‘One as the word and its meaning’ Abirami Andhadai
Women are regarded as Mother and The Taittriya says first respect is for Mother,
Matru Devo Bhava.Great Rishis like Kathyayani,Gargi were women.
“”What differentiates the Hindu brilliance in logic and rational thought from its Hellenistic parallel is that Hindus were very aware of the intellect’s limitations. They understood that only the feminine intuitive mind was capable of grasping the deepest spiritual truths in powerful flashes on intuition.”
Some of them are.
Gargi Vachaknavi – A female Rishi who challenged Yajnavalkya on questions relating to the human soul.
Maitreyi.
Lopamudra – Wife of Sage Agastya
Andal – A 8th century Tamil saint-poet and one of the twelve Alvars.
Karaikkal Ammeiyar – A 6th century Tamil saint-poet, one of the sixty three Nayanmars
Mangayarkkarasiyar – A Pandya Queen, wife of King Nedumaranan, one of the sixty three Nayanmars
Isaignaniyaar – A Tamil saint-poet, one of sixty three Nayanmars
Avvaiyar – A Sangam period Tamil saint-poet, ethicist, social reformer.
Akka Mahadevi – A prominent figure and Kannada poet of the 12th century Veerashaiva Bhakti movement.
Mirabai – Hindu mystical poet and a devotee of Krishna whose bhajans are sung all over India.
Lalleshwari – Hindu saint-poetess, and a mystic of the Kashmiri Shaivites.
“”A girl also should be brought up and educated with great effort and care.” (Mahanirvana Tantra); and “All forms of knowledge are aspects of Thee; and all women throughout the world are Thy forms.” (Devi Mahatmya)
Women, who so desired, could undergo the sacred thread ceremony or ‘Upanayana‘ (a sacrament to pursue Vedic studies), which is only meant for males even to this day. The mention of female scholars and sages of the Vedic age like Vac, Ambhrni, Romasa, Gargi, Khona in the Vedic lore corroborates this view. These highly intelligent and greatly learned women, who chose the path of Vedic studies, were called ‘brahmavadinis’, and women who opted out of education for married life were called ‘sadyovadhus’. Co-education seems to have existed in this period and both the sexes got equal attention from the teacher. Moreover, ladies from the Kshatriya caste received martial arts courses and arms training”
Wifehood in the Vedic Era
As in present, after marriage, the girl became a ‘grihini’ (wife) and was considered ‘ardhangini’ or one half of her husband’s being. Both of them constituted the ‘griha’ or home, and she was considered its ‘samrajni’ (queen or mistress) and had an equal share in the performance of religious rites.
Divorce, Remarriage & Widowhood
Divorce and remarriage of women were allowed under very special conditions. If a woman lost her husband, she was not forced to undergo the merciless practices that cropped up in later years. She was not compelled to tonsure her head, nor was she forced to wear red sari and commit ‘sahagamana’ or dying on the funeral pyre of the dead husband. If they chose to, they could live a life of a ‘sanyasin’ or hermit, after the husband passed away.
”
Polyandry
One can only grudgingly admit that there are few references of polyandry in the Vedas. In the
marriage hymn of Rigveda
xxxi
, Surya is married to Aswins. The marriage of Rudasi with Maruts
is also find place in it.
xxxii
There are some passages in which the wife is mentioned in connection
with husband in plural.
xxxiii
It is interesting to note that later Vedic literature do not approve
polyandry though legalize the polygamy.
xxxiv
Widow Marriage
As in the case of a widower, the widows are allowed to marry again. It may sound strange, but
the funeral hymn in Vedas exhorts widow to marry the one who holds her hand is willing to
marry.
xxxv
It also shows that the brother of the deceased took charge of the widow. Atharveda
too mentions of women marrying second time.
xxxvi
The passages do not suggest that the women
should marry only her brother-in-law.
xxxvii
Sati
Atharvaveda
xxxviii
, however, shows a strange funeral ritual of the Vedic age, which has preserved
some formalities similar to the custom of Sati. It depicts a widow lying by the side of her
husband’s corpse on the funeral pyre and being asked to come down. A prayer was offered that
she should lead a prosperous life, enjoying the bliss of children and wealth. The passage is open
for interpretation either way.
Niyog
/Levirate
Women’s right to have children was granted by the practice of
Niyoga
/Levirate.
xxxix
As there are
few instances of remarriage of widows, and in the absence of clear injunction of widow-
marriages, one can safely assume that this practice was more popular than remarriages.
Religious and Social life of Women
The Vedic society was quite free and did not pose much restriction upon the free movement of
their women. They were educated along with boys of their own age, free to move with them,
5
approach them for marriages and took part in sports and extra curricular activities, of course
within the accepted norms and customs of the society. We do not come across the system of
purdah in the Vedic society. Even the life after marriage does not change much in their social
interaction. The marriage hymn itself requires th
e bride to be shown to all the assembled guests
at the end of the marriage rituals.
xl
The practice still continues in Hindu marriages. It is also
hoped that the bride will be able to speak with
composure in public assemblies down to her old
age.
xli
The presence of ladies in social and public gathering therefore, was a normal feature in
Vedic time.
xlii
They were quite free to associate them
selves with others on the occasion of
festivals and rejoicing.
xliii
The Vedic Aryans were
mostly occupied in military activities
as they were engaged in the task of
carving a homeland for themselves. They had, therefore, to rely upon a greater degree of
cooperation from their women folk. Women are depicted in Vedic literature as taking part in
agriculture and in manufacture of bows, arrows and other war materials. They were also engaged
in weaving cloth, dying, embroidery and basket-making. They were also engaged in teaching,
independent of their man-counterpart. The cultivation of fine arts like music, dancing and
painting was the domain of the women only. Musical reciting of the Sama-hymns was the special
function of ladies.
xliv
The Vedas regard women as untouchable during her monthly period. This temporary impurity is
assigned to their taking over from India one third of the sin of Brahmana murder, which he
incurred when he killed Vritra.
xlv
Child bearing is regarded as the special function of women,
and evil spirits are believed to be very of anxious to visit them during their periods to prevent
conception. They may also harm her husband. One stanza in Vedic hymn prays that the bride
should have no evil eye and hopes that she would not be the cause of the sudden death of her
husband.
xlvi
During the time of confinement, the women are regarded as impure as the
phenomenon of menstruation is considered to be repeated at the child birth.
Location: Kodikulam(Old name Jothiskudi),Madurai District ,Tamil Nadu.
Lord Vedanarayana graces from a small shrine alone. Mothers are not with him. Creator
Lord Brahma appears with one head (Brahamma has four heads) as He performed penance here.
The feet of Perumal are placed in the cave where once the feet of Srirangam Perumal adored.
There was a saint managing the Srirangam temple named Nampillai praised by the Vaishnava world as Lokachariar.
He had a devout disciple Vallal Vadakku Thiruveedhi Pillai who was blessed with a male child in 1205 in Aipasi (October-November) on Tiruvonam star day.
He named the child Pillai Lokachariar remembering his Guru. The child grew in learning and was devoted to the service of the Lord.
Foreigners invaded Srirangam targeting the temple. Lokachariar was 118 then.
Despite his age, he wanted to save the procession deity Azhagia Manavalan.
He covered the sanctum sanctorum of the presiding deity by a wall, installed some idols there and carried the real procession deities in a covered palanquin and moved towards south with his disciples.
He came to Kodikulam enduring untold sufferings.
He worshipped Lord Vedanarayana, hid Azhagia Manavalar and performed pujas.
The invaders came to this place too. Lokachariar took the Perumal and reached the top of the hill.
When he came down holding the plants and trees for support, he fell down.
Even at such a critical time, Lokachariar held Perumal closely on his chest to avoid any injury to Him and fell down with his back to the ground.
He was seriously injured. He lived just three days then and attained salvation on Jeshta Suddha Dwadasi in the month of Aani (June-July).
Small creatures as flies and ants that had his touch also attained salvation.
His disciples used the garlands and the vastras on Lord for his funeral and buried him there itself.
They stayed there for a month and completed the rituals as per rules.
They returned to Srirangam after 48 years with the procession deity.
Later, a separate shrine was built for Pillai Lokachariar in Kodikulam. On Tiruvonam star days, being the birth of the saint, special pujas are performed in the shrine. Perumal holds Mahalakshmi on His chest. But Pillai Lokachariar held Perumal Himself on his chest. Kodikulam (Jotishkudi) where he attained salvation is near Madurai.
Lord Vedanarayana is in a small shrine alone without His consorts.
Creator Brahma performed penance here as a Brahmin with one head.
He is near Perumal.
Contact Information.
Temple Time: Opens at 8am… Priest can be contacted on the below number and he can open the Sannidhi for the devotees anytime during the day.
Priest : Veera Raghava Bhattar @ 94426 22181(Check the Number).
How to reach.
Number of mini buses from Y. Othakadai to Kodikulam.
One can also visit the Yoga Narasimha temple at Narasingam and take an auto from there to this Sannidhi.
I generally avoid them because , in most cases, these are shows where people with very minimal talent trying to get exposure on the only qualifications they have ,Money and Influence.
This impression is because of my visit to some Arangetrams of Dance programmes.
I was proved wrong.
What was on display was a Collection of Paintings , belonging to various Genre,Pencil,Charcoal, Water Colors, Oil Painting.
Though not a connoisseur of Arts, I enjoy if some thing looks good.
Another interesting feature of this show is the fact that most of them are Amateurs, women with a Family to take are.
Art on display,Bangalore.Shiva PaintingArt Show.Corridor 3D
There was one pencil sketch of a child, which was vibrant with Life.
I shall try to get the image from the owner and post
The temple of Ekaveera Devi at Mahur ,Maharashtra is the plae where the Devi’s Navel fell and the Goddess Ekaveera Devi’s Temple is one of the Four Half Goddess’s among the four, the others being Kolahpur, Tuljapur and Sapthashrungi.
Ekaveera Devi,Shakti Peeta
These are called thus because only the Head of The Goddess is visible.
There versions that this is the place where the Devi’s Right Breast.
Legend:
Renuka mata is the consort of Jamadagni maharshi. She usually brought water from river in a freshly made wet pot. But one day she saw Gandharvas enjoying in river, at that time she got worldly desires, so she was unable to create pot. After reaching Ashram without water, Jamadagni mahrashi identified her worldly desires and ordered his son Parasu Rama to separate her head. Parasu Rama obeyed his fathers order and cut her mothers head. The separated head of Renuka mata was Ekaveera devi. Remaining body was Renuka mata. After that on request of Parasu Rama, Jamadagni gave life to Renuka mata.
Ekaveera mata is the power present in axe of Parasurama. With this power only Parasu Rama cleaned Earth 21 times by kílling all kings on Earth.
Atri Anasuya ashram also present here. Dattatreya born to them here. Lord Dattaterya will come and sleep here every day.
Other places ,Mahur.
1.Renuka mata temple
2. Jagadguru Dattatreya swamy temple
3. Atri and Anasuya temple
4. Devdeveswar mandir
5. Matru teertha
6. Mahur fort
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