Tag: Mandala City

  • Resonating Pyramid Glowing Third Eye Ecuador Vedic Mandala

    Meru in Sanskrit means Pyramid shaped,as in the Meru of the Devi.

    She is the consort of lord Shiva who shares His Body with Her.

    Black Pyramid, La Man.gif
    Black Pyramid, La Mana, Ecuador.

    And the third Eye is Unique to Lord Shiva.

    It is interesting to find a Black Pyramid, with The Third Eye in the dead center that glows under Ultraviolet Light.

    It is the Black Pyramid of La Mana, Ecuador.

    Black Pyramid Glwing Under Ultra Vilolet.gif
    Black Pyramid Glwing Under Ultra Vilolet.

    I have posted articles on the migration of the Vedic People to the Americas and archeological evidence is piling up.

    Nazca Lines of Peru, the relationship of Incas with Tamil of Mayas with Sanatana Dharma.

    Please refer my articles filed under Hinduism.

    Black Pyramid Glows.gif
    Black Pyramid Glows.
    Inscription on the Pyramid.gif
    Inscription on the Pyramid.La Mana

    Translation of the Balck Pyramid Inscription.gif
    Translation of the Balck Pyramid Inscription.

     

    The La Maná region has drawn attention for decades after the Head of the Ecuadorian Ministry of Mines Dr. E. Guillermo Sotomayor (1918-2009) made the surprise discovery of a cache of hundreds of ancient relics that included dozens of magnetic stone artifactswith inlaid designs that fluoresce under ultraviolet light. Sotomayor’s years of research concerning a set of 13 magnetic stone cups led him to recognize the astonishing purity and curative effects of the springwaters of these mystical mountains.

    Thick kaolinite clay beds filter rainwater while the activity of lightning and the presence of precious metals below ground imbues the water with trace gold and silver nanoparticles, forming the natural electrum colloid venerated by the pyramid-building Paleo-Sanskrit culture as the elixir of life: ‘Soma’…

    The most visible of these hidden ancient monuments is a riverfront pyramid construction that presents a triangular north-facing plane rising at a consistent inclination angle of 45° to its apex, over 70m in height. The symmetry of this ancient construction can be clearly observed from across the Calope River, while the apex platform and rear causeway are most visible from due west (above).

    This ancient monument has been named the Hummingbird Pyramid, after the great variety of local hummingbird species whose rhythmic wingbeats symbolized psychoacoustic influences among all ancient cultures of the Andes. The apex of the Hummingbird Pyramid (0.9978°S 79.2283°W) is situated closely along the 1° south latitude, 7,472 miles from the Great Pyramid of Giza, Egypt. This resonant distance interval represents 30.02% of the Earth’s mean circumference of 24,892 miles, exactly corresponding to the 2:3:5 Fibonacci proportional relationship known as the Golden Ratio.

    This sacred geopositioning relationship between the Great Pyramid and the La Maná pyramid complex was visually expressed in the designs of the UV fluorescent Third-Eye Pyramid and World Map stone artifacts. A pair of palm-sized octagonal stone disks engraved with UV fluorescent circles reference the mandala of Sanskrit tradition that has been decoded in previous works as thequantum iterated function [ zn+1 = zn2 ], expressing the global distribution pattern of infrasound standing waves….’

    Commonly referred to as Schumann Resonance, this fluctuating set of resonant planetary frequencies is composed of the sum of cosmic, solar, lunar, planetary and terrestrial vibrations that find continuity in the resonant cavity of Earth’s atmosphere. Earth’s energetic cocoon was extolled as the Akashic Field in votive passages from stone tablets preserved at Paleo-Sanskrit cultural sites on every inhabited continent of the world, praising the beneficial actions of Indra, the divine personification of resonant infrasonic influences from the planet Jupiter upon all living organisms of Earth.’

    This is a stone pyramid about ten inches high. It was found in the 1980s in the jungles of Ecuador, and this and other artifacts are referred to as La Mana artifacts.

    It is striking, at first sight, but there is a lot more to this out-of-place-artifact (or, oopart) than meets the eye.

    The stone is black and white, with thirteen levels of a brick pyramid engraved into it.

    There is also a cleverly inlaid eye at the top of the pyramid..

    Translation of the Inscription.

    The German site translates this line as:

    “The Son/Daughter of my creator moves/comes from outside into…” (Orion constellation inlay)

    This is the mirrored translation:

    “Venus mine, is from highest/creator Star”

    Vedic Connection.

    Su-ta ma ti kara as!

    Sutamam (सुतमाम्) most excellent
    Ati (अति) extremely
    Aakar (आकार) shape, configuration
    Aas or As (आस्) to be

    This is would pretty closely translate from Sanskrit as “This is an most excellent configuration’. This makes more sense when we take into the consideration that this inscription was found on an artifact that has to do with Orion constellation – a constellation that is visible from any point of the earth.

    Another La Mana inscription has been decoded as: “ash-ta-ma asta viupama as”. This was termed Pre-Sanskrit and translated as ” “Venus mine, is from highest/creator Star”. But the words probably have a more refined meaning if we look at it through the Sanskrit lens. Here are the meanings of the words”.

    Ashtamam – (अष्टमान) measure
    Ashtamah – (अष्टमः) eight
    Aashtamah – (आष्टम) eighth part
    Upamaa (उपमाम्) highest degree or compared with

    Asta (अस्त) sunset or decline.

    Citation.

    Black Pyramid La Mana

    Humming Bird Pyramid.

    Vedic Cafe

     

  • Arkaim, Russia Rig Vedic Mandala Swasthika City Of Hindu Gods

    The archeological finds at Arkaim, in the Southern Urals steppe, 8.2 kilometres (5.1 mi) north-to-northwest of Amurskiy, and 2.3 km (1.4 mi) south-to-southeast of Alexandronvskiy, two villages in the Chelyabinsk Oblast, Russia, just to the north from the Kazakhstani border, is treasure trove of archeologists.

    Swastika at Arkaim, Russia.jpg
    Decorative Swastkikas found at Arkaim.

    It is , based on the findings so far, indicates strong Sumerian and Vedic influences.

    Temple built by Yama is found there.

    The whole city seems to have been built by the Mandala concept of the Rig Veda.

    Arkaim,Rusia.jpg
    Arkaim, built with Rig Veda Mandala Principle.


    The site is generally dated to the 17th century BC. Earlier dates, up to the 20th century BC, have been proposed. It was a settlement of the Sintashta-Petrovka culture. Newly found artifacts make the site itself much older; scientists agree on it being at least as old as Troy and the Egyptian pyramids; it dates back to the 4th millennium BC. It is said to be older then Stonehenge (3300 BC)…

    During the excavations of Arkaim no jewellery was found, no masterpieces of ancient art, no unknown writings, nor other such treasures – only fragments of broken ceramic ware, bones of domestic and wild animals, an occasional stone tool and even more rare, bronze tools. But even those common things are not well presented at Arkaim. The collection of artifacts is so poor and unimpressive, that it is not possible to make a museum exhibit appropriate to the site. Therefore, from the point of view of archeologists, the main value of the ruins was, and probably will be, the design of the structures itself and their lay-out.

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    Arkaim Settlement, Russia.

    The structures were tall; they had solid walls, gallery ceilings, wood-paved roadways, second floors and high wooden towers. Nowadays, archeologists have a more complete picture of how the settlement in the Arkaim Valley looked at the time of its peak, and it is quite impressive. First of all it is important to emphasize the point that this large settlement was not a collection of separate structures, but an all-inclusive design and construction. The total area extends to about twenty thousand square meters (twenty-four thousand square yards), and the settlement ground-plan is comprised of two circles, one inside the other, made of massive defensive walls.

    The external wall is about 160 meters (500 feet) in diameter. It was surrounded by a ditch 2 meters (6.5 feet) wide, filled with water. The external wall is very massive, 5.5 meters (16 feet) high and five meters wide. It was constructed of timbered cages filled with soil and added lime, and an outer facing of cob blocks. Four entries were designated in the wall: the largest-one southwesterly and three smaller ones located on opposite sides.

    Inside the city entrance is the only ring-shaped street, about 5 meters (18 feet) wide, that separates dwellings adjoining the external wall from the internal ring-shaped wall. As mentioned above, the street had timbered flooring under which, along its full length, the 2 meter-wide (6 feet) ditch was dug which connected to the external ditch. Thus, the city had their storm water drain, the overflow of water filtered through the timbered roadway into the ditch which then went into the external ditch.

    The circles of the dwellings were divided into sectors by radial walls, spaced in between every two premises. In the plan they look similar to wheel spokes. There were thirty-five dwellings at the external wall and twenty-five dwellings at the internal one.

    One end of every dwelling adjoined either the external or the internal wall, and faced either the main ring-shaped street or the central square. In an improvised hall there was a special water drain which went into the ditch under the main street. Yes, as we saw earlier, ancient Aryans had a water drain! Furthermore, each dwelling enjoyed a well, a furnace and a small dome-shaped storage place.

    From the well, above the water level, two earthen pipes branched off. One of them went to the furnace, another one to the dome-shaped storage place. What for? The most ingenious things are often simple. We all know that if one looks into a well one feels a flow of cool air. And so in the Aryan furnace, this cool air, passing through the earthen pipe, created a draught of such power, that they could mould bronze without use of bellows. It appears that each dwelling had such a furnace and ancient metal smiths only needed to perfect their skills to compete in this art. Another earthen pipe provided air to the storage place, of a lower temperature than the ambient air: some type of a refrigerator?

    The central square that crowns Arkaim is approximately 25 by 27 meters (82 by 88 feet). Judging by the remnants of the fire places which were situated in specific locations, this was the square to fulfill certain sacraments.

    The complicated and well planned internal lay-out of dwellings and ring-shaped streets made a sophisticated trap for uninvited visitors, in the divide between the external defensive wall and other fortifications as well as an efficient storm water drainage system. Even the colors of the “facing materials” used by ancient Arkaim inhabitants were functionally and aesthetically significant.

    Further on, we see the ring of the internal wall with a puzzling purpose. It is even more massive than the external wall, being 3 meters wide (9 feet) by 7 meters high (22 feet). This wall, according to excavation data, has no entry, except for a small doorway in the southeast which isolates the twenty-five internal premises from all the rest. To approach the small entry in the internal ring, one had to go along the whole length of the ring-shaped street.

    They realized that its lay-out, the ground-plan of Arkaim, is related to the Mandala principle, a square inside a circle – one of the basic sacred symbols of Buddhist philosophy.

    The word Mandala is translated as a circle or disk. In the ancient Rig-Veda writings, where it has been first described, the word has a set of values: a wheel, a ring, the country, space, society, gathering.

    The symbolic meaning of a Mandala is understood all over the world as a model of the Universe, even of the entire cosmos, where the two most important principles present in our Universe are represented in the form of a circle and a square. Arkaim, with its dwellings, having adjoining rooms, might possibly represent the “wheel of time”, where every aspect is defined by the previous one and in turn, defines the next one.

    Did these ancient sages, perfectly familiar with the structure of the Universe, see how harmoniously and naturally it is arranged and therefore, constructed their city as a mini-Universe? And the engineering genius of these ancient builders, which we already explored, is equally admirable.

    And now, further into these explorations, come more far-reaching conclusions which can be taken as a key to the most important riddle of Arkaim: In the ‘Land of Cities’, its most amazing distinction is not any richness of artifacts, but it’s surprisingly high level of spiritual culture. It represents a special world that in many aspects is permeated with spirituality, from settlement and funeral architectural forms to sculptured images chiseled into stone.

    Citation.

    Rig Vedic Mandala City

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