-date-time.html

     

    FOR Bangalore.

    Simha Lagna Puja Muhurat = 06:11 to 07:45

    (morning)
    Duration = 1 Hour 34 Mins
    Vrishchika Lagna Puja Muhurat = 11:53 to 14:05

    (afternoon)
    Duration = 2 Hours 11 Mins
    Kumbha Lagna Puja Muhurat = 18:06 to 19:48

    (evening)
    Duration = 1 Hour 41 Mins
    Vrishabha Lagna Puja Muhurat = 23:15 to 25:18+

    (midnight)
    Duration = 2 Hours 2 Mins

    Simha Lagna Puja Muhurat = 07:00 to 09:03

    (morning)
    Duration = 2 Hours 2 Mins Minsb

    Vrishchika Lagna Puja Muhurat = 13:11 to 15:23

    (afternoon)
    Duration = 2 Hours 11 Mins

    Kumbha Lagna Puja Muhurat = 19:23 to 21:05

    (evening)
    Duration = 1 Hour 41 Mins

    Vrishabha Lagna Puja Muhurat = 24:33+ to 26:35+

    (midnight)
    Duration = 2 Hours 2 Mins

     

    Varalakshmi Vratam falls during Shukla Paksha of Hindu month Shravan and it is observed on first Friday before Shravan Purnima. Shravan Purnima is observed as Raksha Bandhan in most Indian states. Varalakshmi Vratam also happens to be second Friday in Shravan month. Currently it falls in month of July or August in English calendar.

    Varalakshmi Puja is performed by married women for the well-being of husband and the other family members. It is believed that worshipping Goddess Vara-Lakshmi on this day is equivalent to worshipping Ashta-Lakshmi – the eight Goddesses of Wealth (Sri), Earth (Bhu), Learning (Saraswati), Love (Priti), Fame (Kirti), Peace (Shanti), Pleasure (Tushti) and Strength (Pushti).

    While the term Sri itself denotes wealth and every thing that is auspicious,there are some more attributes associated with Goddess Mahalakshmi, consort of Lord Vishnu.

    They are ,

    In abstract Philosophical terms, Sri,Prosperity is

    1.Varchasva,  वर्चस्व,

    1. sway (n)
    2. influence (n)
    3. dominance (n)
    4. ascendancy
    5. domination
    6. mastery

    2.Ayushyam,Longevity

    3.Arogya,Health

    4.Dhanya,Cereals, Food,

    5.Dhana,Wealth

    6.Pasu,Cattle

    7.Bahu Puthra( many or Good children)

    8.Satha Samvathsaram,Full Life of Hundred Years,

    9. Dheerg Atuhu,Ilness free Life

    ‘Sri Varchaswa Ayushyam Arogyam Mavvthach Choobhaamana aheeyanthe Dhaanya Dhanam Pasu Bahu Puthra Laabham Sadha Samvathsaram Dhhergamaayuhu’

    Aaseervatha Mantra.

    In in Varalashmi Vrata women , iddition, pray for the Longevity of their Husbands.

    One may note that this Vrata Procedure was initiated by Shiva, for worshipng the wife of Vishnu, thereby signifying the unity of Siva and Vishnu.

    Procedure.

    Start the Pooja at the appointed Muhurtha .

    The Mantras. slokas  order is as follows.

    Ganapathi Pooja,

    Ganapathi Pranaprathshta,

    Ganapathi mantras in short,

    Ganapathi Aarthi,

    Varalakshmi Vrata Sankalpa,

    Ganesha Dhyana,

    Kalasa Pooja,

    Varalakshmi Avahanam.

    Angannyasa, Karannyasa,

    Pooja,

    1.Durga,( one may recite Durga Suktham also as it is very effective along eith the raditional Durga Ashtotra)

    2.Sarsvati Astotra,

    3.Lakshmi Ashtotra( Recite Sri Suktha as well)

    Deeparadhana,

    Naivedyam.

    Punar Pooja either in the same evening or the next day,.depends on family Traditions.

    Durga Ashtotra.

    Om Drugayai Namaha
    Om Shivayai Namaha
    Om Maha Lakshmyai Namaha
    Om Maha Gouryai Namaha
    Om Chandikaye Namaha
    Om Sarva Gynayai Namaha
    Om Sarva Lokeshayai Namaha
    Om Sarva Karma Phala Pradayai Namaha
    Om Sarva Teerdha Mayai Namaha
    Om Pun Yayai Namaha
    Om Deva Yonaye Namaha
    Om Ayoni Jaayai Namaha
    Om Bhume Jaayai Namaha
    Om Nirgu Nayai Namaha
    Om Aadhara Shaktyai Namaha
    Om Aanee Shvaryai Namaha
    Om Nirgu Nayai Namaha
    Om Niramham Karayai Namaha
    Om Sarva Garva Vimar Dhinyai Namaha
    Om Sarva Loka Priyayai Namaha
    Om Vaanyai Namaha
    Om Sarva Vidyadhi Devataayai Namaha
    Om Parvatyai Namaha
    Om Devamatre Namaha
    Om Vanee Shayai Namaha
    Om Vindya Vasinyai Namaha
    Om Tejo Vatyai Namaha
    Om Maha Matre Namaha
    Om Koti Surya Sama Prabhayai Namaha
    Om Deva Tayai Namaha
    Om Vahni Rupayai Namaha
    Om Sate Jase Namaha
    Om Varna Rupinyai Namaha
    Om Guna Shayayai Namaha
    Om Guna Madhyayai Namaha
    Om Guna Traya Vivarji Tayai Namaha
    Om Karma Gynana Pradayai Namaha
    Om Kantayai Namaha
    Om Sarva Samhara Karinyai Namaha
    Om Dharma Gynanayai Namaha
    Om Dharma Nistayai Namaha
    Om Sarva Karma Vivardhi Tayai Namaha
    Om Kamakshmai Namaha
    Om Kama Samhartyai Namaha
    Om Kama Krodha Vivarji Tayai Namaha
    Om Shan Karyai Namaha
    Om Sham Bhavyai Namaha
    Om Shan Tayai Namaha
    Om Chandra Suryagni Lochanayai Namaha
    Om Suja Yayai Namaha
    Om Jaya Bhumi Shtayai Namaha
    Om Jaahnavyai Namaha
    Om Jana Puji Tayai Namaha
    Om Shastrasyai Namaha
    Om Shastra Mayyai Namaha
    Om Nityayai Namaha
    Om Shubhayai Namaha
    Om Chandhrardha Mastakayai Namaha
    Om Bharatyai Namaha
    Om Bramaryai Namaha
    Om Kalpayai Namaha
    Om Karalyai Namaha
    Om Krushana Pingalayai Namaha
    Om Bramhai Namaha
    Om Narayanyai Namaha
    Om Roudryai Namaha
    Om Chandra Mruta Pari Srutayai Namaha
    Om Jyeshtayai Namaha
    Om Indirayai Namaha
    Om Maha Mayayai Namaha
    Om Jagat Grushtya Dhika Rinyai Namaha
    Om Bramhanda Koti Samsdha Nayai Namaha
    Om Kaminyai Namaha
    Om Kamalaa Layayai Namaha
    Om Katya Yanyai Namaha
    Om Kalaa Teetayai Namaha
    Om Kala Samhara Karinyai Namaha
    Om Yoga Nishtayai Namaha
    Om Yogi Gamyayai Namaha
    Om Yogi Dyeyayai Namaha
    Om Tapa Svinyai Namaha
    Om Gynana Pupayai Namaha
    Om Niraka Rayai Namaha
    Om Bhakta Bhishta Phala Pradayai Namaha
    Om Bhutatme Kayai Namaha
    Om Bhuta Matre Namaha
    Om Bhute Shyai Namaha
    Om Bhuta Darinyai Namaha
    Om Svadhayai Namaha
    Om Naree Madhya Gatayai Namaha
    Om Shada Dharadi Vardhinyai Namaha
    Om Mohitam Shubha Dayai Namaha
    Om Shubhrayai Namaha
    Om Sukshmayai Namaha
    Om Matrayai Namaha
    Om Nirala Sayai Namaha
    Om Nimna Gayai Namaha
    Om Neela Samka Shayai Namaha
    Om Nitya Nandayai Namaha
    Om Harayai Namaha
    Om Paraayai Namaha
    Om Sarva Gynana Pradayai Namaha
    Om Anamtayai Namaha
    Om Satyayai Namaha
    Om Durlabha Rupinyai Namaha
    Om Sarasvatyai Namaha
    Om Sarva Gatayai Namaha
    Om Sarva Bheeshta Prada Inyai Namaha.

    Lakshmi Ashtotra.

    Om prakrutyi namaha
    Om Vikrutyi namaha
    Om Vidyayai namaha
    Om Sarwabhoota hita pradai namaha
    Om Sraddayai namaha
    Om Vibootai namaha
    Om Surabhai namaha
    Om Paramatmikamai namaha
    Om Vache namaha
    Om Padmalai namaha
    Om Padmai namaha
    Om Suchai namaha
    Om Swahai namaha
    Om Swathatai namaha
    Om Dhanyai namaha
    Om Hiranmai namaha
    Om Lakshmai namaha
    Om Nityapushatai namaha
    Om Vibhaavarayai namaha
    Om Adityai namaha
    Om Deeptai namaha
    Om Vasudaai namaha
    Om Kamalayai namaha
    Om Kantayai namaha
    Om Kamakshai namaha
    Om Rakrodasambhavai namaha
    Om Anugrahapradayai namaha
    Om Buddai namaha
    Om Anughooai namaha
    Om Harivallabhai namaha
    Om Asokhai namaha
    Om Amrutai namaha
    Om Deeptai namaha
    Om Lokasokavinasinai namaha
    Om Dharmanilayai namaha
    Om Karunai namaha
    Om Lokamatrai namaha
    Om Padmapriyai namaha
    Om Padmahastai namaha
    Om Padmashai namaha
    Om Padmasundrai namaha
    Om Padmodbhavai namaha
    Om Padmamukhai namaha
    Om Padmamaladharai namaha
    Om Ramaaai namaha
    Om Daivai namaha
    Om Padminai namaha
    Om Padmagandhinai namaha
    Om Punyagandhayai namaha
    Om Suprasannai namaha
    Om Prasadabhimukhai namaha
    Om Prabhai namaha
    Om Chandravadanai namaha
    Om Chandrai namaha
    Om Chandrasahodarai namaha
    Om Chaturbhujai namaha
    Om Chandraroopai namaha
    Om Indirai namaha
    Om Induseetalai namaha
    Om Ahladajannai namaha
    Om Pushtai namaha
    Om Sivai namaha
    Om Sivakartai namaha
    Om Satai namaha
    Om Vimalai namaha
    Om Viswajannai namaha
    Om Pushtai namaha
    Om Daridraynasinai namaha
    Om Preetipushkaranai namaha
    Om Santai namaha
    Om Sukla malyambarai namaha
    Om Srivai namaha
    Om Bhaskarai namaha
    Om Bilwanilayai namaha
    Om Vararohai namaha
    Om Yasiswai namaha
    Om Vasunadharai namaha
    Om Vudaaragai namaha
    Om Harinyai namaha
    Om Hemamalinai namaha
    Om Dhanadhayakartai namaha
    Om Siddiai namaha
    Om Shtanasowmayai namaha
    Om Subhapradai namaha
    Om Nrumavesmagataa nandanai namaha
    Om Varalakshmai namaha
    Om Vasupradaai namaha
    Om Hiranyaprakrai namaha
    Om Samudratanai namaha
    Om Jayai namaha
    Om Mangaladevai namaha
    Om Mangalai namaha
    Om Devayai namaha
    Om Vishnuvakshastalastitai namaha
    Om Vishnupatnai namaha
    Om Prasannshai namaha
    Om Nnarayana samasritrai namaha
    Om Daridradamsai namaha
    Om Daivai namaha
    Om Sarvopradavarinai namaha
    Om Navadurgai namaha
    Om Mahakalai namaha
    Om Brahamavishnusivatmikai namaha
    Om Trikalagyana sampanai namaha
    Om Bhuvaneswarai namaha
    Om Varalakshmai namaha: –

    OM Sarasvatyai Namaha
    OM Mahaabhadraayai Namaha
    OM Mahaamaayaayai Namaha
    OM Varapradaayai Namaha
    OM Shriipradaayai Namaha
    OM Padmanilayaayai Namaha
    OM Padmaaxyai Namaha
    OM Padmavaktrakaayai Namaha
    OM Shivaanujaayai Namaha
    OM PustakabhRite Namaha
    OM GYaanamudraayai Namaha
    OM Ramaayai Namaha
    OM Paraayai Namaha
    OM Kaamaruupaayai Namaha
    OM Mahaavidyaayai Namaha
    OM Mahaapaataka naashinyai Namaha
    OM Mahaashrayaayai Namaha
    OM Maalinyai Namaha
    OM Mahaabhogaayai Namaha
    OM Mahaabhujaayai Namaha
    OM Mahaabhaagaayai Namaha
    OM Mahotsaahaayai Namaha
    OM DivyaaNgaayai Namaha
    OM Suravanditaayai Namaha
    OM Mahaakaalyai Namaha
    OM Mahaapaashaayai Namaha
    OM Mahaakaaraayai Namaha
    OM Mahaa.nkushaayai Namaha
    OM Piitaayai Namaha
    OM Vimalaayai Namaha
    OM Vishvaayai Namaha
    OM Vidyunmaalaayai Namaha
    OM VaishhNavyai Namaha
    OM Chandrikaayai Namaha
    OM Chandravadanaayai Namaha
    OM Chandralekhaavibhuushhitaayai Namaha
    OM Saavityai Namaha
    OM Surasaayai Namaha
    OM Devyai Namaha
    OM Divyaala.nkaarabhuushhitaayai Namaha
    OM Vaagdevyai Namaha
    OM Vasudaayai Namaha
    OM Tiivraayai Namaha
    OM Mahaabhadraayai Namaha
    OM Mahaabalaayai Namaha
    OM Bhogadaayai Namaha
    OM Bhaaratyai Namaha
    OM Bhaamaayai Namaha
    OM Govindaayai Namaha
    OM GOMatyai Namaha
    OM Shivaayai Namaha
    OM JaTilaayai Namaha
    OM Vindhyaavaasaayai Namaha
    OM Vindhyaachalaviraajitaayai Namaha
    OM ChaNDikaayai Namaha
    OM VaishhNavyai Namaha
    OM Braahmayai Namaha
    OM BrahmaGYaanaikasaadhanaayai Namaha
    OM Saudaamanyai Namaha
    OM Sudhaamuurtyai Namaha
    OM Subhadraayai Namaha
    OM Surapuujitaayai Namaha
    OM Suvaasinyai Namaha
    OM Sunaasaayai Namaha
    OM Vinidraayai Namaha
    OM Padmalochanaayai Namaha
    OM Vidyaaruupaayai Namaha
    OM Vishaalaaxyai Namaha
    OM Brahmajaayaayai Namaha
    OM Mahaaphalaayai Namaha
    OM Trayiimuurtaye Namaha
    OM TrikaalaGYaayai Namaha
    OM TriguNaayai Namaha
    OM ShaastraruupiNyai Namaha
    OM ShaMbhaasurapramathinyai Namaha
    OM Shubhadaayai Namaha
    OM Svaraatmikaayai Namaha
    OM Raktabiijanihantryai Namaha
    OM ChaamuNDaayai Namaha
    OM Ambikaayai Namaha
    OM MuNDakaayapraharaNaayai Namaha
    OM Dhuumralochanamadanaayai Namaha
    OM Sarvadevastutaayai Namaha
    OM Saumyaayai Namaha
    OM Suraasura namaskRitaayai Namaha
    OM Kaalaraatryai Namaha
    OM Kalaadharaayai Namaha
    OM Ruupasaubhaagyadaayinyai Namaha
    OM Vaagdevyai Namaha
    OM Varaarohaayai Namaha
    OM Vaaraahyai Namaha
    OM Vaarijaasanaayai Namaha
    OM ChitraaMbaraayai Namaha
    OM Chitragandhaayai Namaha
    OM Chitramaalyavibhuushhitaayai Namaha
    OM Kaantaayai Namaha
    OM Kaamapradaayai Namaha
    OM Vandyaayai Namaha
    OM Vidyaadharasupuujitaayai Namaha
    OM Shvetaananaayai Namaha
    OM Niilabhujaayai Namaha
    OM Chaturvargaphalapradaayai Namaha
    OM Chaturaanana saamraajyaayai Namaha
    OM Raktamadhyaayai Namaha
    OM Nira.njanaayai Namaha
    OM Ha.nsaasanaayai Namaha
    OM NiilajaNghaayai Namaha
    OM BrahmavishhNushivaatmikaayai Namaha.

    ‘

    People wake up early in the morning on Friday and take a bath. Traditionally speaking the waking up time for the puja is the brahma muhurtham. Then the designated puja area and house is cleaned well and a beautiful ‘kolam’ or rangoli is drawn on the intended place of puja.

    Next is the preparation of the ‘kalasham or kalash.’ A bronze or silver pot is selected and is cleaned thoroughly and a swastika symbol is drawn and is smeared with sandalwood paste. The kalasham pot is filled with raw rice or water, coins, a single whole lime, five different kinds of leaves, and beetle nut. The items used to fill the kalasham vary from region to region and includes turmeric, comb, mirror, small black bangles and black beads.

    The kalasham up to the neck is sometimes covered with a cloth and mango leaves are placed on the mouth of the kalasham. Finally, a coconut smeared with turmeric is used to close the mouth of the kalasham. To this coconut, an image of Goddess Lakshmi is fixed or the image of Lakshmi is drawn using turmeric powder. Now the kalasham symbolically represents Goddess Lakshmi.

    In some areas, women place a mirror behind the kalasham. Today, there are also specially made Varalakshmi pots available in the market.

    The kalasham is usually placed on a bed of rice. First Lord Ganesha is worshipped. Then begins the Varalakshmi Puja. The puja consists of singing slokas dedicated to Goddess Lakshmi like the Lakshmi Sahasranamam. Arati is performed on the kalasham. Different types of sweets are offered. Some people offer pongal. In some areas women tie yellow thread on their hands.

    The woman who is observing the Varalakshmi Puja abstains from eating certain kind of food and this varies from region to region. In some regions, women fast till the puja period.

    Thamboolam – betel leaf, areca nut and slaked lime – is offered to women in the locality and in the evening an arati is offered.

    The next day, that is on Saturday, after taking a bath the kalasham is dismantled and the water in the kalasham is sprinkled in the house. If rice is used then it is mixed with rice in the house.

    There are no hard and fast rules in performing the Varalakshmi Puja and you can be flexible on the puja items. Even a simple prayer will please Goddess Lakshmi.

    The legend.

    On one occasion, Parvati and Parameswara were playing a game of paramapatham. Parvati was winning game after game by the rules, but Parameswara is said to have claimed the victory at each game, wantonly, to Parvati’s intense chagrin. So Parvati demanded to have an umpire and one Chitranemi, a creation of Parameswara, was chosen. As an underling of Parameswara, he sided with his master most unjustly. This provoked Parvati’s anger and she cursed Chitranemi that he should become a leper for discharging his duty in this most unfair manner.

    When Chitranemi begged Parvati’s forgiveness and Parameswara added his entreaties to it, she is said to have relented and modified the curse by adding that he would be cured of his leprosy by observing the Vara Lakshmi Vrata. By doing this, Chitranemi was, it is said, rid of the loathsome disease.

    The history of the origin Of the Vara Lakshmi Vrata is rather interesting. Lakshmi is said to have visited a pious woman by name Sarmadi, living in the city of Kuntinapura in Magadha (Bihar), in one of her dreams and expressed her satisfaction at her devotion to her children. When she woke up from her sleep, she took a bath and worshiped Lakshmi to ensure her blessings. When the other ladies heard of her dream and her worship of Lakshmi, they too began to worship her, and the custom is then said to have spread everywhere throughout the land in course of time….

    This is a pooja that was pronounced by no other than Lord Parameswara to be performed by his consort Parvathi to seek prosperity and happiness for the family. Thus it came to be emulated by married women who sought boons (varam) for the health, wealth and knowledge for the entire family. In some cases, women prayed for being blessed with children.

    Naivedyam.

    General Neivedhya Items for the pooja

    Salyannam Plain white cooked rice
    Kruthakula Payasam Paruppu Payasam(Dal Kheer)
    Mashapubam Ulundhu vadai (Urid dal vada)
    Kudapubam Appam
    Lattugam Pacharisi Idly
    Sanagam Kondaikadalai Sundal(Chick peas sundal)
    Modhagam Kozhukattai
    Nalikerakandam Coconut break into half
    Kathalepalam Banana
    Patharepalam Ilandhapazham(Ber)
    Jambubalam Navarpazham(indian blackberry)
    Peejapurapalam) Guva fruit
    Narthapalam Orange/ sweet lime

    Citations.

    http://www.subbuskitchen.com/2010/08/varalakshmi-vrathamvaralakshmi-pooja.html#.VdLK3bKqqkq

    Visit the Link above for recipe for these items.

    http://www.hindu-blog.com/2007/08/how-to-perform-varalakshmi-puja.html

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  • Rig Upakarma Tamil Mantras Smarthas Sri Vaishnavas

    I have published procedure for Sanshyavanadana,Upakarma Mantras, Sankalpa in English and Tamil.

    I have also written on the importance of Sraddha,Pitru Paksha Mantras,Amavasya Tharpana Mantras, their meaning in Tamil.

    All these are for Krishna Yajur Vedins.

    Upakarma, Avani Avittam being performed.jpg
    Upakarma, Avani Avittam being performed.

    Many readers have requested that I post on Rig,Shukla Yajur and Sama Veda Mantras inEnglish and Tamil.

    I had touched upon  Shukla Yajur Vedins.

    I shall try to post on the sujects mentioned above ,hopefully in time before Upakarma.

    I am providing the Rig Veda Upakarma Mantras  below.

    This is for both Iyers and Iyengars..

    Corrections welcome.

    Please note that as this site is being rated as one of the authentic sites on Hinduism/Santana Dharma, please point out mistakes with inputs backed by authentic links.

    Rig Veda Upakarma.

    I shall be posting in English/Sanskrit as well.

    28th
    August 2015
    (Friday)

    The Upkarma dates in 2015 are August 28 and August 29. In 2015,

    Sama Vedi Upakarma is on September 15. It is the day the sacred thread worn by Brahmins known as ‘Yagnopavitam’ is changed.

    There are Brahmins who are the followers of Rig Veda, Yajur Veda and Sama Veda and they have separate dates for Upakarma.

    The ritual is also known as Avani Avittam in Tamil Nadu and Kerala.

    Yajur Vedi Upakarma is observed a day before Shravan Poornima day (Full moon day in Sawan month) this year. Brahmins who are the followers of Yajur Veda change the sacred thread on the day. In 2015, the date is August 29.

    Rig Vedi Upakarma is observed on the day of Shravan Poornima this year. Brahmins who are the followers of Rig Veda change the sacred thread on the day. In 2015, the date is August 28.

    Gayatri Japam is on August 30.

    Sama Vedi Upakarma is observed on the day after Shravan Amavasi (No moon day in Sawan month). Brahmins who are the followers of Sama Veda change the sacred thread on the day. In 2015, the date is September 15.

    ஸ்நானம், சந்த்யாவந்தனம் செய்யவும் .

    பிறகு யக்ஞோபவீத தாரணம்.கை கால்கள் அலம்பிய பின்னர் ஆசமனம்.
    இரண்டு புல் பவித்ரம் – இடுக்குப்புல் தரித்து ப்ராணாயாமம் செய்யவும்.
    பின்னர் கைகூப்பி:
    ததேவ லக்னம், ஸுதினம் ததேவ,தாராபலம் சந்த்ரபலம் ததேவ
    வித்யாபலம் தைவபலம் ததேவ
    லக்ஷ்மிபதே அங்ரியுகம் ஸ்வமராமி
    வடகலையார்: -அஸ்மத் குருப்யோ நம: ஸ்ரீமான் வேங்கடநாதார்ய கவிதார்க்கிககேசரீ. வேதாந்தாசார்ய வர்யோமே ஸந்நிதத்தாம் ஸதாஹ்ருதி | குருப்ய: தத் குருப்யஸ் ச ந்மோவாகே ம்தீமஹே, வ்ருணீ மஹேச தத்ராத்யௌ தம்பதீ ஜகதாம்பதீ, ச்வசேஷபூதேன மயாஸ்வீயை: ஸரவபரிச்சதை, விதாதும் ப்ரீதமாத்மானம் தேவ ப்ரக்ரமதே ஸ்வயம்.

    ஐயங்கார் – வடகலை , தென்கலை மற்றும் ஸ்மார்த்தாள் (ஐயர்) – எல்லோருக்கும்

    அய்யர் ,பொது :ஸுக்லாம்பரதரம் விஷ்ணும் சசிவர்ணம் சதுர்புஜம்ப்ரஸன்னவதனம் த்யாயேத் ஸர்வவிக்னோப சாந்தயே

    (யஸ்யத்விரத வக்ராத்யா பாரிஷத்யா பரச்சதம்
    விக்னம் நிக்னந்தி ஸததம் விஷ்வக்ஸேனம் தமாச்ர்ரயே) Vaishnavas
    என்று சொல்லி, பிறகு வலது தொடை மீது இடது உள்ளங்கை மேல் வைத்துகொண்டு கீழே உள்ளபடி ஸங்கல்பம்

    ஹர்ரிஹரோந்தத்ஸத் ஸ்ரீ கோவிந்த கோவிந்த கோவிந்த, அஸ்ய ஸ்ரீபகவத: மஹாபுருஷஸ்ய

    விஷ்ணோராக்ஞயா ப்ரவர்த்தமானஸ்ய ஆத்ய ப்ரம்மண: த்விதீய பரார்த்தே, ஸ்ரீச்வேதவரஹகல்பே, வைவஸ்த

    மன்வந்த்தரே, கலியுகே ப்ரதமே பாதே, பாரதவர்ஷே . பரதக்கண்டே ,சகாப்தே, மேரோர் தக்ஷிணே பார்ச்வே: அஸ்மின் வர்த்தமானே வ்யாவஹாரிகே ப்ரபவாதி சஷ்டி ஸம்வத்ஸராணாம் மத்யே –
    …..( வருஷம் பெயர் ) நாம ஸம்வத்ஸரே தக்ஷிணாயனே க்ரீஷ்ம ருதௌ, கடக மாஸே சுக்ல பக்ஷே பௌர்ணமாஸ்யாயாம் ஸுப திதௌ, ……(கிழமை )வாஸர யுக்தாயாம், ஸ்ரவண நக்ஷத்ர யுக்தாயாம், ஆயுஷ்மான் யோக பத்திரைகரண ஏவங்குண விசேஷண விசிஷ்டாயாம், அஸ்யாம் பௌர்ணமாஸ்யாயாம் ஸுபதிதௌ ஸ்ரீ பகவதாக்ஞா _______@1___#2____*3_________________@1—(வடகலையார் – ) ஸ்ரீமன் நாராயண ப்ரீதியர்த்தம்#2– (தென்கலையார் ) பகவத் கைங்கர்ய ரூபம்*3– (ஸ்மார்த்தாள்) – பார்வதீ பரமேச்வர ப்ரீதியர்த்தம்(என்று மாற்றி சொல்லிக்கொள்ளவ்வும் )ஸ்ராவண்யாம் ச்ரவண ந்க்ஷத்ரே அதீதானாம் ச்சந்தஸாம், அத்யேஷ்ய மாணானாம் அயாதயாமத்வாய வீர்ய வர்த்தார்த்தம் ஸ்ராவண்யாம் ச்ரவண நக்ஷத்ரே, அத்யாய உத்ஸர்ஜன கர்மாங்கம், கரிஷ்யமாண உபாகர்மாங்கம், ப்ரம்ம யக்ஞ தர்ப்பணம், ஸாவித்ரியாதி நவ தர்ப்பணம் அக்ந்யாதி ஏகவிம்சத் தர்ப்பணம்ச அத்ய கரிஷ்யே: (என்று கூறி இடுக்குப் புல்லை மட்டும் வடக்கில் போடவும்).
    பிறகு வடக்கு நோக்கி குதிகாலில் அமர்ந்தவாறு, நனைத்த அரிசியை எடுத்து இரண்டு கை நுனிவிரல்கள் வழியாக தீர்த்தம் சேர்த்து கீழ்கணட மந்த்ரங்களை கூறி கீழே சேர்க்கவும்:
    (1) பூணூல் உபவீதம்:
    ப்ரஜாபதி த்ருப்யது
    ப்ரஹ்ம த்ருப்யது
    வேதாஸ் த்ருப்யந்து
    தேவாஸ் த்ருப்யந்து
    ரிஷயஸ் த்ருப்யந்து
    ஸர்வாணி சந்தாம்ஸி த்ருப்யது
    ஓம்காரஸ் த்ருப்யது
    வஷ்ட காரஸ் த்ருப்யது
    வ்யாஹ்ருதயஸ் த்ருப்யது
    ஸாவித்ரீ த்ருப்யது
    யஜ்ஞாஸ் த்ருப்யது
    த்யாவா ப்ருதிவீ த்ருப்யதாம்
    அந்தரிக்ஷந் த்ருப்யது
    அஹோராத்ராணி த்ருப்யந்து
    ஸாங்க்யாஸ் த்ருப்யந்து
    ஸித்தாஸ் த்ருப்யந்து
    ஸமுத்ராஸ் த்ருப்யந்து
    ந்த்யாஸ் த்ருப்யந்து
    காவஸ் த்ருப்யந்து
    கிரயஸ் த்ருப்யந்து
    க்ஷேத்ரௌஷதி வனஸ்பதி
    கந்தர்வாஸ் த்ருப்யந்து
    நாகாஸ் த்ருப்யந்து
    பயாம்ஸி த்ருப்யந்து
    விப்ராஸ் த்ருப்யந்து
    யக்ஷாஸ் த்ருப்யந்து
    ரக்ஷாம்ஸி த்ருப்யந்து
    பூதாநி த்ருப்யந்து
    ஏவமந்தானி த்ருப்யந்து
    (2) தாவடமாக் (நீவிதி), அதாவது மாலையாக பிடித்துக்கொண்டு அரிசி/தீர்த்தம் கொண்டு இரண்டு கைகளுக்கு நடுவில் வழியாக நீரை விடவும்.:
    ஸதர்சினஸ் த்ருப்யது
    மாத்யமாஸ் த்ருப்யது
    க்ருத்ஸமதஸ் த்ருப்யது
    விச்வாமித்ராஸ் த்ருப்யது
    வாமதேவஸ் த்ருப்யது
    அத்ரிஸ் த்ருப்யது
    பாரத்வாஜ த்ருப்யது
    வஸிஷ்ட த்ருப்யது
    ப்ரகாதஸ் த்ருப்யந்து
    பாவமான்யாஸ் த்ருப்யந்து
    க்ஷூத்ரஸூக்தாஸ் த்ருப்யது
    ஸுமந்து ஜைமிநி வைசம்பாயன பைல ஸுக்ர பாஷ்ய பாரத மஹாபாரத தர்மாசார்யாஸ் த்ருப்யது
    ஜானந்தீ பாஹவீ கார்க்ய கௌதம சாகல்ய பாப்ரவ்ய மாண்டவ்ய மாண்டூகேயாஸ் த்ருப்யது
    கர்கீ வாசக் நவீ த்ருப்யது
    வடவா ப்ராதி தேயீ த்ருப்யது
    ஸுலபா மைத்ரேயீ த்ருப்யது
    கஹோளாந் தர்ப்பயாமி
    கௌசீக தர்ப்பயாமி
    மஹா கௌஷீதகன் தர்ப்பயாமி
    பாரத்வாஜ தர்ப்பயாமி
    பைங்கன் தர்ப்பயாமி
    மஹா பைங்கன் தர்ப்பயாமி
    ஸுயஜ்ஞந் தர்ப்பயாமி
    ஸாங்யாயனன் தர்ப்பயாமி
    ஐதரேயந் தர்ப்பயாமி
    மஹைதரேயந் தர்ப்பயாமி
    ஸாகலந் தர்ப்பயாமி
    பாஷ்கலந் தர்ப்பயாமி
    கார்க்யந் தர்ப்பயாமி
    சௌமந் தர்ப்பயாமி
    ஸுஜாதவக்த்ரன் தர்ப்பயாமி
    ஔதவாளஹிந் தர்ப்பயாமி
    மஹௌதவாள்ஹிந் தர்ப்பயாமி
    ஸௌஜாமிந் த்ருப்யந்து த்ருப்யந்து
    ஸௌநகந் தர்ப்பயாமி
    ஆஸ்வ்வலாயந் தர்ப்பயாமி
    ஏசாந்யே ஆசார்யா தேஸர்வே த்ருப்யந்து த்ருப்யந்து, த்ருப்யந்து.
    (3) பூணூலை உபவீதமாக (வழ்க்கம்போல்) அணிந்து கை நுனி விரல்களால் தர்ப்பணம் செய்யவும் :
    ஸாவித்ரீந் தர்ப்பயாமி
    ப்ரஹ்மாப்ணந் தர்ப்பயாமி
    மேதாந் தர்ப்பயாமி
    ப்ரஜ்ஞாந் தர்ப்பயாமி
    தாரணான் தர்ப்பயாமி
    ஸதஸசஸ் பதிம் தர்ப்பயாமி
    அனுமதிந் தர்ப்பயாமி
    சாந்தாம்ஸ்ய தர்ப்பயாமி
    அக்நிந் தர்ப்பயாமி
    அப்த்ரிண் ஸூர்யந் தர்ப்பயாமி
    ஸகுந்தந் தர்ப்பயாமி
    மித்ரவருணௌ த்ருப்யேதாம்
    அக்னிந் தர்ப்பயாமி
    ஆபஸ் த்ருப்யது
    அக்நிந் தர்ப்பயாமி
    மருதஸ் தர்ப்பயாமி
    அக்நிந் தர்ப்பயாமி
    வர்மாணந் தர்ப்பயாமி
    அக்நிந் தர்ப்பயாமி
    இந்த்ரா ஸோமௌ த்ருப்யதாம்
    இந்த்ரன் தர்ப்பயாமி
    அக்னி மாருதன் தர்ப்பயாமி
    பவமான ஸோமௌ த்ருப்யதாம்
    ஸோமந் தர்ப்பயாமி
    ஸமஜ்ஞானந் தர்ப்பயாமி
    விச்வேதேவாஸ் த்ருப்யந்து
    அக்பிஸ் த்ருப்யது
    விஷ்ணுஸ் த்ருப்யது
    (4) தகப்பனார் இல்லாதவர்களுக்கு மட்டும் கீழ்கண்ட பித்ரு தர்ப்பணம் எள்ளும் தீர்த்தமும் கொண்டு வலது கை கட்டை விரல் வழியாக தர்ப்பணம் : மூன்று பில் பவித்ரம் அணிந்து கீழ்கண்டபடி ஒரு முறை தர்ப்பிக்கவும்:
    பித்ரு வர்க்கம் – பிதா, பிதாமஹர், ப்ரபிதாமஹர் – மாதா, பிதாமஹி, ப்ரபிதாமஹி மாத்ருவர்க்கம் – ஸபத்நீக மாதாமஹ, மாது: பிதாமஹ, மாது: ப்ரபிதாமஹ
    பவித்ரத்தை அவிழ்த்து பிரித்துவிட்டு, ஆசனமம் செய்யவும்.

    வேதாரம்பம்- உங்கள் குரு/வாத்யார்/ஆசார்யன், பெருமாள் பெரியவர்களை ஸேவித்து ஆசி பெறவும்

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  • Banned Ancient Triptych Temples Mother Religion Sanatana Dharma

    Banned Ancient Triptych Temples Mother Religion Sanatana Dharma

    There is yet no proof that Atlantis.Gondwana,Lemuria did not exist.

    Many western scholars, as Missionaries, have faked research papers to disprove their existence.

    Reason, they wanted to justify the Bible!

    How and why they went about this in a systematic manner, I have written a few articles and I shall be posting more.

    One technic is manipulation of the History as has been done to Indian History;another method is to fake interest in Non Christian Literature, then plant thoughts that had not been there, which would make people lose their faith in their texts,…

    Another method is to Post date the archeological evidence.

    But the arrival of Internet has made materials accessible  to everyone.

    Those who have an  interest and a bit of knowledge about Culture and History can check ,cross reference and draw conclusions.

    While the Christians tried and are still trying, to wipe out Hinduism, by manipulating History, Islam simply destroyed the Temples and things associated with Hinduism.

    But what about Temples where the long strong-arm of Islam did not reach?

    Fortunately for Hinduism, Sanatana Dharma has survived thanks to the Oral traditions of the Vedas and the ancient temples established throughout the world.

    Those who have an eye that catches some thing distinct can discern that the ancient architectural remains of temples, what ever be the religion they have been falsely related to,have ancient temple architecture everywhere!

    Look at the following Image, containing images of such Temples.

    Temples found in various countries display Indian Temple architecture.jpg Temples found in various countries

    Temples resembling Hindu Temples across the world.jpg Temples resembling Hindu Temples across the world.

    For good measure throw a fancy name, Tripych( Three Doors) Temples,has been assigned to these similarities and they have been  cited as belonging to a Mother Civilization,Atlantis!

    These types of temples have their origin in India and any one can see them today in India.

    And Cambodia, Vietnam, Bali, Philippines,Indonesia,Thailand,US, Mexico,Honduras,Burma, Sri Lanka, Iran, Iraq, Saudi Arabia,Italy…

    Shiva temples in Mecca, Petra Jordan,Colarado..

    Please read my articles on each of these.

    I have also traced the origins of Gondwana and Atlantis… and that is

    Sanatana Dharma!

    ‘

    The abundant occurrence of the Triptych across the ancient world is not a random coincidence. The Triptych represents more than merely an architectural element; the Triptych is the chief symbol of an advanced Universal Religion that was once shared globally in Antiquity, mainly by the pyramid cultures. The discovery of the Triptych provides, for the first time, conclusive evidence that ancient cultures worldwide shared the same spiritual beliefs. It also indicates that these cultures did not evolve independently, but were probably descended from the same more remote parent source.

    Eight Mayan Triptych temples from various cities in the Yucatan Peninsula.jpg Eight Mayan Triptych temples from various cities in the Yucatan Peninsula.

    The Universal Religion symbolized by the Triptych was banned in the West 2,000 years ago by the Catholic Church, but nonetheless it has continued into modern times, surviving in the beliefs of Secret Societies and their art and architecture. Look, for example, at the headquarters of the Freemasons, the Skull & Bones, the Shriners and the Knights of Pythias. Each building’s facade depicts an unmistakable Triptych pattern:

    The abundant occurrence of the Triptych across the ancient world is not a random coincidence. The Triptych represents more than merely an architectural element; the Triptych is the chief symbol of an advanced Universal Religion that was once shared globally in Antiquity, mainly by the pyramid cultures. The discovery of the Triptych provides, for the first time, conclusive evidence that ancient cultures worldwide shared the same spiritual beliefs. It also indicates that these cultures did not evolve independently, but were probably descended from the same more remote parent source.

    The Universal Religion symbolized by the Triptych was banned in the West 2,000 years ago by the Catholic Church, but nonetheless it has continued into modern times, surviving in the beliefs of Secret Societies and their art and architecture. Look, for example, at the headquarters of the Freemasons, the Skull & Bones, the Shriners and the Knights of Pythias. Each building’s facade depicts an unmistakable Triptych pattern:…

    ”

    The Universal Religion shared by the ancients and hidden in these Secret Society Triptychs is a complex and detailed spiriUniversal religiontual belief system. Its tenets have been known throughout recent history by philosophers, poets, theologians, astronomers, alchemists and occultist—all of whom have been initiated into its wisdom.

    The Universal Religion teaches that:

    – Deep down each one of us is an eternal spiritual “soul”
    – This soul is our real true immortal “Self”
    – This Self is actually a divine “god” or deity with overreaching powers”

    The problem is, we have amnesia of our immortal godhood Self (capital S) because it is covered up by our mortal animal bodily self (lowercase s) while we live our lives on earth.”

    And what is this Religion?

    Sanatna Dharma!

    Citations.

    http://grahamhancock.com/cassaror1/

    Graham Hancock has done extensive research to prove the Sanatana Dharma origins.

    For misinformation check.

    http://humansarefree.com/2013/12/the-temples-of-atlantis-planetary.html

    http://www.messagetoeagle.com/articles1/triptychtemplesatlantisnew.php#.VctvubKqqko

    Reasearch author..Richard Cassaro

    http://www.richardcassaro.com/research

  • Laos Mountain Sixty Meter Linga Peak Linga Parvatha Vat Phou

    Laos Mountain Sixty Meter Linga Peak Linga Parvatha Vat Phou

    We know that Thiruvannamalai is about a Billion old and Tirumala Tirupati is about 2100 Million Years old.

    The Thiruvannamalai Hill is believed to be the Form of Linga, Agni Linga.

    There is a Mountain in Laos with the Shiva Linga, 60 Meters, at its peak.

    It is bathed by a Spring.

    The water is carried by 632 Pipes.

    Wat Phou peak Linga Parvatha ,Laos.jpg The mountain has a natural linga on its peak. Image Credit. “Watphoupeaklinga03”. Licensed under CC BY-SA 3.0 via Wikimedia Commons – https://commons.wikimedia.org/wiki/File:Watphoupeaklinga03.jpg#/media/File:Watphoupeaklinga03.jpg

    Vat Phou has been founded by the Cham, according to the historians and was later one of the first temples of the Khmers outside Cambodia. The oldest ruins date from the fifth and sixth century. Vat Phou nestles at the base of Mount Phou Pasak, that got the name Lingaparvata, because on top a 60 metres high monolith reaches into the sky. This natural outcropping has led the people to consider it a sacred place long ago. It resembles to linga of Shiva, the god of the Hindu. To some visitors it resembles also a female breast (see picture by Diane, taken on Don Daeng). “Parvata” means “mountain,” so “Lingaparvata” is literally “Linga Mountain.” It is the same word-root as “Parvati” the name of Shiva’s consort, a mountain-goddess, notes art-and-archaeology.com. Willard Van De Bogart tells the story of Lingaparvata, the story was also published with a lot of book references. Read also the official site description by the Museum of Vat Phu.

    Linga Parvata.

    n Laos, Lingaparvata became a focal point for austerities to Shiva in the fifth century under the vocable of Bhadresvara, the god of the Chams at My Hon-Son on the Champa (Vietnam) coast. The city of Kuruksetra and then later called Sreshthapura was the holiest ancient city for kings to make pilgrimage (tirtha yatra). In fact a 250 mile royal road runs from Angkor Wat directly to Vat Phu indicating there was a direct link to Vat Phu from the new Ankorean center.

    There is a haunting living quality to Lingaparvata as it protrudes so uniquely into the sky almost as if some giant were pushing upward deep from within its rocky interior. From a distance Lingaparvata appears as a linga or even a small temple set on the summit where rituals to the gods would be performed. There is a Chinese document from the Sui dynasty (589-616CE) that mentions a temple on the summit of a mountain named Ling-kia-po-p’o, which is guarded by a thousand soldiers and consecrated to a spirit named Po-to-li. It was Georges Coedes, the famous French epigraphists, who transliterated Ling-po-p’o into Lingaparvata.

    It is by all accounts a magical mystifying experience to witness this singular protuberance setting itself alone amongst the mountain tops behind Vat Phu and forever capturing the fascination and wonder of anyone who sets eyes on it.

    Mt. Phu Kao immediately focuses your attention to the summit as no other small mountain can do. It’s as if in its own way the mountain is trying to announce something profound or waiting to direct the eyes of the beholder to look at something very special. The mountain commands one to look in its direction because none of the other hills are as unique. It is unique and different and holds its own as a singular presence like none of the other hills. Surely such a mountain would be thought of having supernatural powers and perhaps in order to even address those powers rites and rituals would have had to be conducted long before any consideration would be given to scale its summit.

    Here was a mountain top that was so singular in its appearance that innately one sensed there was something being conducted on its rocky protrusion that only the mountain itself knew about. The absolute profundity and sanctity that the mountain has held over the millennia has finally reached its symbolic identity as the linga of Lord Shiva himself.

    This was Shiva’s pillar of fire that endlessly went into the heavens and endlessly passed down through the earth. Here was the penultimate axis of the world and once the Brahmins from India saw this outcropping they could do none other than name this mountain Lingaparvata. This one linga would be impossible to move, and would provide the devotee with a substantive feeling of awe simply by recognizing the latent power of this mountain made it possible to communicate with the gods. It was on this mountain that the priests had developed the Cakravartin cosmology that in 400 years would establish the consecration of the Khmer Empire where Shiva, Vishnu, and Brahma would be the gods that would establish divine kingship for another 500 years.

    If Mt Kailash in Tibet is considered the home of Shiva and Arunachela is considered an actual manifestation of Shiva then I would offer that Lingaparvata could be thought of as the temple of Shiva whereby divine communication with all the gods would take place. My justification for making such a statement and associating Lingaparvata with a temple gateway to meet the gods is by recognizing that the Khmer Empire got its spiritual guidance from the environs of Kuruksetra. The combination of Vat Phu, Lingaparvata, the sacred spring and King Jayavarman IIÕs inscription at Vat Oubmong indicate an auspicious focal point that merits calling Lingaparvata a temple gate way to the gods. It was in 802CE that King Jayavarman II consecrated the Khmer Empire and he became the “Cakravatin” and established the union between god and king and the beginning of the “Devaraja” cult worship’

    ….

    Champasak Wat Phou Spring water pipes.jpg Champasak Wat Phou Spring water being carried by pipes to bathe Shiva.

    ‘From Pakse, we first headed south 30 km, ferried across the Mekong River, cooled off over lunch at a riverside restaurant in Champasak town, then continued to the Khmer site of Wat Phu Champasak. Unlike the meticulously restored Phanom Rung site that we visited in Thailand, this one has a very atmospheric tumbled-down appearance. From a huge pond, a promenade flanked by stone lotus bud columns (most lying on the ground) leads to a pair of large rectangular worship pavilions, the most impressive buildings here due to their size and detailed carvings. The pathway continues west past a Nandi pavilion, now empty, and climbs past some guardian figures and a Ganesha to the main sanctuary. This structure of stone blocks has many detailed carvings of Hindu epics and gods. Originally it housed a Shiva lingam continually bathed in water from a nearby spring. Now it shelters several folksy Buddhas.

    Citations.

    http://www.earthportals.com/Portal_Messenger/lingaparvata.html

    http://www.arizonahandbook.com/ThaiLao2.htm

    http://treasuresoflaos.blogspot.in/2010/08/champasak.html

    ‘

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  • How Does Devi Devotee Behave Abhirami Andhadi

    How Does Devi Devotee Behave Abhirami Andhadi

    God is an Experience.

    He can not be reasoned out.

    He is beyond Mind.

    Tamil calls Him ‘Kadavul’, one who is beyond the Mind.

    You can not hold the Ocean in your palms.

    How does one explain hunger, Pleasure, or Pain?

    They have to be felt.

    Many who have experienced  the ecstasy of God have attempted to explain it.

    The fact is those who explain it in detail have not seen or experienced God,

    Those who have experienced can not explain..

    ‘kandavar Vindilar,

    Vindavar Kandilai'(Tamil)

    But some great souls have attempted to try.

    Ramakrishna Parahamsa was one.

    He was seen as a Lunatic, when He was in Ecstasy!

    Similar descriptions of god may be found in Tamil.

    Abhirami Bhattar was one such.

    He was One who had seen Her, Abhirami of Thirukkadavur.

    I shall write on him and his poem Abirami Andhadai in detail

    The poem is in a special format, Andhadi, where the last word, letter of the preceding verse is the first word or the letter of the succeeding verse, mostly the former.

    The last verse shall end with a word that would be the first word of the Andhadi(Beginning of the End)

    விரும்பித் தொழும் அடியார் விழிநீர் மல்கி, மெய் புளகம்
    அரும்பித் ததும்பிய ஆனந்தம் ஆகி, அறிவு இழந்து
    கரும்பின் களித்து, மொழி தடுமாறி, முன் சொன்ன எல்லாம்
    தரும் பித்தர் ஆவர் என்றால் அபிராமி சமயம் நன்றே.

    அபிராமி அம்மையைப் பக்தியோடு விரும்பித்தொழும் அடியவர்களின் கண்களில் நீரானது பெருகி, மெய்சிலிர்த்து, ஆனந்தம் ததும்பி, அறிவு மறந்து, வண்டைப் போல் களித்து, மொழி தடுமாறி, முன்பு சொல்லிய பித்தரைப் போல் ஆவார்கள் என்றால், அப்பேரானந்தத்திற்கு மூலமான அம்பிகையின் சமயமே மிகச்சிறந்ததாகும்..

    Tamil Poem  explanation by Poet laureate Kannadasan

    ‘Tears stream down from the eyes,

    Loses identity, with goose-pimples,

    Overflowing with ecstasy , loses Mind,Discrimination,

    Language falters, words get jumbled,

    All this for those who immerse themselves in Abhirami and if this be the fruit of Her , it is the Best Religion to follow’

    Well, that’s it.

    As English translations are not available on the web, I have tried translating.

    Definitely does not convey what Abhirami Bhattar intended.

    I have tried.

    Please check for a translation and enjoy the experience.

    http://www.projectmadurai.org/pm_etexts/utf8/pmuni0026_01.html