Tag: Sama veda

  • Carnatic Music From Tamil Music Pann 103?

    Though most of the Readers of Ramanis blog are objective and seekers of Truth,History based on Facts,there are a few who try to read hidden meanings and agenda.

    To them, I would like to state that this blog is an attempt at finding our cultural and historical roots that have been destroyed /are twisted to suit the invaders.

    Because of this misinformation,many/some tend to view our history and culture through the Prisms of Language and region.

    What one must remember is that,though there were 56 Kingdoms and at least as many languages from the Vedic /Ramayana,Mahabharatha period, I am yet to come across a reference where the culture or languages of one region look down upon the others.

    However,there were instances of religious bigotry between Hinduism,Jainism and Buddhism during the middle ages,no prejudiced views were there about languages,music and culture.

    Each was given respect and each took the best out of the other and became better.

    For example,Tamil customs were adapted to Vedic Traditions,like the Mangal Sutra(Thaali) and Apasthamba incorporated them in his sutras.

    Similarly,thiugh the Tamils were not Fire Worshippers like the Vedic People,they followed Sanaatana Dharma.

    This introduction is in the light of the information I am producing below,which is likely to raise the hackles of Carnatic Music lovers.

    Tamil as a language consists of three parts.

    Iyal,loosely translated as Prose ,is that which comes naturally in day to day Life,

    Isai,Music,which is the origin of Language  and

    Natakam,Drama or Theatrics.

    Isai is is from the word Asai, ‘Move’.

    Music as we know is from Vibrations.

    Vibrations are from Movement.

    Whether it is Vocal or Instrumental Music ,it is from Movement,vocal chords,strings,or vibrations from instruments.

    So The root word for Music Isai is from Asai,Move.

    Isai also means ‘to be in tune with’ ‘agree’,’ go together’.

    Recorded history from the earliest recorded Tamil Work Tholkappiam speaks about Isai ,called ,’Pann,.

    Pann means that which is refined ,cultured,orderly and elevating.

    One may note that Tholkappiyar was a disciple of Sage,Agastya,who wrote Veda Sutras and is considered as the co founder of Tamil along with Lord Shiva,Subrahmanya(Murugan in Tamil) .

    Shiva in Tamil is associated with Dance as Natana Sabapathy,the Lord of Dais and He is also considered as the root of Music.

    One may note that Sanskrit was born of Shiva’s Drum.

    Even today Shiva is worsipped with Tamil Music,Pann from Thirumurai of Thevaram and Thiruvasagam in temples.

    These are called Dravida Vedas.

    Please listen you visit temples in the south when the priest performs the,Kaala Pooja,the Poojas conducted at specific times in Times( 5 or six Times a day,depending on the custom).

    You may note the priest saying Dravida Vedam Sandhardhasyaami,we are offering You the Dravida Vedas.

    This is followed by Tamil Pann speicified for the Time the pooja is performed.

    This is followed by the priest announcing ‘ Veda Ghosham’

    Then Veda is chanted.

    *This practice seems to have originated just before the period or during the reign of Rajaraja Chola,1010AD.

    In Vishnu Temples Naalayira Divya Prabhandham is sung.

    The Pann,music of Tamil ,as of now is dated aroud 200 BC.

    However, in the light of evidence from Poompuhar which is described in detail in Cilappadikaaram, one of the,Tamil Five Tamil Epics,the date of Tamil is pushed back by 30,000 years.

    Then we have Arikamedu site,and a million year old site in Chennai.

    Then 74,000 year old Nataraja near Kurnool,Andhra Pradesh( Telengana?)’

    Thiruvannamalai ,Tamil Nadu which is 3.94 Billion years old,

    Thirupathi,the Northern boundary of Tamils is 2100  million years old..

    All this push the date of Tamil further back.

    The surprise is that this ancient Tamil quotes Vedas and Vedas quote Tamil.

    Please read my articles in detail on each topic.

    There are 103 Panns.

    Today  21,24 or 27 are used in Temples.

    There are 72 Mela Kartha Raagas in Carnatic Music.

    Please read my article on this.

    Tamil is unique in that it assigns a particular Pann to one landmass.

    There are five landscapes described.

    Kurinji,Marutham,Neydhal,Mullai and Paalai.

    Please read my posts on these labd divisions.

    The first music instrument was Yaazh ,like Veena.

    In Vedas Sama Veda is set to music and it is dedicated to Lord Shiva.

    In Vedic traditions,Veena is decribed as the first musical instrument.

    In Tamil, it is Yaazh , a type of Veena.

    Goddess Saraswathi has it in her hands.

    Also the  the Drum of Shiva,Damaru.

    In Tamil,’Parai’ Drum is also considered as the earliest musical instrument along with Yaazh.

    அசையும் சீரும் இசையொடு சேர்த்தி

    வகுத்தனர் உணர்த்தலும் வல்லோர் ஆறே”

    “இசைப்பு இசையாகும் என்கிறது” *-That which is moved/vibrated is Music’”

    இசைப்பு என்பது யாழ் போன்ற இசைக்கருவிகளை இசைத்தல் ஆகும் என்பது இந்நூற்பாவின் பொருள்.

    அளபு இறந்து இசைத்தலும் ஒற்று இசை நீடலும்

    உள என மொழிப இசையொடு சிவணிய நரம்பின் மறைய என்மனார் புலவர்’

    இசையொடு பொருந்திய யாழ் நூலில் இசையிலே எழுத்து ஒலிகள் அளவுகடந்து ஒலித்தலும், ஒற்றுக்கள் நீண்டு ஒலித்தலும் உண்டு என்று அறிஞர் கூறுவர் என்பது இதன் பொருள்.

    *In Yaazh,written letters sound long and the consonants short’

    இசையைத் தொழிலாக கொண்ட மக்கள் உபயோகப்படுத்தும் இசைக்கருவிக்குப் பறை என்றும், இன்பமாக பொழுது போக்கும் மக்கள் பயன்படுத்தும் இசைக்கருவி யாழ் என்றும் தொல்காப்பியத்தில் இருவகை இசைக்கருவிகளைப் பற்றிக் குறிப்பிடுகிறார் தொல்காப்பியர், தொல்காப்பியம் பொருளதிகாரம்அகத்திணையியல் 18 ஆம் நூற்பா தமிழர் வாழ்க்கை நெறியின் அடிப்படைப் பண்பாட்டுக் கருவூலங்களைக் குறிப்பிடுகிறது.

    தெய்வ முணாவே மாமரம் புட்பறை

    செய்தி யாழின் பகுதியொடு தொகைஇ அவ்வகை பிறவும் கருவென மொழிப

    இங்கு தெய்வம், உணா, மா, மரம், புள், பறை, யாழ் ஆகிய பொருள்கள் சொல்லப்பட்டுள்ளன. இந்த ஏழும் தமிழர் பண்பாட்டுக் கருப்பொருள்கள். ஏழு கருப்பொருளில் ஒன்று யாழ். மற்றொன்று பறை.’

    Pann and Equivalent Carnatic Raagas.

    பண்கள் மொத்தம் 103 என்று குறிப்பிடப்பட்டுள்ளன. தேவாரத்திலும் திருமுறைகளிலே குறிக்கப்பட்டுள்ள 24 பண்களைக் கீழே காணலாம். அவற்றுக்குச்சமமான தற்கால இராகங்கள் அருகே தரப்பட்டுள்ளன.

    பண் இராகம் தேவாரம்
    நட்டபாடை நாட்டை “நத்தார்படை ஞானன்”
    கொல்லி நவரோஸ் எல்லையில் புகழானனும் இமை
    இந்தளம் மாயாமாளவகௌள முன்னிய கலைப்பொருளும்
    குறிஞ்சி ஹரிகாம்போதி கல்லால் நிழல்மேய கறைசேர்
    செந்துருத்தி மத்யமாவதி
    யாழ்முறி அடானா
    சீகாமரம் நாதநாமக்கிரியா சூலப் படையானை
    நட்டராகம் பந்துவராளி இத்தனையாம் ஆற்றை அறிந்திலேன்
    தக்கராகம் காம்போதி மடையில் வாளை பாய மாதரார்
    பழந்தக்கராகம் சுத்தசாவேரி கொல்லை முல்லை நகையின்
    பழம்பஞ்சுரம் சங்கராபரணம் கண்ணனும் நான்முகன் காண்
    தக்கேசி காம்போதி பரக்கும் பெருமை இலங்கை என்னும்
    செவ்வழி யதுகுல காம்போதி பொடிகள் பூசிப் பல
    பியந்தைக் காந்தாரம் நவரோஸ் அன்ற வான்நிழல் அமர்ந்து
    காந்தாரம் நவரோஸ் உறவியும் இன்புறு சீரும்
    காந்தார பஞ்சமம் கேதாரகௌளை மந்திர மறையவை
    கொல்லிக்கௌவானம் நவரோஸ் நஞ்சியிடையின்று
    கௌசிகம் பைரவி வாழ்க அந்தணர் வானவர்
    பஞ்சமம் ஆகிரி பொடிதனை பூசும் மார்பில்
    சாதாரி பந்துவராளி செந்தமிழர் தெய்வமறை நாவர்
    புறநீர்மை பூபாளம் சீருறு தொண்டர் கொண்டடி
    அந்தாளக்குறிஞ்சி சாமா கல்லூர்ப் பெருமணம் வேண்டா கழுமலம்
    மேகராகக் குறிஞ்சி நீலாம்பரி நீறுசேர்வதொர் மேனியர்’

    Source.

    Pann ,Tholkappiyam

    PaN and the Raaga equivalents

    PaN Raaga Samples
    Nattapaadai Naattai GIF MP3
    Kolli Navaros GIF MP3
    Indhalam Mayamalavagoula GIF MP3
    Kurinchi Arikambhodhi GIF MP3
    Chendhurutthi Madhyamaavadhi GIF MP3
    Yaazhmoori Ataanaa GIF MP3
    seekaamaram NaadhanamakkriyA GIF MP3
    Nattaraakam PandhuvaraaLi GIF MP3
    Thakkaraakam Kaambodhi GIF MP3
    Pazhandhakkaraakam Suddhasaaveri GIF MP3
    Pazhampanchuram Shankaraparanam GIF MP3
    Thakkesi Kambhodhi GIF MP3
    Sevvazhi Yadhukulakaambhodhi GIF MP3
    Piyandhai Gaandhaaram Navaros GIF MP3
    Gaandhaaram n^avarOs GIF MP3
    Gaandhaarapanchamam Kedharagaulai GIF MP3
    Kollikkauvaanam Navaros GIF MP3
    Kausikam Bhairavi GIF MP3
    Panchamam Akiri GIF MP3
    Saadhaari PandhuvaraaLi GIF MP3
    Puraneermai Bhupalam GIF MP3
    Andhaalikkurinchi Saamaa GIF MP3
    Megaraagakkurinchi Neelaampari GIF MP3
    Viyaazhakkurinchi Sauraashtram GIF MP3
    Saalaraapaani GIF
    Mohanam

    Source. https://shaivam.org/siddhanta/tisai.html

    Carnatic Music was systematised in during Middle ages by Purandara Dasa.

    https://en.m.wikipedia.org/wiki/Carnatic_music

  • What is Caste Detailed Explanation Vajrasuchika Upanishad

    I have written a couple of articles on Caste,

    How  Caste is determined by Disposition and not by birth and

    how and why caste is necessary and unavoidable.

    There is an Upanishad that speaks on Caste and clarifies any confusion.

    It is the Vajrasuchika Upanishad.

    bf855-upanishad-list

    The Vajrasuchi Upanishad (Sanskrit: वज्रसूची उपनिषत्, IAST: Vajrasūcī Upaniṣad) is a medieval era Sanskrit text and a minor Upanishad of Hinduism. It is classified as one of the 22 Samanya Upanishads, and identified as a Vedanta text. It is attached to the Samaveda.

    The text discusses the four varnas (caste system). It is notable for being a sustained philosophical attack against the division of human beings, and for asserting that any human being can achieve the highest spiritual state of existence….

    The Vajrasuchi Upanishad survives into the modern era in several versions. Manuscripts of the text were discovered and collected during the colonial times, and by early 19th-century eight copies of the manuscripts from North India and five copies from South India were known. Most versions were in Sanskrit in Devanagari script and two in Telugu language, in palm-leaf manuscript form, with some in damaged condition.There are differences in the text between these manuscripts, but the focus and central message is the same.

    The date as well as the author of Vajrasuchi Upanishad is unclear. The Upanishad is attributed to Sankaracharya in the manuscripts discovered by early 1800s.Sankaracharya, also known as Adi Shankara, was an Advaita Vedanta scholar, but given the Indian tradition of dedicating and attributing texts to revered historical scholars, there is uncertainty whether texts attributed to Adi Shankara were actually composed by him or in the 8th-century he likely lived in.

    After the discovery of palm-leaf manuscripts of the Vajrasuchi Upanishad manuscript, a Buddhist text attributed to 2nd-century CE Asvaghosa was published from Nepal in 1835 with the same title Vajrasuchi, which is similar in its message as the Vajrasuchi Upanishad. This added to the complications in dating and in determining the author of the text. However, the authenticity of the Buddhist text, and whether its author was Asvaghosa is considered seriously doubtful, according to many scholars,and most recently by Patrick Olivelle. Schrader states that the Vajrasuchi attributed to Asvaghosa, “though seemingly an independent work, in fact is nothing but a Buddhist commentary on or elaboration of the first part of Vajrasucyupanisad, with many quotations from Sruti and Smriti”.

    This text is also sometimes titled as Vajrasucika Upanishad, Vajra suchika Upanishad, Vajrasuci Upanishad, Vajrasucy Upanishad and Vajrasucyupanishad. In the Telugu language anthology of 108 Upanishads of the Muktika canon, narrated by Rama to Hanuman, it is listed at number 36..

    The text asserts, in verse 2, that there are four varnas: the Brahmin, the Kshatriya, the Vaishya and the Shudra.The Brahmin, states the text, is declared by Smriti to be chief.[But what does this mean, is this social division justified by Jiva (life, soul), Deha (body), Jati (birth), Jnana (knowledge), Karma (deeds), Dharmic (virtues or performer of rites)?

    Answers.

    The Jiva does not make anyone a Brahmana, states the text, because with rebirth the Jiva migrates from one body to another, this Jiva remains the same individuality while the body changes. Thus, it is not Jiva which can determine whether one is a Brahmana, asserts verse 3.

    The Deha or body does not make anyone a Brahmana, according to the text,because every human being’s body is the same, constituted of the same five elements, everyone ages, everyone dies, people from all classes show various combinations of dharma (virtue) and adharma(vice) characteristics. All color complexions similarly, asserts the text, are found is all castes and those who are outcaste.Thus, states verse 4 of the Upanishad, it is not the body which can determine whether one is a Brahmana.

    Does Jati or birth make a Brahmana? It is not so states the text, because sacred books tell of great Rishi (sages) born in various castes and diverse origins, such as Vyasa from a fisherman’s daughter, Kaushika from Kusa grass, Valmiki from an ant hill, Gautama from the hare’s posterior, Vasistha from a celestial nymph, Jambuka from a Jackal and Agastya from a mud-based vessel. Regardless of their birth origins, they achieved greatness.]Therefore, asserts verse 5 of the Upanishad, it is not the birth which can determine whether one is a Brahmana.

    Jnana or knowledge too does not make a Brahmana, asserts the text. It is not so because among Kshtriyas and others, there are many who have seen the Highest Reality and Truth, and therefore Brahmin knowledge is not what makes the Brahmana.

    Karma or deeds do not make a Brahmana, continues the text, because all living beings perform the same deeds, past and future embodiments are common, and everyone is impelled by past. Thus, asserts the text in verse 7, deeds do not make the Brahmana.

    The text in verse 8 states that Dharmic action is not the essence of the Brahmana either. Many Kshatriyas give away gold, such virtuous actions and anyone performing religious rituals is not what makes a Brahmana.

    Brahmana: the Vajrasuchi doctrine.

    Who indeed then is Brahmana, rhetorically repeats the verse 9 of the text. Whoever he may be, answers the Upanishad, he is the one who has directly realized his Atman(innermost self, soul). He is the one who understands that his soul is without a second, is devoid of class, is devoid of actions, is devoid of faults. He knows that the Atman is truth, is knowledge, is bliss and is eternity. He is the one who knows that the same soul in him is in everyone, is in all things, pervading within and without, something that can be felt but not reasoned. He is the one who is free from malice, who fulfills his nature, is not driven by cravings for worldly objects or desire or delusions. He is the one who lives a life untouched by spite, ostentation, pride or the need to impress others,

    Vajrasuchika Upanishad Text, Translation.

     

    ॥ वज्रसूचिका उपनिषत् ॥
    
              ॥ श्री गुरुभ्यो नमः हरिः ॐ ॥
    
           यज्ञ्ज्ञानाद्यान्ति मुनयो ब्राह्मण्यं परमाद्भुतम् ।
           तत्रैपद्ब्रह्मतत्त्वमहमस्मीति चिंतये  ॥
    
              ॐ आप्यायन्त्विति शान्तिः ॥
    
           चित्सदानन्दरूपाय सर्वधीवृत्तिसाक्षिणे ।
           नमो वेदान्तवेद्याय ब्रह्मणेऽनन्तरूपिणे ॥
    
    ॐ वज्रसूचीं प्रवक्ष्यामि शास्त्रमज्ञानभेदनम्  ।
    दूषणं ज्ञानहीनानां भूषणं ज्ञानचक्षुषाम्  ॥ १॥
    
    ब्राह्मक्षत्रियवैष्यशूद्रा इति चत्वारो वर्णास्तेषां वर्णानां ब्राह्मण एव
    प्रधान इति वेदवचनानुरूपं स्मृतिभिरप्युक्तम्  ।
    तत्र चोद्यमस्ति को वा ब्राह्मणो नाम किं जीवः किं देहः किं जातिः किं
    ज्ञानं किं कर्म किं धार्मिक इति ॥
    
    तत्र प्रथमो जीवो ब्राह्मण इति चेत् तन्न । अतीतानागतानेकदेहानां
    जीवस्यैकरूपत्वात् एकस्यापि कर्मवशादनेकदेहसंभवात् सर्वशरीराणां
    जीवस्यैकरूपत्वाच्च । तस्मात् न जीवो ब्राह्मण इति ॥
    
    तर्हि देहो ब्राह्मण इति चेत् तन्न । आचाण्डालादिपर्यन्तानां मनुष्याणां
    पञ्चभौतिकत्वेन देहस्यैकरूपत्वात्
    जरामरणधर्माधर्मादिसाम्यदर्शनत् ब्राह्मणः श्वेतवर्णः क्षत्रियो
    रक्तवर्णो वैश्यः पीतवर्णः शूद्रः कृष्णवर्णः इति नियमाभावात् ।
    पित्रादिशरीरदहने पुत्रादीनां ब्रह्महत्यादिदोषसंभवाच्च ।
    तस्मात् न देहो ब्राह्मण इति ॥
    
    तर्हि जाति ब्राह्मण इति चेत् तन्न । तत्र
    जात्यन्तरजन्तुष्वनेकजातिसंभवात् महर्षयो बहवः सन्ति ।
    ऋष्यशृङ्गो मृग्याः, कौशिकः कुशात्, जाम्बूको जाम्बूकात्, वाल्मीको
    वाल्मीकात्, व्यासः कैवर्तकन्यकायाम्, शशपृष्ठात् गौतमः,
    वसिष्ठ उर्वश्याम्, अगस्त्यः कलशे जात इति शृतत्वात् । एतेषां
    जात्या विनाप्यग्रे ज्ञानप्रतिपादिता ऋषयो बहवः सन्ति । तस्मात्
    न जाति ब्राह्मण इति ॥
    
    तर्हि ज्ञानं ब्राह्मण इति चेत् तन्न । क्षत्रियादयोऽपि
    परमार्थदर्शिनोऽभिज्ञा बहवः सन्ति । तस्मात् न ज्ञानं ब्राह्मण इति ॥
    
    तर्हि कर्म ब्राह्मण इति चेत् तन्न । सर्वेषां प्राणिनां
    प्रारब्धसञ्चितागामिकर्मसाधर्म्यदर्शनात्कर्माभिप्रेरिताः सन्तो जनाः
    क्रियाः कुर्वन्तीति । तस्मात् न कर्म ब्राह्मण इति ॥
    
    तर्हि धार्मिको ब्राह्मण इति चेत् तन्न । क्षत्रियादयो हिरण्यदातारो बहवः
    सन्ति । तस्मात् न धार्मिको ब्राह्मण इति ॥
    
    तर्हि को वा ब्रह्मणो नाम । यः कश्चिदात्मानमद्वितीयं जातिगुणक्रियाहीनं
    षडूर्मिषड्भावेत्यादिसर्वदोषरहितं सत्यज्ञानानन्दानन्तस्वरूपं
    स्वयं निर्विकल्पमशेषकल्पाधारमशेषभूतान्तर्यामित्वेन
    वर्तमानमन्तर्यहिश्चाकाशवदनुस्यूतमखण्डानन्दस्वभावमप्रमेयं
    अनुभवैकवेद्यमपरोक्षतया भासमानं करतळामलकवत्साक्षादपरोक्षीकृत्य
    कृतार्थतया कामरागादिदोषरहितः शमदमादिसम्पन्नो भाव मात्सर्य
    तृष्णा आशा मोहादिरहितो दम्भाहङ्कारदिभिरसंस्पृष्टचेता वर्तत
    एवमुक्तलक्षणो यः स एव ब्राह्मणेति शृतिस्मृतीतिहासपुराणाभ्यामभिप्रायः
    अन्यथा हि ब्राह्मणत्वसिद्धिर्नास्त्येव ।
    सच्चिदानान्दमात्मानमद्वितीयं ब्रह्म भावयेदित्युपनिषत् ॥
    
              ॐ आप्यायन्त्विति शान्तिः ॥
    
              ॥ इति वज्रसूच्युपनिषत्समाप्ता ॥
    
              ॥ भारतीरमणमुख्यप्राणंतर्गत श्रीकृष्णार्पणमस्तु ॥
    
    
    
                Translation by Madras Giridhar
    giridhar at chemeng.Isc.ernet.in
    This is the translation of vajrasUchi upaniShad of sAmaveda . VajrasUchi
    means diamond needle . This translation is taken from the book `Thirty
    Minor upanishads' translated by Narayanasvami Aiyar and is published by the
    Adyar Press, Madras.
            I now proceed to declare the vajrasUchi - the weapon that is the
    destroyer of ignorance- which condemns the ignorant and praises the man of
    divine vision.
            There are four castes - the brAhmaNa, the kShatriya, the vaishya,
    and the shudra . Even the smritis declare in accordance with the words of
    the vedas that the brAhmaNa alone is the most important of them.
            Then this needs to be examined . What is meant by the brAhmaNa ?
    Is it a jIva ? Is it a body ? Is it a class ? It is j~nAna ? Is it karma
    ? Or is it a doer of Dharma ?
            To begin with : is jIva the brAhmaNa ? No . Since the jiva is
    the same in the many past and future bodies (of all persons), and since
    the jIva is the same in all of the many bodies obtained through the
    force of karma, there jIva is not the brAhmaNa.
            Then is the body the brAhmaNa ? No . Since the body, as it is
    made up of the five elements, is the same for all people down to
    chaNdAla-s, etc., since old age and death, dharma and adharma are found
    to be common to them all, since there is no absolute distinction that the
    brAhmaNas are white-colored, the kShatriyas red, the vaishyas yellow,
    and the shudras dark, and since in burning the corpse of his father,
    etc., the stain of the murder of a brAhmaNa, etc., will accrue to the
    son, etc., therefore the body is not the brAhmaNa.
            Then is a class the brAhmaNa ? No . Since many rishis have sprung
    from other castes and orders of creation - RishyashRi.nga was born of
    deer; kaushika, of kusha grass; jAmbuka of a jackal; vAlmiki of
    valmIka (an ant-hill); vyAsa of a fisherman's daughter; gautama, of the
    posteriors of a hare; vasishtha of Urvasi (a celestial nymph in the
    court of Indra); and agastya of a water-pot; thus have we heard . Of
    these, many rishis outside the caste have stood first among the teachers
    of divine wisdom; therefore a class is not the brAhmaNa.
            Is j~nAna the brAhmaNa ? No . Since there were many kShatriyas and
    others well versed in the cognition of divine Truth, therefore j~nAna is
    not the brAhmaNa.
            Then is karma the brAhmaNa ? No . Since the prArabdha, sanchita,
    Agami karmas are the same for all beings, and since all people perform
    their actions impelled by karma, therefore karma is not the brAhmaNa.
            Then is the doer of dharma (virtuous actions) the brAhmaNa ? No.
    Since there are many kShatriyas, etc., who are givers of gold, therefore
    a doer of virtuous actions is not the brAhmaNa.
            Who indeed then is brAhmaNa ? Whoever he may be, he who has
    directly realised his AtmA and who is directly cognizant, like the
    myrobalan in his palm, of his AtmA, that is without a second, that is
    devoid of class and actions, that is free from the faults of faults of
    the six stains (hunger, thirst, grief, confusion, old age, and death) and
    the six changes (birth, existence etc), that is of the nature of truth,
    knowledge, bliss and eternity, that is without any change in itself, that
    is the substratum of all the kalpas, that exists penetrating all things
    that pervades everything within and without as AkAsh, that is of nature
    of undivided bliss, that cannot be reasoned about and that is known only
    by direct cognition . He who by the reason of having obtained his wishes
    is devoid of the faults of thirst after worldly objects and passions, who
    is the possessor of the qualifications beginning with sAma (dama,
    uparati, titikShA, samadhana, sraddha), who is free from emotion,
    malice, thirst after worldly objects, desire, delusion, etc., whose mind
    is untouched by pride, egoism, etc., who possesses all these qualities
    and means- he only is the brAhmaNa.
            Such is the opinion of the veda, the smritis, the itihAsa, and
    the purANa-s . Otherwise one cannot obtain the status of a brahmaNa . One
    should meditate on his Atma as sachchidAnanda, and the non-dual
    brahman . Yea, one should meditate on his Atma as the sachchidAnanda
    brahman . Such is the upaniShad.
              OM tat sat
    Encoded any proofread by H.P. Raghunandan at hpraghu at genius.tisl.soft.net
    OR Shrisha Rao shrao at dvaita.org
    Translation by Madras Giridhar giridhar at chemeng.Isc.ernet.in

    Om ! May my organs and limbs, my speech, my breath, my strength and my sense organs like the ear, the eyes etc., become efficient enough to perform their respective duties properly and without any hindrance. Everything is Brahman as propounded and abundantly made clear in the Upanishads. Brahman cannot leave me aside. And I cannot afford to leave Brahman aside (since both are inseparably dovetailed and also since both are one and the same). I pray further that such an inseparable relation may continue for times to come. May I also pray that the virtues (as described in the Upanishads) of those wise men who dwell in the Atma (or the Soul) become part of me and reside in me.

    Om Shanti ! Shanti ! Shanti !

    Om! I shall now explain the Vajra-soosi Upanishad. (As the Vajra Soosi – a needle made of diamond – is used to pierce hard metal and minerals, so is) This Upanishad pierces the substance of Ignorance or avidyaa. For those who do not possess the (spiritual) Knowledge, it appears as a blank, useless piece whilst for those who have the bent towards this, it serves as a treasure of knowledge.

    The Vedas and the Smrutis, (the secondary remembered texts which are supportive documents to the Vedas) talk about four classes of people viz., the Brahmanas, the Kshatriyas, the Vaisyas and the Sudras and they proclaim that the Brahmanas (not the Brahman – this is the Brahmana) are the most important of these. We should now enquire in to this and make an analytical review. Who is a Brahmanan? Is it the Jivan (the life or the Atma), is it the body, or the sect, or the knowledge, or the duties (cast on him), or is it the dharmas (the virtues he is bound to follow).

    Primarily, if we say that the Jivan is the Brahmanan, it is just unacceptable. It is because of the fact that the Jivan is very much the same in all the different bodies that went (died) and are to come (to be born) and also because even if the Jivan is the same, he takes on many different bodies in accordance with the deeds of his and in all such bodies and shapes, the Jivan remains the same. So, one cannot conclude that Jivan is the Brahmanan.

    However, if we try to say that the Body is the Brahmanan that again is unacceptable. This is because the body constituted of the five basic elements is very much the same for people of all classes up to those at the lowest level. Also the bodies of all classes of people are subject to almost the same sort of diseases and death and the body of each class is not any different in color so as to help distinction by color. Further, since the sons of a Brahmanan are not discredited with the blemish of “Brahmahathi” when they set fire to their father’s body, the body cannot be the Brahmanan.

    But if we try to conclude that because of being (born) in a particular sect, one becomes a Brahmanan, this again is incomprehensible. This is because great wise men (Maharishis) have been given birth to by people of the lowest classes and even by creatures. To quote examples, the Rishi Rushyasrngar was given birth to by a deer, the great sage Kowsika was born of Dharba Grass (a variety of tall grass used for spiritual karmas), the sage Vaalmiki rose out of a mud-clan snakes’ nest, Veda Vyaasa was born to a girl of the fishing community, the sage Gowthama was born to a rabbit, the great rishi Vasishta was born to Oorvasi, who belonged to an artists’ (dancing) family, the sage Agasthya who is also referred to as Kumbha Muni is called so because he is believed to have born out of a pot or a Kumbha. We have heard of all these from the wise men. We have also heard about great men who have attained the spiritual knowledge even without attaining a birth like this. Hence, it is not right to say that one becomes a Brahmanan simply by reason of his being (born) in a particular sect or community.

    If we try concluding that someone is a Brahmanan because of his knowledge that again is undependable. This is because there are umpteen examples of people born in the Kshatriya clan who have had a vision of the Supreme Divine and have gained the (spiritual) knowledge thereby. Thus, it will not be an acceptable decision.

    If we try to conclude that someone is a Brahmanan because of the duties he is supposed to be performing, that again is invalid. This is because all the beings are guided and forced to do certain acts and duties based on their previous births and based upon their actions therein. Hence, one cannot be called as a Brahmanan even by the duties.

    If we try concluding that one becomes a Brahmanan just by making certain gifts etc, that is unacceptable since we know of and have heard of a number of Kshatriya and other community people who have flooded the needy with a lot of gifts. Hence, it is not proper to identify one as a Brahmanan by this measure as well.

    So, if there is a question as to “Who is a Brahmanan?”, it is that one who possesses the following qualities: The one who has identified himself with the Supreme Being and has become inseparable with it, the one who has no differentiation of sect, clan, duty or nature, who is out of the six stages of birth and death, who has crossed all the blemishes and curses, who has the aspects of truth, knowledge, happiness, joy and completeness in him, who is without a blemish and forms the basis of all imaginations, who resides within all living beings and controls them, who is all-pervading but undivided and joyous like the sky, who is not reachable to the mind and understandable only by practice and experience, who is of the aspect of Atma itself and who is unaffected by love and hate, who has destroyed the humanly diseases like desire, jealousy, greed etc, the one who is untouched by pride, the one who has the muktha lakshanam or who has satisfied the requirements of one awaiting liberation, such is the one who can be called and identified as a Brahmanan. This is the final understanding and verdict of all Vedas and Smrutis, the Puranas and the Ithihaasas.

    There is no Brahmanism even if it goes against just one of these principles. One should understand the Atma as the truly joyous, non-dualistic Brahman. That truly joyous Brahman should be understood as the Atma. Such is the verdict of the Upanishad.

    Om Shanti ! Shanti ! Shanti !

    Reference and Citation.

    http://sanskritdocuments.org/doc_upanishhat/vajrasUchikopan.html?lang=sa

    ( The above mentioned site is doing yeoman service to Hinduism , by volunteers.

    Please visit the site for Hindu texts and scriptures.

    I have provided the Link for the use of those who are interested in Hinduism and I am grateful to them for espousing the cause of Hinduism)

    http://www.vedarahasya.net/vajra.htm

  • Sama Veda Sandhyavandana Text English

    I have posted Sandhyavadanam for Krishna Yajur Vedins.

    I have posted up to Deva Tharpanam.

    I shall post the remaining part shortly.

    Sukla Yajur and Sama Veda Mantras are hard to come by.

    I have collected the Sama Veda Sandhyavandana texts from Sri.P..Ramchander(almost in full)

    Text for Sandhyvandana fo Sama Vedins.

    Surya Siddhanta.jpg
    Surya Siddhanta.
    Part-I – Argya Pradhanam

    1. Aachamanam: आचमनः
    Take small quantities of water (just sufficient to soak one grain of black gram) three times in the right hand and take it with the following manthra:
    Om Achyuthaya Namah, Om Ananthaya Namah, Om Govindaya Namah

    Then
    Touch with thumb both cheeks saying Kesava – Narayana
    Touch with ring finger both eyes saying Madhava – Govinda
    Touch with the first finger both sides of nose saying Vishno – Madhusoodana
    Touch with little finger both ears saying Trivikrama – Vamana
    Touch with the middle finger both shoulders saying Sreedhara – Hrishikesa
    Touch with all fingers the belly button saying Padmanabha
    Touch with all fingers the head saying Damodara.

    2. Ganapathi Dhyanam:
    Recite the following manthra slowly hitting the forehead with both fists together:
    Shuklambaradharam Vishnum Sasi Varnam ChathurBhujam,
    Prasanna Vadanam Dyayeth Sarva Vigna Upa Santhaye.

    3. Pranayamam:
    Hold both Nostrils with Thumb and the little and third finger of the hands and recite the following Manthra:
    Om Bhoo
    Om Bhuva
    Ogum Suva
    Om Maha
    Om Jana
    Om Thapa
    Ogum Sathyam
    Om Tat savithur varenyam Bargo devasya dhimahi dhiyo yona prachodayath
    Om Apa
    Jyothj rasa
    Amrutham brahma
    Bhoorbuvasuvarom
    Touch the ears three times saying
    Om, Om, Om

    ॐ भूः । ॐ भुवः । ओग्ं सुवः । ॐ महः । ॐ जनः । ॐ तपः । ओग्ं स॒त्यम् ।
    ॐ तथ्स॑वि॒तुर्वरे॓ण्यं॒ भर्गो॑ दे॒वस्य॑ धीमहि ।

    धियो॒ यो नः॑ प्रचोदया॓त् ॥

    ओमापो॒ ज्योती॒ रसो॒‌உमृतं॒ ब्रह्म॒ भू-र्भुव॒-स्सुव॒रोम्

    The inhaling is called Puraka, the retaining Kumbhaka and the exhaling Rechaka. The proportion of time of these three viz. Puraka, Kumbhaka and Rechaka should be in the ratio 1: 3: 2.
    Puraka, Kumbhaka and Rechaka together, make one Pranayama. From Om Bhuh upto Dhiyo yo nab prachodayat would be Puraka. From Omapo Jyoti-rasomritam Brahma Bhurbhuvassuvarom upto Om Bhuh, Om Bhuvah will be one Kumbhaka.The third turn from Om Bhuh upto the end will be Rechaka.

    4. Sankalpam:
    Keep the right palm inside the left palm and keep the palms on the right thigh and recite the following manthra:
    Mamo paatha samastha duritha kshaya dwara, Sri Parameshwara preethyartham,
    Pratah Sandhyapratha sandhyam upasishye
    Madhyannikam – madhyaynikam karishye
    Sayam Sandhya – sayam sandhyam upasishye

    5. Marjanam: मार्जनः
    Sri Kesavaya Namah (write OM in water with the ring finger)
    Recite the following ten mantras. While reciting the first seven sprinkle water on the head, while reciting the eighth touch the feet, nine again sprinkle on the head and complete by reciting the tenth by taking a little water on your right palm and throwing it around your head in clockwise direction like pradakshinam:
    (1) Aapo hishta mayo bhuva
    (2) thana oorje dadha thana
    (3) Mahe ranaaya chakshase
    (4) Yova shiva thamo rasa
    (5) Thasya bhajaya thehana
    (6) usatheeriva mathara
    (7) Thasma aranga mamava
    (8) Yasya kshayaya jinwadha
    (9) Aapo janayadha jana
    (10) Om bhorbuvassuva
    मार्जनः

    ॐ आपो॒हिष्ठा म॑यो॒भुवः॑ । ता न॑ ऊ॒र्जे द॑धातन । म॒हेरणा॑य॒ चक्ष॑से । यो वः॑ शि॒वत॑मो॒ रसः॑ । तस्य॑ भाजयते॒ ह नः॒ । उ॒श॒तीरि॑व मा॒तरः॑ । तस्मा॒ अर॑ङ्ग माम वः । यस्य॒ क्षया॑य॒ जिन्व॑थ । आपो॑ ज॒नय॑था च नः ।

    6. Praasanam:
    Take in the hand small quantity of water in the palm (just sufficient to immerse one grain) recites the following manthra and drink it while telling “swaha”.
    Pratah Sandhya: Ahascha maa adithyascha punathu swaha
    Madhyahnikam: Aapa punanthu prithweem, prithwee pootha punathu maam
    Punanthu brahmanaspathir brahma pootha punathu maam
    Yad uchishta mabhojyam yadhwa ducharitham mama
    Sarvam punanthu mamopa asatham cha prathigraham swaha
     Sayam Sandhya: Rathrischa ma varunascha punathu swaha.

    7. Achamanam:
    Use the same manthras and action as given in “1” above

    8. Punar Marjanam:
    Recite the following 14 mantras. While reciting the first eleven-sprinkle water on the head, while reciting the twelfth touch the feet, thirteen again sprinkle on the head and complete by reciting the fourteenth taking a little water on your right palm and throwing around your head in the clockwise direction like pradakshinam:
    (1) Dadhi kravinno akarisham
    (2) Jishno raswasya vajina
    (3) surabhino mukha karaath
    (4) Prana ayugumshi tharishath

    द॒धि॒ क्रावण्णो॑ अकारिषम् । जि॒ष्णो रश्व॑स्य वा॒जि॑नः ।
    सु॒रभिनो॒ मुखा॑कर॒त्प्रण॒ आयूग्ं॑षि तारिषत् ॥

    (5) Aapo hishta mayo bhuva
    (6) Thana oorje dadha Thana
    (7) Mahe ranaaya chakshase
    (8) Yova shiva thamo rasa
    (9) Thasya bhajaya thehana
    (10) usatheeriva mathara
    (11) Thasma aranga mamava
    (12) Yasya kshayaya jinwadha
    (13) Aapo janayadha jana
    (14) Om bhorbuvassuva

    ॐ आपो॒ हिष्ठा म॑यो॒भुवः॑ । ता न॑ ऊ॒र्जे द॑धातन । म॒हेरणा॑य॒ चक्ष॑से । यो वः॑ शि॒वत॑मो॒ रसः॑ । तस्य॑ भाजयते॒ ह नः॒ । उ॒श॒तीरि॑व मा॒तरः॑ । तस्मा॒ अर॑ङ्ग माम वः । यस्य॒ क्षया॑य॒ जिन्व॑थ । आपो॑ ज॒नय॑था च नः ॥

    9. Argya Pradhanam:
    Join both hands together and take hand full of water taking care not to join both thumbs with other fingers. Repeat the following mantra and pour water through your hands.
    Om Bhorbuvassuva. Tatsa vithur varenyam bhargo devasya deemahi. Dhiyo yona prachodayath

    ॐ भूर्भुव॒स्सुवः॑ ॥ तथ्स॑वि॒तुर्वरे॓ण्यं॒ भर्गो॑ दे॒वस्य॑ धीमहि । धियो॒ यो नः॑ प्रचोदया॓त् ॥


    Pratha Sandhya: Face east and repeat thrice.
    Madyannikam: Face North and repeat twice.
    Sayam Sandhya: Face West and repeat twice.

    10. Prayaschitha Argyam:
    Do Pranayama (refer S. No. 3 above)
    Then offer one more Argyam in a similar fashion as above. This is a Prayaschitha (atonement) for doing the argya pradhanam late. Take small quantity of water in the right hand and rotate it above ones own head saying (this is called Athma parishechanam)

    Pratha Sandhya: Om yadathya gacha vruthrahan. Udayaa abhisoorya sarvaan dathindra they vache
    Madyannikam
    : Om uthkedthbhi sruthamagam vrushabham naryabasim Astharameshi soorya
    Sayam Sandhya
    : Om na thasya maya yachana Ripureeseetha marthya yo agnaye dathacha havyadathaye

    11. Ikyaanusandhanam:
    With both hands touch the middle of the chest. close the eyes, meditate and chant
    Asaavadhityo brahma. Brahamaivahamasmi
    Then do Achamanam.

    12. Deva Tharpanam:
    Pratha Sandhya: Squat facing east.
    Madhyannikam: Squat facing east/north.
    Sayam Sandhya: Squat facing north.
    Take water in the hand and pour it out through the finger-tips after each manthra.

    Aadithyam tharpayami
    Somam tharpayami
    Angarakam tharpayami
    Budham tharpayami
    Brahaspathim tharpayami
    Shukram tharpayami
    Sanaiswaram tharpayami
    Rahum tharpayami
    Kethum tharpayami
    Kesavam tharpayami
    Narayanam tharpayami
    Madhavam tharpayami
    Govindam tharpayami
    Vishnum tharpayami
    Madhusoodhanam tharpayami
    Trivikramam tharpayami
    Vamanam tharpayami
    Sreedharam tharpayami
    Hrishikesam tharpayami
    Padmanabham tharpayami
    Damodharam tharpayami

    Then do aachamanam.

    Part-II – Japam

    13. Japa Sankalpam:
    Recite the following manthra slowly hitting the forehead with both fists together:
    Shuklambaradharam Vishunum Sasi Varnam ChathurBhujam,
    Prasanna Vadanam Dyayeth Sarva Vigna Upa Santhaye.

    Do Pranayamam.

    Keep the right palm inside the left palm and keep the palms on the right thigh and recite the following manthra:
    Mamo paatha samastha duritha kshaya dwara, Sri Parameshwara preethyartham,
    Pratha Sandhya: pratha sandhya gayathri maha manthra japam karishye
    Madhyannikam: madhyaynika gayathri maha manthra japam karishye
    Sayam Sandhya: sayam sandhya gayathri maha manthra japam karishye

    14. Pranava Japam:
    Pranavasya Rishi Brahma (touch the forehead with fingers),
    Devi gayathri Chanda (touch below the nose),
    Paramathma devatha (touch the middle of the chest)
    Bhooradhi saptha vyahrudeenam athri – brugu – kuthsa – vasishta – gowthama – kasyapa – aangeerasa rishaya (touch forhead)
    Gayathree – ushnig – anushtup – brahathi – pankthi- trushtup- jagathi – chandamsi (touch below the nose)
    Agni – vayu – arka – vageesa – varuna – indra – viswe deva – devatha (touch the middle of the chest.)

    Do pranayama ten times.

    15. Gayathri Avahanam:
    (Touching head) Aayaathu Ithi anuvakasya vamadeva rishi,
    (Touching below nose) Anushtup chanda,
    (Touching the middle of the chest) Gayathri devatha
    (Folding hands like Namaste in front of heart)
    Aayathu varada devi aksharam brahma samhitham.
    Gayathri chandasam mathedam brahma jushaswana.
    Oojosi, sahosi,balamasi, brajosi, devaanaam dhama naamaasi. viswamasi,
    viswayu sarvamasi, sarvayu abhipoorom, Gayathrim avahayami, Savithrim avahayami, saraswathim avahayami (while reciting the last three manthras, after avahayami, keep both the palms together with little fingers touching and then slowly take the fingers towards oneself, and bring it back to original position after one rotation)

    16. Gayathri Nyasam:
    Chant each of the mantras while –
    (Touching the forehead) Savithrya rishi brahma
    (Touching below the nose) nichrud gayathri chanda
    (Touching the middle of the chest) savitha devatha

    17. Gayathri Japam:
    Repeat 108 times the Gayathri facing east in the morning & afternoon, west in the evening :

    Om Bhur Vhuvah Svah
    Tat Savitur Varenyam
    Bhargo Devasya Dheemahi
    Dhiyo Yo Nah Prachodayat

    ॐ भूर्भुव॒स्सुवः॑ ॥ तथ्स॑वि॒तुर्वरे॓ण्यं॒ भर्गो॑ दे॒वस्य॑ धीमहि । धियो॒ यो नः॑ प्रचोदया॓त् ॥ 

    18. Gayathri Upasthanam:
    Do pranayamam and then stand up and chant
    Facing the same direction:
    Pratha Sandhya: Pratha sandhyam upasthanam karishye
    Madhyannikam: Adithyam upasthanam karishye
    Sayam Sandhya: Sayam sandhyaupasthanam karishye

    Then repeat
    Uthame shikare devi, bhoomyam parvatha vardhini,
    Brahmanebhyo anugnanam, gacha devi yada sukham.

    19. Surya Upasthanam:
    Pratha Sandhya:
    Yaso aham bhavami brahmananaam yaso ragnam yaso visaam
    Yasa sathyasya bhavami
    Bhavami yasasaam yasa
    Adithya naava maroksham poornamparipadinim
    Achithram bharayishnaveem satharithraam swasthye om Namah adithyaya
    Udyantham dwa aadithyanu deeyasam

    Madhyannikam:
    Aadhithya navamaroksham poorna maparipaddhineem
    Acchithram bharayishnaveem sadarithraam swasthaye
    Om Namah adithyaya, Namah adhithyaya, Namah adhithyaya
    Uduthyam jatha vedasam devam vahanthi kethava
    Druse viswaya sooryam
    Chithram devaanam udaganeekam chakshur mithrasya varunasyagne
    Aa pra dyava pruthvi anthareeksha soorya athma jagadas tha dushacha
    Thachkshur deva hitham purasthac chukramussarth
    Om bhorbuvaswarom
    Soorya iva druse bhooyasam agneeriva thejasa, vayuriva pranena, soma iva ganthena, brahaspathher iva budhya, aswina iva roopena, indragni iva balena, brahma bhaga evaham bhooyasam paap mabhaga me dwishantha.

    Sayam Sandhya:
    Yaso aham bhavami brahmananaam yaso ragnam yaso visaam
    Yasa sathyasya bhavami
    Bhavami yasasaam yasa
    Adithya naava maroksham poornamparipadinim
    Achithram bharayishnaveem satharithraam swasthye om Namah adithyaya, Namah adhithyaya, Namah adithyaya
    Prathi thishtantham thavar adhithya anu prathi thishtassam.

    20. Samashti Abhivadanam:
    Starting from the direction facing which the japa was done after each manthra turn 90 degrees to the right. Say the next manthra and so on.
    Sandhyayai Namah
    Savithryai Namah
    Gaythryai Namah
    Saraswathyai Namah

    सन्ध्या॑यै॒ नमः॑ । सावि॑त्र्यै॒ नमः॑ । गाय॑त्र्यै॒ नमः॑ । सर॑स्वत्यै॒ नमः॑ । 

    Then chant with folded hands facing the same direction
    Sarvebhyo devathabhyo namo Namah

    Kamo karshed manyura karshed namo Namah.

    सर्वा॑भ्यो दे॒वता॑भ्यो॒ नमः॑ । कामो‌உकार्षी॓ र्नमो॒ नमः । मन्यु रकार्षी॓ र्नमो॒ नमः ।

    Then touch with both hands the ears slightly bow and chant
    Abhivadaye <your Rishis> <number of Rishis> Risheya
    <your Pravara or blank> pravaranvitha
    <your Gothra> gothra
    <your Suthra> suthra
    <your Veda> adhyay
    Sri sarmanama aham asmibho

    After this touch your feet with both hands and do Namahskaram.

    Some examples of Pravara Rishis
    Gothra pravara rishaya
    Athreya Athreya Archanaanasa, syavaaswa traya risheya
    Naidruva kasyapa Kasyapa, Avathsara, Naidruva traya risheya
    Gargeya Aangeerasa, Chainya, Gargya traya risheya, Aangeerasa, Barhaspathya, Baradwaja, Chainya-Gargya pancharisheya
    Koundinya Vasishta, Maithra varuna, Koundinya traya risheya
    Koushika Vaiswamithra, Aagamarshana, Koushika traya risheya
    Gowthama Aangirasa-aayasya-gowthama traya risheya
    Baradwaja Aangeerasa, Barhaspathya, Bharadwaja traya risheya
    Haritha Aangeerasa, Ambareeksha, Younaswa trayarsheya
    Sounaka Garthsamadha Ekarsheya
    Chandilya Kasyapa, Aavathsara, Naidruva, Reba, Saptha risheya
    Raibha, Choundilya, Chandilya

    21. Dig Devatha Vandhanam:
    With folded hands offer salutations to the different directions facing that direction:
    Pracyai dishe Namah (East)
    Dakshinayai dishe Namah (South)
    Pradeechai dishe Namah (West)
    Udichyai dishe Namah (North)

    Then again face the direction in which you were doing japa and continue
    Oordwaya Namah (above)
    Adharaya Namah (below)
    Anthareekshaya Namah (straight)
    Bhoomyai Namah (earth)
    Brahmane Namah
    Vishnave Namah
    Mrutuyuve Namah

    22. Yama Vandanam:
    Stand facing South and chant
    Yamaya Namah
    Yamaya dharma rajaya, mrutyuve cha anthakaya cha
    Vaivaswathaya kalaya sarva bhootha kshayaya cha
    Oudhumbharaya dhagnaya neelaya parameshtine
    Vrukodharaya chithraya chithra gupthaya vai Namah
    Chithra gupthaya vai Namah om Namah ithi

    23. Harihara Vandhanam:
    Stand facing West and chant
    Ruthagum sathyam para brahma purusham Krishna pingalam,
    Oordhwrethwam viroopaksham Viswa roopaya vai Namah
    Viswa roopaya vai Namah om Namah ithi

    24. Soorya Narayana Vandhanam:
    Stand facing the direction in which Japa was done and chant
    Namah savithre jagadeka chakshushe,
    Jagat prasoothi sthithi naasa hethave,
    Trayin mayaya trigunathma dharine
    Virinchi Narayana sankara athmane

    Dyeya sada savithru mandala Madhya varthi
    Narayana sarasijasana sannivishta
    Keyuravan makara kundalavaan
    Kiriti haari hiranya vapur drutha sankha chakra

    Sanka chakra gatha pane dwaraka nilayachythe
    Govinda pundarikaksha raksha maam sarana gatham
    Aakasath pathitham thoyam,
    Yada gachathi sagaram,
    Sarva deva Namahskara
    Sri kesavam prathi gachathi,
    Sri kesavam prathi gachathi om na ithi

    25. Samarpanam:
    Take a small quantity of water recite the following manthra and pour it on the ground
    Kaye na vacha manase indriyair va
    Budhyathma nava prakruthai swabhavat.
    Karomi yadyat sakalam parasmai,
    Narayana yethi samarpayami

    कायेन वाचा मनसेन्द्रियैर्वा । बुद्ध्या‌உ‌உत्मना वा प्रकृते स्स्वभावात् ।
    करोमि यद्यत्-सकलं परस्मै श्रीमन्नारायणायेति समर्पयामि ॥

    Then do aachamanam

    26. Raksha:
    Sprinkle some water on the place where japa was [performed reciting the manthra below, then touch the ground with ring finger and place it between the eyelids:
    Adhya no deva savitha praja vath saavee soubhagam
    Para duswapneeya suva
    Viswani deva savitha – durithani paraa suvaa
    Yad bhadram thanma asuva

    Citations.

    http://www.celextel.org/mantrasandrituals/sandhyavandanam.html?page=1

    https://omshivam.wordpress.com/trikal-sandhya/sandhya-vandan-mantra-vidhi/

    http://satyaveda.wordpress.com/sandhya-vandanam/

    http://www.vignanam.org/veda/nitya-sandhya-vandanam-devanagari.html

    Related.

    https://ramanisblog.in/2012/10/03/sandya-vandan-sandya-vandanam-textposturesprocedure-i/